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#998e78

Ranked by perceptual distance

Works near #998e78

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 3.5 · very close

    49% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 7.3 · close

    68% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 8.1 · close

    71% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 12.4 · loosely related

    91% of canvas

  • The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790 by Katsukawa Shun'ei, c. 1790

    The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790

    Katsukawa Shun'ei

    ΔE 3.9 · very close

    48% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 4.0 · very close

    47% of canvas

  • Woman Carrying Water Jar by Raphael, 17th century

    Woman Carrying Water Jar

    Raphael

    ΔE 3.3 · very close

    41% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 9.1 · close

    69% of canvas

  • Front View of Seated Lioness by Frederik William Zurcher, n.d.

    Front View of Seated Lioness

    Frederik William Zurcher

    ΔE 1.0 · near-exact

    27% of canvas

  • King Henry of France and Saint Bernard of Clairvaux by Johann Christoph Lischka, n.d.

    King Henry of France and Saint Bernard of Clairvaux

    Johann Christoph Lischka

    ΔE 1.7 · near-exact

    30% of canvas

  • Fighting Knights Before Castle by Sir Robert Ker Porter, c. 1800

    Fighting Knights Before Castle

    Sir Robert Ker Porter

    ΔE 1.4 · near-exact

    28% of canvas

  • The Inferno According to Dante, from the Campo Santo Frescos in Pisa by Baccio Baldini, 1480/1500

    The Inferno According to Dante, from the Campo Santo Frescos in Pisa

    Baccio Baldini

    ΔE 2.1 · very close

    31% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 7.6 · close

    58% of canvas

  • Portrait of Edouard Molé by Robert Nanteuil, 1653

    Portrait of Edouard Molé

    Robert Nanteuil

    ΔE 1.6 · near-exact

    27% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 9.0 · close

    64% of canvas

  • The Nativity by Unknown artist, 1460/70

    The Nativity

    Unknown artist

    ΔE 1.4 · near-exact

    25% of canvas

  • The Children's Bath by Israhel van Meckenem, the younger, 1480/90

    The Children's Bath

    Israhel van Meckenem, the younger

    ΔE 1.5 · near-exact

    26% of canvas

  • The Senators, from Triumph of Caesar by Andrea Mantegna, c. 1495

    The Senators, from Triumph of Caesar

    Andrea Mantegna

    ΔE 1.9 · near-exact

    28% of canvas

  • Battle of the Sea Gods: Right Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of the Sea Gods: Right Half of a Frieze

    Andrea Mantegna

    ΔE 1.6 · near-exact

    26% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 7.6 · close

    56% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 8.2 · close

    59% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 9.1 · close

    63% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 10.1 · close

    68% of canvas

  • Shawled Woman Seen from the Back by Pierre-Jacques Volaire, n.d.

    Shawled Woman Seen from the Back

    Pierre-Jacques Volaire

    ΔE 9.2 · close

    63% of canvas

  • Hakone, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Hakone, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.1 · very close

    28% of canvas

  • Christ and the Woman of Samaria by Nicolas Beatrizet, n.d.

    Christ and the Woman of Samaria

    Nicolas Beatrizet

    ΔE 2.1 · very close

    27% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 8.1 · close

    56% of canvas

  • Half-Length Praying Figure by Style of Carlo Cignani, n.d.

    Half-Length Praying Figure

    Style of Carlo Cignani

    ΔE 10.9 · close

    70% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 8.6 · close

    59% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.6 · very close

    33% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 8.7 · close

    58% of canvas

  • St. Barbara by Martin Schongauer, n.d.

    St. Barbara

    Martin Schongauer

    ΔE 2.1 · very close

    25% of canvas

  • Moses and the Brazen Serpent by François Verdier, n.d.

    Moses and the Brazen Serpent

    François Verdier

    ΔE 3.4 · very close

    31% of canvas

  • Statuette of a Tree Trunk by Ancient Greek, 3rd-1st century BCE ?

    Statuette of a Tree Trunk

    Ancient Greek

    ΔE 12.9 · loosely related

    79% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 9.3 · close

    61% of canvas

  • Reclining Academic Female Nude by Unknown, n.d.

    Reclining Academic Female Nude

    Unknown

    ΔE 6.4 · close

    46% of canvas

  • "- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857 by Honoré-Victorin Daumier, 1857

    "- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857

    Honoré-Victorin Daumier

    ΔE 1.2 · near-exact

    20% of canvas

  • Fable of the Wolf and the Lamb by J. F. Wieland, c. 1724

    Fable of the Wolf and the Lamb

    J. F. Wieland

    ΔE 5.5 · close

    41% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 8.6 · close

    56% of canvas

  • Fragment by France, c. 1715/19

    Fragment

    France

    ΔE 1.7 · near-exact

    22% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 5.8 · close

    42% of canvas

  • The Third Tournament, with Knights Breaking Lances by Lucas Cranach the Elder, 1509

    The Third Tournament, with Knights Breaking Lances

    Lucas Cranach the Elder

    ΔE 3.0 · very close

    28% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 3.1 · very close

    28% of canvas

  • Fragment by France, Lyon, 1775/1800

    Fragment

    France, Lyon

    ΔE 2.5 · very close

    25% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 9.4 · close

    60% of canvas

  • Having finally found the solution to spend the summer of 1857 in a pleasant way, plate 429 from Actualités by Honoré-Victorin Daumier, 1857

    Having finally found the solution to spend the summer of 1857 in a pleasant way, plate 429 from Actualités

    Honoré-Victorin Daumier

    ΔE 0.8 · near-exact

    17% of canvas

  • Fragment of a Decorative Border by Nasca, 100 BCE-200 CE

    Fragment of a Decorative Border

    Nasca

    ΔE 10.9 · close

    67% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 5.9 · close

    42% of canvas

  • Seven Cupids with Two Rams in a Landscape by Giovanni Antonio da Brescia, 1475/85

    Seven Cupids with Two Rams in a Landscape

    Giovanni Antonio da Brescia

    ΔE 2.6 · very close

    25% of canvas

  • A pope receiving a book from angels by Unknown artist, n.d.

    A pope receiving a book from angels

    Unknown artist

    ΔE 4.1 · very close

    33% of canvas

  • St. Jerome Praying by Claude Mellan, 1665

    St. Jerome Praying

    Claude Mellan

    ΔE 3.1 · very close

    28% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 8.8 · close

    56% of canvas

  • At Crossington in Leicestershire by F. Smith, c. 1800

    At Crossington in Leicestershire

    F. Smith

    ΔE 6.2 · close

    43% of canvas

  • Bridge with House by Unknown artist, n.d.

    Bridge with House

    Unknown artist

    ΔE 2.7 · very close

    25% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 8.3 · close

    53% of canvas

  • Illustration to Roderick Random, by Tobias Smollett by Francis Hayman, c. 1760

    Illustration to Roderick Random, by Tobias Smollett

    Francis Hayman

    ΔE 2.3 · very close

    23% of canvas

  • The Prophet Amos by Baccio Baldini, c. 1470

    The Prophet Amos

    Baccio Baldini

    ΔE 1.4 · near-exact

    18% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 7.4 · close

    48% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 2.9 · very close

    25% of canvas

  • Border by Switzerland or Germany, 1601/50

    Border

    Switzerland or Germany

    ΔE 1.0 · near-exact

    15% of canvas

What ΔE means, and what this does not measure