Skip to content
Chroma
#9f6857

Ranked by perceptual distance

Works near #9f6857

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.3 · very close

    44% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 1.6 · near-exact

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.1 · close

    43% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 0.2 · near-exact

    15% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.1 · close

    37% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 4.8 · very close

    32% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 3.4 · very close

    23% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.3 · very close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.4 · close

    32% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 5.8 · close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.5 · very close

    16% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.6 · close

    39% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 4.0 · very close

    21% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.3 · very close

    22% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 3.6 · very close

    18% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 2.6 · very close

    12% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 3.4 · very close

    16% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.4 · very close

    15% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.4 · close

    24% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 5.2 · close

    22% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 3.3 · very close

    10% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 19.5 · loosely related

    91% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 5.1 · close

    17% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 6.1 · close

    21% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 8.1 · close

    31% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 11.6 · close

    49% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 6.1 · close

    21% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 6.9 · close

    23% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 8.6 · close

    31% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 13.8 · loosely related

    57% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 4.9 · very close

    12% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 4.3 · very close

    8% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 5.0 · very close

    11% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 4.9 · very close

    10% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 4.8 · very close

    9% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 5.1 · close

    10% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 5.6 · close

    13% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 6.6 · close

    17% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 9.8 · close

    33% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 5.8 · close

    12% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 7.2 · close

    19% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 12.1 · loosely related

    43% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 4.2 · very close

    3% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 5.1 · close

    7% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 5.6 · close

    9% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 12.5 · loosely related

    43% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 7.1 · close

    16% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 17.6 · loosely related

    68% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 7.9 · close

    20% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 10.6 · close

    33% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 9.4 · close

    27% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.9 · close

    19% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 13.8 · loosely related

    49% of canvas

  • Statuette of a Siren by Ancient Greek, 3rd-1st century BCE

    Statuette of a Siren

    Ancient Greek

    ΔE 5.8 · close

    8% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 13.2 · loosely related

    45% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 7.7 · close

    17% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 10.9 · close

    33% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 7.7 · close

    17% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 7.6 · close

    17% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 11.2 · close

    35% of canvas

What ΔE means, and what this does not measure