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#9c624a

Ranked by perceptual distance

Works near #9c624a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 1.8 · near-exact

    37% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.1 · very close

    43% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 2.2 · very close

    30% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 1.3 · near-exact

    24% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.1 · very close

    27% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 5.3 · close

    39% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.3 · close

    44% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 2.7 · very close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 4.8 · very close

    32% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 0.4 · near-exact

    10% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.5 · very close

    24% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.1 · close

    32% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.5 · very close

    17% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 4.2 · very close

    25% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 6.1 · close

    34% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 2.9 · very close

    15% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 2.7 · very close

    14% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 2.1 · very close

    10% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 3.7 · very close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.4 · very close

    16% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 6.7 · close

    31% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 7.3 · close

    33% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 4.0 · very close

    16% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 5.2 · close

    22% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 6.2 · close

    27% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 4.7 · very close

    19% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 3.3 · very close

    12% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 10.8 · close

    49% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 7.5 · close

    31% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.9 · close

    33% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 3.3 · very close

    10% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 12.9 · loosely related

    57% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 10.0 · close

    43% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 4.8 · very close

    17% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 5.1 · close

    17% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.7 · very close

    9% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 5.8 · close

    20% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 4.7 · very close

    14% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 11.8 · close

    49% of canvas

  • Fragment by Wari, About 600-800 CE

    Fragment

    Wari

    ΔE 3.7 · very close

    8% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.3 · close

    20% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 5.1 · close

    14% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 5.9 · close

    18% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 9.1 · close

    33% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.6 · close

    31% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.1 · close

    13% of canvas

  • Tea Bowl by China, c. 1750

    Tea Bowl

    China

    ΔE 3.4 · very close

    4% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 5.9 · close

    17% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 5.7 · close

    15% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 5.0 · very close

    12% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 20.8 · loosely related

    91% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 7.3 · close

    23% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 16.4 · loosely related

    68% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 9.2 · close

    33% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 5.6 · close

    14% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 7.7 · close

    25% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 9.7 · close

    35% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 4.6 · very close

    9% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 12.4 · loosely related

    48% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 5.2 · close

    12% of canvas

What ΔE means, and what this does not measure