Skip to content
Chroma
#a26b54

Ranked by perceptual distance

Works near #a26b54

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.3 · very close

    43% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.4 · very close

    44% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 1.7 · near-exact

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 2.5 · very close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.3 · very close

    37% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.7 · very close

    32% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.7 · very close

    27% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 0.1 · near-exact

    12% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 5.9 · close

    39% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 2.7 · very close

    23% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 3.0 · very close

    24% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 3.1 · very close

    22% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.2 · very close

    24% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 2.7 · very close

    15% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.9 · very close

    21% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.4 · very close

    17% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 11.7 · close

    57% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 5.3 · close

    23% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 4.5 · very close

    18% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 3.5 · very close

    13% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 3.4 · very close

    10% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 3.4 · very close

    10% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.6 · very close

    16% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 19.7 · loosely related

    91% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.6 · close

    21% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.4 · close

    19% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 3.7 · very close

    10% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 10.2 · close

    43% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 4.0 · very close

    11% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.2 · very close

    12% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 4.2 · very close

    12% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 5.0 · close

    15% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 5.9 · close

    20% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 8.6 · close

    33% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 7.4 · close

    27% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 9.0 · close

    34% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 11.1 · close

    45% of canvas

  • Statuette of a Woman by Ancient Greek, 5th-4th century BCE

    Statuette of a Woman

    Ancient Greek

    ΔE 3.1 · very close

    5% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 5.7 · close

    17% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 11.1 · close

    43% of canvas

  • Table of Bigamy, from the Summa Super Titulis Decretalium Completa by Henry of Segusio, 1275/99

    Table of Bigamy, from the Summa Super Titulis Decretalium Completa

    Henry of Segusio

    ΔE 2.9 · very close

    2% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 6.0 · close

    17% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 11.2 · close

    43% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.8 · close

    31% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 9.6 · close

    35% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 8.1 · close

    27% of canvas

  • Fragment by Wari, About 600-800 CE

    Fragment

    Wari

    ΔE 4.4 · very close

    8% of canvas

  • Minature Handled Bowl with Textile-like Design by Inca, 1450–1532

    Minature Handled Bowl with Textile-like Design

    Inca

    ΔE 5.6 · close

    14% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 4.7 · very close

    9% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 7.3 · close

    22% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 5.2 · close

    11% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 6.7 · close

    18% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 6.6 · close

    18% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 5.8 · close

    14% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 6.2 · close

    16% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 7.6 · close

    22% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 11.6 · close

    41% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 6.3 · close

    15% of canvas

  • Fragmentary Figurine of a Monkey by Ancient Greek, 3rd-1st century BCE

    Fragmentary Figurine of a Monkey

    Ancient Greek

    ΔE 4.0 · very close

    3% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 6.9 · close

    17% of canvas

What ΔE means, and what this does not measure