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#9b8c6f

Ranked by perceptual distance

Works near #9b8c6f

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 6.4 · close

    71% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 3.5 · very close

    49% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 5.7 · close

    58% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 7.9 · close

    69% of canvas

  • Woman Carrying Water Jar by Raphael, 17th century

    Woman Carrying Water Jar

    Raphael

    ΔE 2.4 · very close

    41% of canvas

  • The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790 by Katsukawa Shun'ei, c. 1790

    The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790

    Katsukawa Shun'ei

    ΔE 4.0 · very close

    48% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 6.0 · close

    56% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 8.4 · close

    68% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 6.0 · close

    56% of canvas

  • The Inferno According to Dante, from the Campo Santo Frescos in Pisa by Baccio Baldini, 1480/1500

    The Inferno According to Dante, from the Campo Santo Frescos in Pisa

    Baccio Baldini

    ΔE 1.2 · near-exact

    31% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 7.8 · close

    64% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 6.8 · close

    59% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 3.6 · very close

    42% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 8.1 · close

    63% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 6.3 · close

    53% of canvas

  • Fighting Knights Before Castle by Sir Robert Ker Porter, c. 1800

    Fighting Knights Before Castle

    Sir Robert Ker Porter

    ΔE 1.3 · near-exact

    28% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 7.5 · close

    59% of canvas

  • The Senators, from Triumph of Caesar by Andrea Mantegna, c. 1495

    The Senators, from Triumph of Caesar

    Andrea Mantegna

    ΔE 1.3 · near-exact

    28% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 5.3 · close

    47% of canvas

  • Moses and the Brazen Serpent by François Verdier, n.d.

    Moses and the Brazen Serpent

    François Verdier

    ΔE 2.1 · very close

    31% of canvas

  • At Crossington in Leicestershire by F. Smith, c. 1800

    At Crossington in Leicestershire

    F. Smith

    ΔE 1.7 · near-exact

    29% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 14.2 · loosely related

    91% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 7.7 · close

    58% of canvas

  • A pope receiving a book from angels by Unknown artist, n.d.

    A pope receiving a book from angels

    Unknown artist

    ΔE 2.7 · very close

    33% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.8 · very close

    33% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 4.8 · very close

    43% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 7.5 · close

    56% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 8.4 · close

    61% of canvas

  • Young Woman on Galloping Horse by Johann August Rossmassler, n.d.

    Young Woman on Galloping Horse

    Johann August Rossmassler

    ΔE 4.3 · very close

    39% of canvas

  • Cavalry Going Into Battle by James Stuart, 1813

    Cavalry Going Into Battle

    James Stuart

    ΔE 1.4 · near-exact

    25% of canvas

  • Border Fragment by Egypt, Fatimid period (969–1171)

    Border Fragment

    Egypt

    ΔE 2.5 · very close

    29% of canvas

  • Fragment by France, c. 1715/19

    Fragment

    France

    ΔE 1.1 · near-exact

    22% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 2.6 · very close

    29% of canvas

  • Three Bears, plate ten from Four-Legged Animals by Nicolaes de Bruyn, 1594

    Three Bears, plate ten from Four-Legged Animals

    Nicolaes de Bruyn

    ΔE 5.2 · close

    42% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 2.0 · near-exact

    25% of canvas

  • Battle of the Sea Gods: Right Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of the Sea Gods: Right Half of a Frieze

    Andrea Mantegna

    ΔE 2.1 · very close

    26% of canvas

  • Rye Gate, Winchelsea, Kent by Unknown artist, n.d.

    Rye Gate, Winchelsea, Kent

    Unknown artist

    ΔE 1.4 · near-exact

    22% of canvas

  • Judith with the Head of Holofernes by Giovanni Antonio da Brescia, c. 1497

    Judith with the Head of Holofernes

    Giovanni Antonio da Brescia

    ΔE 1.4 · near-exact

    22% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 10.6 · close

    68% of canvas

  • Four Women Dancing by Andrea Mantegna, c. 1497

    Four Women Dancing

    Andrea Mantegna

    ΔE 1.2 · near-exact

    21% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 8.0 · close

    53% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 3.5 · very close

    30% of canvas

  • Seven Cupids with Two Rams in a Landscape by Giovanni Antonio da Brescia, 1475/85

    Seven Cupids with Two Rams in a Landscape

    Giovanni Antonio da Brescia

    ΔE 2.5 · very close

    25% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 9.0 · close

    58% of canvas

  • Portrait of Napoleon III (1808–1873), Emperor by Marc-Laurent Bruyas, 19th century

    Portrait of Napoleon III (1808–1873), Emperor

    Marc-Laurent Bruyas

    ΔE 3.9 · very close

    32% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 9.5 · close

    60% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 3.9 · very close

    32% of canvas

  • St. Barbara by Martin Schongauer, n.d.

    St. Barbara

    Martin Schongauer

    ΔE 2.6 · very close

    25% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 3.4 · very close

    28% of canvas

  • The Nativity by Unknown artist, 1460/70

    The Nativity

    Unknown artist

    ΔE 2.8 · very close

    25% of canvas

  • Miracle of the Loaves and Fishes by Tintoretto, n.d.

    Miracle of the Loaves and Fishes

    Tintoretto

    ΔE 2.9 · very close

    26% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 8.4 · close

    53% of canvas

  • King Henry of France and Saint Bernard of Clairvaux by Johann Christoph Lischka, n.d.

    King Henry of France and Saint Bernard of Clairvaux

    Johann Christoph Lischka

    ΔE 3.8 · very close

    30% of canvas

  • Portion of a Waistcoat (Front) by France, Lyon, 1775/1800

    Portion of a Waistcoat (Front)

    France, Lyon

    ΔE 3.2 · very close

    26% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 7.7 · close

    49% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 4.9 · very close

    35% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 7.0 · close

    46% of canvas

  • The Third Tournament, with Knights Breaking Lances by Lucas Cranach the Elder, 1509

    The Third Tournament, with Knights Breaking Lances

    Lucas Cranach the Elder

    ΔE 3.6 · very close

    28% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.7 · very close

    24% of canvas

  • Sacrifice of Jeptha's Daughter by François Boitard, n.d.

    Sacrifice of Jeptha's Daughter

    François Boitard

    ΔE 4.1 · very close

    31% of canvas

What ΔE means, and what this does not measure