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#8e7b34

Ranked by perceptual distance

Works near #8e7b34

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 0.3 · near-exact

    16% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.6 · close

    57% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 6.6 · close

    41% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 8.0 · close

    47% of canvas

  • Man Kneeling Before Veiled Woman with Mosque in Background by Johann August Rossmassler, n.d.

    Man Kneeling Before Veiled Woman with Mosque in Background

    Johann August Rossmassler

    ΔE 5.5 · close

    33% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 7.2 · close

    41% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 13.3 · loosely related

    71% of canvas

  • The View from Komagata Hall, from the series "Eight Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)" by Torii Kiyonaga, c. 1782

    The View from Komagata Hall, from the series "Eight Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)"

    Torii Kiyonaga

    ΔE 4.5 · very close

    22% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 9.1 · close

    45% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 5.5 · close

    27% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 7.4 · close

    35% of canvas

  • Young Woman on Galloping Horse by Johann August Rossmassler, n.d.

    Young Woman on Galloping Horse

    Johann August Rossmassler

    ΔE 8.2 · close

    39% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.1 · close

    23% of canvas

  • Right Honourable Edward Carey by Samuel Percy, 1780/1800

    Right Honourable Edward Carey

    Samuel Percy

    ΔE 2.4 · very close

    10% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 7.2 · close

    34% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 9.1 · close

    43% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 11.9 · close

    56% of canvas

  • Old Farmhouse by Unknown artist, n.d.

    Old Farmhouse

    Unknown artist

    ΔE 4.6 · very close

    20% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 9.2 · close

    43% of canvas

  • Panel by France, Early 18th century

    Panel

    France

    ΔE 6.8 · close

    31% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 12.3 · loosely related

    58% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.0 · close

    41% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 6.0 · close

    26% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 9.2 · close

    42% of canvas

  • Landscape with Ruined Arch near Water, and Mountains in Distance by Style of Giovanni Francesco Grimaldi, n.d.

    Landscape with Ruined Arch near Water, and Mountains in Distance

    Style of Giovanni Francesco Grimaldi

    ΔE 4.6 · very close

    18% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.5 · very close

    17% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 15.1 · loosely related

    69% of canvas

  • The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790 by Katsukawa Shun'ei, c. 1790

    The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790

    Katsukawa Shun'ei

    ΔE 5.3 · close

    20% of canvas

  • Rural Sports, or How to Show Off a Well-shaped Leg by Thomas Rowlandson, published October 1811

    Rural Sports, or How to Show Off a Well-shaped Leg

    Thomas Rowlandson

    ΔE 7.1 · close

    29% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 12.1 · loosely related

    53% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 5.6 · close

    21% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 12.1 · loosely related

    53% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 3.9 · very close

    12% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 6.8 · close

    26% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 5.4 · close

    19% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 9.2 · close

    38% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 9.5 · close

    38% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 8.5 · close

    33% of canvas

  • On the Road by Jules Dupré, 1856

    On the Road

    Jules Dupré

    ΔE 3.6 · very close

    9% of canvas

  • Panel by France or England, c. 1725

    Panel

    France or England

    ΔE 7.5 · close

    27% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 14.8 · loosely related

    64% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 10.5 · close

    42% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 8.6 · close

    33% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 3.3 · very close

    6% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.8 · very close

    13% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 13.4 · loosely related

    56% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 7.2 · close

    24% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 9.7 · close

    37% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 14.2 · loosely related

    59% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 8.4 · close

    29% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 7.1 · close

    23% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.8 · close

    16% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 6.2 · close

    18% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 11.2 · close

    43% of canvas

  • Portrait Bust of an Old Man Wearing Hat and Overcoat by Jean Jacques de Boissieu, n.d.

    Portrait Bust of an Old Man Wearing Hat and Overcoat

    Jean Jacques de Boissieu

    ΔE 6.2 · close

    17% of canvas

  • Portrait of a Woman by Isaac Gosset, 1750/55

    Portrait of a Woman

    Isaac Gosset

    ΔE 4.2 · very close

    7% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 7.7 · close

    24% of canvas

  • Panel by France, c. 1738/42

    Panel

    France

    ΔE 7.4 · close

    22% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 15.6 · loosely related

    63% of canvas

  • Lord George Manners by Isaac Gosset, 1746

    Lord George Manners

    Isaac Gosset

    ΔE 4.2 · very close

    6% of canvas

What ΔE means, and what this does not measure