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#ae7a64

Ranked by perceptual distance

Works near #ae7a64

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 1.2 · near-exact

    29% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 1.9 · near-exact

    27% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 5.5 · close

    44% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 4.1 · very close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.6 · close

    43% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 2.3 · very close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 4.9 · very close

    32% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.5 · close

    34% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.4 · close

    34% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 4.2 · very close

    27% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.5 · very close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.0 · close

    32% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 6.6 · close

    35% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 0.2 · near-exact

    2% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 2.7 · very close

    13% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 3.1 · very close

    14% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 11.8 · close

    57% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 4.9 · very close

    22% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 2.7 · very close

    10% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 9.3 · close

    43% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.1 · close

    31% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 19.1 · loosely related

    91% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 15.2 · loosely related

    71% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 5.3 · close

    22% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 4.6 · very close

    17% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 1.7 · near-exact

    2% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 4.3 · very close

    14% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 3.8 · very close

    11% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 5.9 · close

    20% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 7.4 · close

    27% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 5.7 · close

    18% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 8.3 · close

    31% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.6 · close

    37% of canvas

  • Communion of the Apostles by Johann Martin Schuster, n.d.

    Communion of the Apostles

    Johann Martin Schuster

    ΔE 4.9 · very close

    13% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 515-500 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 3.5 · very close

    6% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 9.3 · close

    34% of canvas

  • Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 4.1 · very close

    8% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 11.5 · close

    45% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 5.6 · close

    15% of canvas

  • Statuette of a Siren by Ancient Greek, 3rd-1st century BCE

    Statuette of a Siren

    Ancient Greek

    ΔE 5.7 · close

    15% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 4.5 · very close

    8% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 16.8 · loosely related

    69% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 5.3 · close

    12% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.8 · close

    19% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 6.9 · close

    19% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 11.3 · close

    41% of canvas

  • Column Krater (Mixing Bowl) by Ancient Greek, 460-450 BCE

    Column Krater (Mixing Bowl)

    Ancient Greek

    ΔE 4.9 · very close

    9% of canvas

  • The actor Sawamura Sojuro lll as the lay priest Kiyomori by Utagawa Kunimasa, c. 1795

    The actor Sawamura Sojuro lll as the lay priest Kiyomori

    Utagawa Kunimasa

    ΔE 3.8 · very close

    3% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 14.6 · loosely related

    56% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 15.0 · loosely related

    58% of canvas

  • Fragment by Peru, south coast, Possibly Nazca Valley

    Fragment

    Peru, south coast, Possibly Nazca Valley

    ΔE 6.8 · close

    17% of canvas

  • Kylix (Drinking Cup) by Epeleios Painter, 510-500 BCE

    Kylix (Drinking Cup)

    Epeleios Painter

    ΔE 5.7 · close

    12% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 12.0 · close

    43% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 7.8 · close

    22% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 7.0 · close

    18% of canvas

  • Snuff Box by Vienna, Austria, 19th century

    Snuff Box

    Vienna, Austria

    ΔE 4.9 · very close

    7% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 7.9 · close

    22% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 5.6 · close

    10% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.7 · close

    26% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 6.9 · close

    17% of canvas

What ΔE means, and what this does not measure