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#9f7461

Ranked by perceptual distance

Works near #9f7461

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 2.4 · very close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.3 · close

    44% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 0.1 · near-exact

    11% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.7 · close

    43% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 2.5 · very close

    21% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 4.5 · very close

    29% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 16.9 · loosely related

    91% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 5.2 · close

    32% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 4.4 · very close

    27% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 10.6 · close

    57% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 7.9 · close

    43% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 6.2 · close

    34% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 2.9 · very close

    18% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 3.0 · very close

    17% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.6 · close

    39% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 3.7 · very close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.7 · close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.9 · close

    37% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 4.8 · very close

    21% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 7.3 · close

    33% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 2.7 · very close

    9% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 5.3 · close

    22% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.4 · close

    27% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 10.2 · close

    45% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 7.4 · close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.1 · close

    24% of canvas

  • Statuette of a Siren by Ancient Greek, 3rd-1st century BCE

    Statuette of a Siren

    Ancient Greek

    ΔE 4.2 · very close

    15% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 3.7 · very close

    13% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 4.4 · very close

    15% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 3.8 · very close

    12% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 8.3 · close

    34% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 5.9 · close

    22% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 3.5 · very close

    9% of canvas

  • Snuff Box by Vienna, Austria, 19th century

    Snuff Box

    Vienna, Austria

    ΔE 3.2 · very close

    7% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 5.0 · close

    15% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 10.2 · close

    41% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 16.2 · loosely related

    71% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 7.4 · close

    27% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 10.6 · close

    43% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 10.8 · close

    43% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.7 · very close

    12% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.5 · close

    26% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 4.4 · very close

    10% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 9.4 · close

    35% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.8 · close

    31% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.5 · close

    19% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 3.5 · very close

    4% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 6.2 · close

    17% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 12.8 · loosely related

    49% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 7.5 · close

    22% of canvas

  • Head of a Woman by Ancient Greek, 4th-3rd century BCE

    Head of a Woman

    Ancient Greek

    ΔE 4.1 · very close

    5% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 6.3 · close

    16% of canvas

  • Fragmentary Figurine of a Monkey by Ancient Greek, 3rd-1st century BCE

    Fragmentary Figurine of a Monkey

    Ancient Greek

    ΔE 3.8 · very close

    3% of canvas

  • The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse by Unknown Artist, 1465–70

    The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse

    Unknown Artist

    ΔE 4.8 · very close

    8% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 6.7 · close

    17% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 7.8 · close

    22% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 10.0 · close

    33% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 7.4 · close

    20% of canvas

  • Torso of a Child by Ancient Greek, 2nd-1st century BCE

    Torso of a Child

    Ancient Greek

    ΔE 5.0 · very close

    8% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.9 · very close

    2% of canvas

What ΔE means, and what this does not measure