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#a77f62

Ranked by perceptual distance

Works near #a77f62

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 0.2 · near-exact

    22% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 7.4 · close

    57% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 10.7 · close

    71% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 3.6 · very close

    35% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 5.4 · close

    43% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.4 · very close

    31% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.4 · close

    45% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.8 · close

    41% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 9.9 · close

    56% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 10.3 · close

    58% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 12.6 · loosely related

    69% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 4.2 · very close

    27% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.6 · close

    34% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 6.0 · close

    34% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 9.9 · close

    53% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 3.2 · very close

    20% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 2.9 · very close

    18% of canvas

  • Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.2 · very close

    14% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.5 · very close

    26% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 17.5 · loosely related

    91% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.0 · close

    34% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 8.8 · close

    47% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 3.0 · very close

    18% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 8.1 · close

    43% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 5.5 · close

    29% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.4 · very close

    24% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 8.3 · close

    43% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 4.0 · very close

    21% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 5.2 · close

    27% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 11.0 · close

    56% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 3.2 · very close

    17% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 11.7 · close

    59% of canvas

  • Fragment by Italy, 1600/1650

    Fragment

    Italy

    ΔE 2.9 · very close

    14% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 7.0 · close

    34% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 7.2 · close

    36% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 13.0 · loosely related

    64% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 10.2 · close

    49% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 5.0 · very close

    23% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 4.2 · very close

    19% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 4.7 · very close

    22% of canvas

  • Kanbara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Kanbara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.3 · very close

    9% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.8 · close

    27% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 7.9 · close

    36% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 7.3 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 9.2 · close

    43% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 13.4 · loosely related

    63% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 3.5 · very close

    14% of canvas

  • Portrait of Napoleon III (1808–1873), Emperor by Marc-Laurent Bruyas, 19th century

    Portrait of Napoleon III (1808–1873), Emperor

    Marc-Laurent Bruyas

    ΔE 7.1 · close

    32% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 7.4 · close

    33% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 12.6 · loosely related

    59% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 8.3 · close

    37% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 4.8 · very close

    19% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.7 · very close

    14% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 11.3 · close

    52% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 5.7 · close

    24% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 6.0 · close

    25% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 4.7 · very close

    18% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 5.0 · very close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 7.6 · close

    32% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 5.5 · close

    22% of canvas

What ΔE means, and what this does not measure