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#a56e65

Ranked by perceptual distance

Works near #a56e65

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.7 · very close

    44% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.7 · very close

    21% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 0.1 · near-exact

    3% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.2 · close

    43% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 4.3 · very close

    23% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 5.7 · close

    30% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 4.2 · very close

    22% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.4 · very close

    15% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 3.9 · very close

    18% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 7.7 · close

    34% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 19.0 · loosely related

    91% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 7.4 · close

    32% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 4.0 · very close

    15% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.9 · close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.3 · close

    37% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 8.3 · close

    31% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.4 · close

    16% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 9.3 · close

    34% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.2 · close

    27% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 7.4 · close

    21% of canvas

  • Fragment Displaying Stepped-Fret Motif by Nasca, About 200-500

    Fragment Displaying Stepped-Fret Motif

    Nasca

    ΔE 6.6 · close

    16% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 5.8 · close

    12% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 11.5 · close

    39% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.0 · very close

    2% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 8.2 · close

    22% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 13.5 · loosely related

    49% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 5.8 · close

    10% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 6.0 · close

    11% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 7.4 · close

    17% of canvas

  • La Route de Jouy (The Road to Jouy) (Furnishing Fabric) by Horace Vernet, 1825/35

    La Route de Jouy (The Road to Jouy) (Furnishing Fabric)

    Horace Vernet

    ΔE 8.0 · close

    20% of canvas

  • Snuff Box by Vienna, Austria, 19th century

    Snuff Box

    Vienna, Austria

    ΔE 5.6 · close

    7% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 8.3 · close

    21% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 7.1 · close

    14% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 9.6 · close

    27% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 6.7 · close

    12% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 9.3 · close

    24% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 8.7 · close

    21% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 13.2 · loosely related

    43% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 7.2 · close

    13% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 6.4 · close

    8% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 6.8 · close

    9% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 16.4 · loosely related

    57% of canvas

  • La Poule by George Cruikshank, published June 4, 1817

    La Poule

    George Cruikshank

    ΔE 7.9 · close

    14% of canvas

  • Pyxis (Container for Personal Objects) by Euaion Painter, 450-440 BCE

    Pyxis (Container for Personal Objects)

    Euaion Painter

    ΔE 6.1 · close

    4% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 10.6 · close

    27% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 11.7 · close

    31% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 9.1 · close

    17% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 10.3 · close

    23% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 7.6 · close

    9% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 7.1 · close

    7% of canvas

  • Statuette of a Siren by Ancient Greek, 3rd-1st century BCE

    Statuette of a Siren

    Ancient Greek

    ΔE 8.8 · close

    15% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 12.4 · loosely related

    33% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 19.6 · loosely related

    68% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 12.6 · loosely related

    33% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 6.6 · close

    2% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 9.5 · close

    16% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 16.5 · loosely related

    49% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 9.1 · close

    12% of canvas

  • Fragment by Italy, early 17th century

    Fragment

    Italy

    ΔE 11.7 · close

    25% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 15.9 · loosely related

    45% of canvas

What ΔE means, and what this does not measure