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#8c6659

Ranked by perceptual distance

Works near #8c6659

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.8 · very close

    31% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 16.4 · loosely related

    91% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 0.3 · near-exact

    7% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 5.1 · close

    30% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 6.3 · close

    33% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 4.3 · very close

    21% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.5 · close

    37% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 3.4 · very close

    16% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 8.1 · close

    39% of canvas

  • Statuette of a Siren by Ancient Greek, 3rd-1st century BCE

    Statuette of a Siren

    Ancient Greek

    ΔE 2.0 · near-exact

    8% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 2.1 · very close

    8% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 9.4 · close

    44% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 9.2 · close

    43% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 10.4 · close

    49% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 5.1 · close

    22% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 5.3 · close

    22% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.7 · close

    24% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 4.0 · very close

    15% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 2.5 · very close

    7% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 7.7 · close

    33% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 8.0 · close

    34% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 11.1 · close

    49% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 3.2 · very close

    9% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 6.4 · close

    25% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 4.7 · very close

    16% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.3 · close

    23% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 6.7 · close

    24% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 4.0 · very close

    11% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 9.1 · close

    35% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 13.4 · loosely related

    57% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.5 · close

    27% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 5.7 · close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 8.8 · close

    32% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.7 · close

    16% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 7.2 · close

    23% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 19.8 · loosely related

    86% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 7.0 · close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.2 · close

    23% of canvas

  • La Poule by George Cruikshank, published June 4, 1817

    La Poule

    George Cruikshank

    ΔE 5.6 · close

    14% of canvas

  • Border by France, c. 1810

    Border

    France

    ΔE 5.1 · close

    12% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 9.7 · close

    35% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 3.6 · very close

    4% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 9.1 · close

    31% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 4.4 · very close

    8% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 11.6 · close

    43% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 12.7 · loosely related

    49% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 11.5 · close

    43% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 7.7 · close

    23% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 6.6 · close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.2 · close

    20% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 5.0 · close

    9% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 9.1 · close

    30% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 12.8 · loosely related

    48% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 9.9 · close

    33% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 7.0 · close

    19% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, 640-625 BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 5.1 · close

    9% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 6.4 · close

    16% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 17.0 · loosely related

    68% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 6.0 · close

    12% of canvas

  • Fragmentary Figurine of a Monkey by Ancient Greek, 3rd-1st century BCE

    Fragmentary Figurine of a Monkey

    Ancient Greek

    ΔE 4.4 · very close

    3% of canvas

What ΔE means, and what this does not measure