Skip to content
Chroma
#a27750

Ranked by perceptual distance

Works near #a27750

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 4.4 · very close

    57% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 1.8 · near-exact

    35% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.3 · very close

    45% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.5 · very close

    43% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.3 · very close

    41% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 1.7 · near-exact

    24% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.5 · very close

    26% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 0.9 · near-exact

    17% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 11.9 · close

    71% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 6.4 · close

    43% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 0.6 · near-exact

    14% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 7.5 · close

    47% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.8 · very close

    33% of canvas

  • Panel by Italy, 1450-1500

    Panel

    Italy

    ΔE 0.3 · near-exact

    11% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 6.3 · close

    41% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 1.5 · near-exact

    17% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 2.7 · very close

    22% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 7.2 · close

    43% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 3.0 · very close

    21% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 7.7 · close

    43% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 3.5 · very close

    22% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 6.8 · close

    38% of canvas

  • Fragment by Italy or France, 1750/1800

    Fragment

    Italy or France

    ΔE 1.9 · near-exact

    13% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 3.6 · very close

    22% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 6.4 · close

    35% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 2.3 · very close

    14% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.1 · very close

    22% of canvas

  • Handled Brownware Jug with Bird Impressed on Side by Chimú, 1000–1400

    Handled Brownware Jug with Bird Impressed on Side

    Chimú

    ΔE 3.7 · very close

    20% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 4.4 · very close

    24% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.9 · close

    31% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 4.3 · very close

    22% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 3.6 · very close

    18% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 7.3 · close

    37% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.2 · very close

    22% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.0 · close

    30% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 6.8 · close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.2 · close

    31% of canvas

  • Okazaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Okazaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.3 · very close

    17% of canvas

  • Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.3 · very close

    11% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 3.9 · very close

    19% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 6.6 · close

    33% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.6 · close

    28% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.6 · close

    43% of canvas

  • Yoshiwara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Yoshiwara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.1 · very close

    15% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 5.2 · close

    25% of canvas

  • Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.2 · very close

    15% of canvas

  • Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.9 · very close

    14% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 14.0 · loosely related

    69% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.6 · very close

    17% of canvas

  • Futagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Futagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.1 · very close

    14% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.3 · very close

    20% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 3.4 · very close

    15% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 3.3 · very close

    15% of canvas

  • Fuchu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Fuchu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.1 · very close

    18% of canvas

  • Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.8 · very close

    16% of canvas

  • Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.7 · very close

    16% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 7.6 · close

    36% of canvas

  • Ouchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Ouchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.5 · very close

    10% of canvas

  • Chiriyu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Chiriyu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.1 · very close

    12% of canvas

  • Snuff Box by Jacob Frisard, Early 19th century

    Snuff Box

    Jacob Frisard

    ΔE 2.9 · very close

    11% of canvas

What ΔE means, and what this does not measure