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#935238

Ranked by perceptual distance

Works near #935238

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 1.9 · near-exact

    27% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 2.9 · very close

    31% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 4.2 · very close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.0 · very close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.9 · very close

    37% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 4.2 · very close

    33% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.4 · very close

    34% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 7.8 · close

    49% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 3.2 · very close

    25% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 2.4 · very close

    21% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 12.0 · loosely related

    68% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 2.4 · very close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.0 · very close

    27% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 2.8 · very close

    21% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.6 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.4 · very close

    22% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 1.6 · near-exact

    14% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 9.1 · close

    48% of canvas

  • The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790 by Katsukawa Shun'ei, c. 1790

    The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790

    Katsukawa Shun'ei

    ΔE 0.3 · near-exact

    3% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 3.0 · very close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 2.9 · very close

    16% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 4.3 · very close

    23% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 4.9 · very close

    25% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 5.3 · close

    25% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 8.2 · close

    39% of canvas

  • Pyxis (Container for Personal Objects) by Euaion Painter, 450-440 BCE

    Pyxis (Container for Personal Objects)

    Euaion Painter

    ΔE 2.4 · very close

    9% of canvas

  • The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789 by Katsukawa Shunkо̄, c. 1789

    The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789

    Katsukawa Shunkо̄

    ΔE 2.3 · very close

    8% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 5.2 · close

    22% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 5.3 · close

    23% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 10.6 · close

    49% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 6.8 · close

    30% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 5.5 · close

    23% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 8.0 · close

    35% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 3.4 · very close

    12% of canvas

  • Fragment (Border) by Nasca, possibly 500-600

    Fragment (Border)

    Nasca

    ΔE 9.7 · close

    43% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.4 · close

    21% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 6.2 · close

    25% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 4.9 · very close

    18% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.8 · close

    27% of canvas

  • Fragment by Italy, 1775/1800

    Fragment

    Italy

    ΔE 4.6 · very close

    16% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 5.1 · close

    17% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.6 · close

    19% of canvas

  • Panel by Italy, 1450-1500

    Panel

    Italy

    ΔE 7.6 · close

    28% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 10.9 · close

    45% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 8.3 · close

    31% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 4.0 · very close

    10% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.5 · very close

    12% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.4 · close

    26% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.2 · close

    30% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.2 · close

    24% of canvas

  • Fragment by Spain, 1601/25

    Fragment

    Spain

    ΔE 7.0 · close

    23% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 6.3 · close

    19% of canvas

  • Fragment by Peru, south coast, Possibly Nazca Valley

    Fragment

    Peru, south coast, Possibly Nazca Valley

    ΔE 8.3 · close

    27% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 4.7 · very close

    9% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 5.3 · close

    12% of canvas

  • Border by France, c. 1810

    Border

    France

    ΔE 5.3 · close

    12% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 4.8 · very close

    9% of canvas

  • Tea Bowl by China, c. 1750

    Tea Bowl

    China

    ΔE 3.9 · very close

    4% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.1 · close

    20% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 6.3 · close

    16% of canvas

What ΔE means, and what this does not measure