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#715d39

Ranked by perceptual distance

Works near #715d39

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 1.8 · near-exact

    41% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 2.7 · very close

    33% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 3.8 · very close

    35% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 6.8 · close

    49% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 0.3 · near-exact

    16% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 1.3 · near-exact

    21% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 2.9 · very close

    29% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.0 · near-exact

    24% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 2.7 · very close

    27% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 1.5 · near-exact

    21% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.3 · close

    38% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.6 · very close

    29% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.3 · close

    42% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 3.3 · very close

    27% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 3.1 · very close

    26% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 3.3 · very close

    25% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 5.2 · close

    34% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 5.3 · close

    34% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.1 · very close

    17% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 1.9 · near-exact

    15% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 2.7 · very close

    19% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 4.3 · very close

    27% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 4.1 · very close

    26% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 7.2 · close

    41% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.6 · very close

    23% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 4.2 · very close

    26% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 2.4 · very close

    17% of canvas

  • Borders by Egypt, Fatimid period (969–1171)

    Borders

    Egypt

    ΔE 3.7 · very close

    23% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.3 · close

    30% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 3.0 · very close

    18% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.3 · close

    34% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.0 · close

    32% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 5.8 · close

    31% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 17.0 · loosely related

    86% of canvas

  • Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48 by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of the Painter, Jean Paul Laurens, Painter at the age of 48

    Jules Clément Chaplain

    ΔE 3.4 · very close

    18% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 5.1 · close

    27% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 2.8 · very close

    15% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 7.6 · close

    39% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 5.6 · close

    29% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 2.6 · very close

    14% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 3.9 · very close

    20% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 1.6 · near-exact

    8% of canvas

  • Fragment by Egypt, 4th-6th century

    Fragment

    Egypt

    ΔE 2.9 · very close

    14% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 5.9 · close

    29% of canvas

  • Qur'an by Islamic, Ottoman Egypt (1517–1867), c.1816

    Qur'an

    Islamic

    ΔE 1.6 · near-exact

    7% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.6 · close

    32% of canvas

  • Cart on Road Flanked by Inn and Windmill by Thomas Richard Colman Dibdin, n.d.

    Cart on Road Flanked by Inn and Windmill

    Thomas Richard Colman Dibdin

    ΔE 3.4 · very close

    16% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 11.7 · close

    57% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.4 · close

    30% of canvas

  • Amphora (Storage Jar) by Michigan Painter, 490-480 BCE

    Amphora (Storage Jar)

    Michigan Painter

    ΔE 2.4 · very close

    11% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 4.2 · very close

    19% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.4 · close

    30% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 5.1 · close

    23% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 9.1 · close

    43% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 6.1 · close

    28% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 10.5 · close

    49% of canvas

  • The Death by John Dean Paul, 1825

    The Death

    John Dean Paul

    ΔE 2.4 · very close

    9% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 5.1 · close

    22% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 10.3 · close

    48% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.7 · close

    25% of canvas

What ΔE means, and what this does not measure