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#7c6a43

Ranked by perceptual distance

Works near #7c6a43

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 0.2 · near-exact

    23% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 2.7 · very close

    34% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 2.0 · near-exact

    29% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.0 · close

    57% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 2.6 · very close

    25% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.0 · close

    41% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 2.5 · very close

    24% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 3.1 · very close

    27% of canvas

  • Portion of a Waistcoat (Front) by France, Lyon, 1775/1800

    Portion of a Waistcoat (Front)

    France, Lyon

    ΔE 1.5 · near-exact

    18% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 5.7 · close

    38% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.9 · very close

    34% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.0 · very close

    29% of canvas

  • View of San Miniato and San Francesco al Monte Outside Florence by Valerio Spada, n.d.

    View of San Miniato and San Francesco al Monte Outside Florence

    Valerio Spada

    ΔE 1.5 · near-exact

    16% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 4.5 · very close

    31% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 5.2 · close

    34% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 6.5 · close

    41% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 4.6 · very close

    31% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.9 · very close

    32% of canvas

  • Venus and Adonis (?) with the Duck Hunt by Jacques Geubels, I, c. 1600

    Venus and Adonis (?) with the Duck Hunt

    Jacques Geubels, I

    ΔE 2.1 · very close

    17% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.7 · close

    45% of canvas

  • Judgement of Paris by Workshop of Paolo Veronese, 17th century

    Judgement of Paris

    Workshop of Paolo Veronese

    ΔE 3.1 · very close

    22% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 2.7 · very close

    19% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 17.0 · loosely related

    91% of canvas

  • Miniature Pyxis (Container for Personal Objects) by Ancient Greek, 300-270 BCE

    Miniature Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 1.9 · near-exact

    16% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 5.0 · close

    30% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 3.9 · very close

    24% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 2.1 · very close

    15% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 7.7 · close

    43% of canvas

  • Miracle of the Loaves and Fishes by Tintoretto, n.d.

    Miracle of the Loaves and Fishes

    Tintoretto

    ΔE 5.0 · very close

    29% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 4.6 · very close

    28% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.0 · very close

    29% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 3.3 · very close

    20% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 7.9 · close

    43% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.2 · very close

    24% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 6.5 · close

    35% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.0 · close

    38% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 9.3 · close

    49% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 2.9 · very close

    17% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 4.7 · very close

    26% of canvas

  • Panel by France or England, c. 1725

    Panel

    France or England

    ΔE 5.0 · close

    27% of canvas

  • Castle on Lake by Unknown artist, n.d.

    Castle on Lake

    Unknown artist

    ΔE 3.4 · very close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.5 · very close

    25% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 4.9 · very close

    27% of canvas

  • Fragment by France, Lyon, 1775/1800

    Fragment

    France, Lyon

    ΔE 2.7 · very close

    15% of canvas

  • Cart on Road Flanked by Inn and Windmill by Thomas Richard Colman Dibdin, n.d.

    Cart on Road Flanked by Inn and Windmill

    Thomas Richard Colman Dibdin

    ΔE 2.9 · very close

    16% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 4.1 · very close

    22% of canvas

  • Sacrifice of Jeptha's Daughter by François Boitard, n.d.

    Sacrifice of Jeptha's Daughter

    François Boitard

    ΔE 4.6 · very close

    24% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 6.7 · close

    35% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 5.1 · close

    26% of canvas

  • Man Kneeling Before Veiled Woman with Mosque in Background by Johann August Rossmassler, n.d.

    Man Kneeling Before Veiled Woman with Mosque in Background

    Johann August Rossmassler

    ΔE 1.8 · near-exact

    10% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 5.9 · close

    31% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.9 · close

    30% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 5.0 · very close

    26% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.8 · close

    30% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 5.4 · close

    27% of canvas

  • Young Woman on Galloping Horse by Johann August Rossmassler, n.d.

    Young Woman on Galloping Horse

    Johann August Rossmassler

    ΔE 3.3 · very close

    16% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 3.2 · very close

    16% of canvas

  • Portrait Bust of an Old Man Wearing Hat and Overcoat by Jean Jacques de Boissieu, n.d.

    Portrait Bust of an Old Man Wearing Hat and Overcoat

    Jean Jacques de Boissieu

    ΔE 3.6 · very close

    17% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 4.3 · very close

    21% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.7 · very close

    17% of canvas

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