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#aa4138

Ranked by perceptual distance

Works near #aa4138

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 3.4 · very close

    49% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 10.0 · close

    68% of canvas

  • Fragment by Peru, south coast, Possibly Nazca Valley

    Fragment

    Peru, south coast, Possibly Nazca Valley

    ΔE 3.7 · very close

    27% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.9 · close

    36% of canvas

  • Fragment by Italy, 1501-1550

    Fragment

    Italy

    ΔE 4.6 · very close

    28% of canvas

  • The Guardhouse by David Teniers the Younger, c. 1645

    The Guardhouse

    David Teniers the Younger

    ΔE 0.1 · near-exact

    4% of canvas

  • Fragment (Border) by Nasca, possibly 500-600

    Fragment (Border)

    Nasca

    ΔE 8.2 · close

    43% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.8 · close

    30% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 6.5 · close

    33% of canvas

  • Fragment (From a Chasuble) by Italy, 1475-1500

    Fragment (From a Chasuble)

    Italy

    ΔE 4.4 · very close

    20% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 6.4 · close

    30% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 7.1 · close

    31% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 6.3 · close

    25% of canvas

  • Fragment by France, 1750/1800

    Fragment

    France

    ΔE 10.5 · close

    46% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 8.5 · close

    34% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 6.7 · close

    23% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 11.3 · close

    45% of canvas

  • Fragment by Italy, early 17th century

    Fragment

    Italy

    ΔE 7.6 · close

    25% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 7.5 · close

    21% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 13.0 · loosely related

    47% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 9.0 · close

    27% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 11.2 · close

    37% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 11.5 · close

    38% of canvas

  • Lacquer Tea Bowl 乾隆禦制雕漆盞 by China, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

    Lacquer Tea Bowl 乾隆禦制雕漆盞

    China

    ΔE 6.0 · close

    11% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 11.0 · close

    35% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 9.3 · close

    26% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 12.7 · loosely related

    43% of canvas

  • Fragment by Wari, About 600-800 CE

    Fragment

    Wari

    ΔE 6.5 · close

    11% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 8.7 · close

    22% of canvas

  • Rural Sports, or How to Show Off a Well-shaped Leg by Thomas Rowlandson, published October 1811

    Rural Sports, or How to Show Off a Well-shaped Leg

    Thomas Rowlandson

    ΔE 5.4 · close

    5% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.2 · close

    14% of canvas

  • Panel by Italy, 1450-1500

    Panel

    Italy

    ΔE 10.5 · close

    28% of canvas

  • Orphrey Band by France, 16th century

    Orphrey Band

    France

    ΔE 10.8 · close

    29% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 9.0 · close

    19% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 11.0 · close

    29% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 11.0 · close

    28% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 8.7 · close

    16% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 7.3 · close

    9% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 10.1 · close

    23% of canvas

  • Fragment by Spain, early 17th century

    Fragment

    Spain

    ΔE 15.3 · loosely related

    48% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 11.5 · close

    29% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.2 · close

    12% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 8.5 · close

    14% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 9.9 · close

    20% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 6.4 · close

    2% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 10.2 · close

    21% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 10.4 · close

    21% of canvas

  • Two Fragments by Italy, 16th century

    Two Fragments

    Italy

    ΔE 9.9 · close

    19% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 10.8 · close

    22% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.7 · close

    12% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 10.2 · close

    19% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 9.4 · close

    14% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 9.7 · close

    16% of canvas

  • Fragment by Spain, 1601/25

    Fragment

    Spain

    ΔE 11.9 · close

    26% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 8.6 · close

    9% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 11.9 · close

    25% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 11.7 · close

    24% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 12.4 · loosely related

    27% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 11.3 · close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 10.3 · close

    16% of canvas

What ΔE means, and what this does not measure