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#775b54

Ranked by perceptual distance

Works near #775b54

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 0.3 · near-exact

    33% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 14.5 · loosely related

    86% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 16.3 · loosely related

    91% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 4.4 · very close

    31% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 4.6 · very close

    27% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.9 · close

    49% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 7.5 · close

    35% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 12.1 · loosely related

    57% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.3 · close

    38% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 12.1 · loosely related

    57% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 10.7 · close

    49% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 6.7 · close

    29% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 12.4 · loosely related

    57% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 2.3 · very close

    4% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 15.2 · loosely related

    68% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 3.9 · very close

    11% of canvas

  • Comb by Spain, c. 1885

    Comb

    Spain

    ΔE 4.0 · very close

    11% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 11.6 · close

    48% of canvas

  • Fragment Displaying Stepped-Fret Motif by Nasca, About 200-500

    Fragment Displaying Stepped-Fret Motif

    Nasca

    ΔE 5.5 · close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.9 · very close

    14% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 6.5 · close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.5 · close

    30% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 14.3 · loosely related

    58% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 13.1 · loosely related

    52% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 6.5 · close

    19% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 6.0 · close

    16% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 7.5 · close

    23% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.8 · close

    24% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 17.0 · loosely related

    70% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 8.4 · close

    27% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 10.9 · close

    39% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.2 · close

    26% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 10.0 · close

    34% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 8.0 · close

    23% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 7.5 · close

    21% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 9.8 · close

    32% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 16.8 · loosely related

    66% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 15.8 · loosely related

    61% of canvas

  • Head of a Child or Woman by Ancient Greek, 2nd-1st century BCE

    Head of a Child or Woman

    Ancient Greek

    ΔE 4.6 · very close

    4% of canvas

  • La Poule by George Cruikshank, published June 4, 1817

    La Poule

    George Cruikshank

    ΔE 6.6 · close

    14% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 12.9 · loosely related

    46% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 13.5 · loosely related

    49% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 5.1 · close

    7% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 12.3 · loosely related

    42% of canvas

  • Stamnos (Mixing Jar) by Chicago Painter, about 450 BCE

    Stamnos (Mixing Jar)

    Chicago Painter

    ΔE 5.5 · close

    8% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 13.2 · loosely related

    46% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 12.4 · loosely related

    42% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 11.2 · close

    36% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 6.7 · close

    13% of canvas

  • Velvet by Italy, 1600/50

    Velvet

    Italy

    ΔE 7.9 · close

    19% of canvas

  • Border by France, c. 1810

    Border

    France

    ΔE 6.6 · close

    12% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 8.8 · close

    23% of canvas

  • Plate by China, 1760/70

    Plate

    China

    ΔE 8.1 · close

    19% of canvas

  • Head of a Grotesque Wearing Wreath by Ancient Greek, 2nd-1st century BCE

    Head of a Grotesque Wearing Wreath

    Ancient Greek

    ΔE 6.1 · close

    9% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 10.9 · close

    33% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 10.7 · close

    31% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, 640-625 BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 6.3 · close

    9% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 5.3 · close

    4% of canvas

  • Border by Egypt, probably Akhmin, Greco–Roman period (30 BCE– 641 CE), 4th/5th century

    Border

    Egypt, probably Akhmin

    ΔE 8.6 · close

    20% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 11.3 · close

    33% of canvas

What ΔE means, and what this does not measure