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#ae9b7e

Ranked by perceptual distance

Works near #ae9b7e

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 3.9 · very close

    71% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 4.0 · very close

    69% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 4.8 · very close

    68% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 3.9 · very close

    63% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 4.1 · very close

    64% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 3.5 · very close

    59% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 3.5 · very close

    59% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 3.4 · very close

    58% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 4.1 · very close

    61% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 5.7 · close

    68% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 3.4 · very close

    56% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 3.4 · very close

    56% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 4.3 · very close

    58% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 2.9 · very close

    49% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 5.0 · very close

    60% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 3.7 · very close

    53% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 4.7 · very close

    58% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 4.6 · very close

    56% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 3.0 · very close

    48% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 2.5 · very close

    46% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 4.2 · very close

    53% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 5.0 · very close

    56% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 3.7 · very close

    49% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 5.0 · very close

    53% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 7.1 · close

    62% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 4.2 · very close

    47% of canvas

  • Sleeping Woman With Head on Arms by Unknown artist, n.d.

    Sleeping Woman With Head on Arms

    Unknown artist

    ΔE 3.2 · very close

    42% of canvas

  • St. Barbara by Martin Schongauer, n.d.

    St. Barbara

    Martin Schongauer

    ΔE 3.9 · very close

    44% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 7.4 · close

    61% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 4.4 · very close

    44% of canvas

  • Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)" by Utagawa Toyokuni I, 1794

    Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)"

    Utagawa Toyokuni I

    ΔE 7.5 · close

    58% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 4.4 · very close

    42% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.7 · very close

    33% of canvas

  • Cavalry Going Into Battle by James Stuart, 1813

    Cavalry Going Into Battle

    James Stuart

    ΔE 2.9 · very close

    34% of canvas

  • Teetertotter in Church Building by Unknown artist, n.d.

    Teetertotter in Church Building

    Unknown artist

    ΔE 1.8 · near-exact

    28% of canvas

  • Shipwreck by Filippo Napoletano, 1622-23

    Shipwreck

    Filippo Napoletano

    ΔE 1.3 · near-exact

    26% of canvas

  • Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal) by Switzerland, c. 1590

    Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal)

    Switzerland

    ΔE 4.4 · very close

    41% of canvas

  • Statuette of a Tree Trunk by Ancient Greek, 3rd-1st century BCE ?

    Statuette of a Tree Trunk

    Ancient Greek

    ΔE 12.0 · loosely related

    79% of canvas

  • A warrior sits on a block and gestures; two figure are behind him, from Figurine series by Salvator Rosa, n.d.

    A warrior sits on a block and gestures; two figure are behind him, from Figurine series

    Salvator Rosa

    ΔE 5.8 · close

    47% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 2.6 · very close

    31% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 4.3 · very close

    39% of canvas

  • Cook's Voyages to Polynesia by Unknown artist, 19th century

    Cook's Voyages to Polynesia

    Unknown artist

    ΔE 6.8 · close

    51% of canvas

  • Fragment by Italy or France, 1750/1800

    Fragment

    Italy or France

    ΔE 1.1 · near-exact

    23% of canvas

  • At Crossington in Leicestershire by F. Smith, c. 1800

    At Crossington in Leicestershire

    F. Smith

    ΔE 5.4 · close

    43% of canvas

  • Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola by William Burgess, n.d.

    Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola

    William Burgess

    ΔE 4.0 · very close

    36% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 5.0 · close

    41% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.1 · very close

    36% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 1.9 · near-exact

    25% of canvas

  • Group of Shepherds and a Ram by Pietro Testa, n.d.

    Group of Shepherds and a Ram

    Pietro Testa

    ΔE 3.0 · very close

    30% of canvas

  • The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783 by Katsukawa Shunsho, c. 1783

    The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783

    Katsukawa Shunsho

    ΔE 2.8 · very close

    29% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 1.9 · near-exact

    24% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 4.9 · very close

    39% of canvas

  • Head of a Man with Furrowed Brow by Ancient Greek, 2nd-1st century BCE

    Head of a Man with Furrowed Brow

    Ancient Greek

    ΔE 12.0 · close

    74% of canvas

  • Rye Gate, Winchelsea, Kent by Unknown artist, n.d.

    Rye Gate, Winchelsea, Kent

    Unknown artist

    ΔE 4.6 · very close

    37% of canvas

  • Two Standing Male Nudes by School of Baccio Bandinelli, 1548/50

    Two Standing Male Nudes

    School of Baccio Bandinelli

    ΔE 0.4 · near-exact

    16% of canvas

  • Seven Cupids with Two Rams in a Landscape by Giovanni Antonio da Brescia, 1475/85

    Seven Cupids with Two Rams in a Landscape

    Giovanni Antonio da Brescia

    ΔE 3.5 · very close

    31% of canvas

  • The Third Tournament, with Knights Breaking Lances by Lucas Cranach the Elder, 1509

    The Third Tournament, with Knights Breaking Lances

    Lucas Cranach the Elder

    ΔE 3.0 · very close

    28% of canvas

  • View of Farm Land Near the Sea by M. Venner, c. 1770

    View of Farm Land Near the Sea

    M. Venner

    ΔE 1.6 · near-exact

    21% of canvas

  • Machine de Marly by Percival, 1843

    Machine de Marly

    Percival

    ΔE 2.9 · very close

    28% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 2.0 · very close

    23% of canvas

What ΔE means, and what this does not measure