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#b07851

Ranked by perceptual distance

Works near #b07851

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 2.4 · very close

    35% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 3.1 · very close

    34% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.4 · close

    57% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 0.1 · near-exact

    15% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.6 · close

    43% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.1 · close

    34% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 3.8 · very close

    27% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 2.8 · very close

    22% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 3.3 · very close

    24% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 5.4 · close

    32% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 13.1 · loosely related

    71% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 3.4 · very close

    21% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 8.3 · close

    45% of canvas

  • Fuchu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Fuchu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.1 · very close

    18% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.8 · close

    31% of canvas

  • Fragment by Italy or France, 1750/1800

    Fragment

    Italy or France

    ΔE 2.2 · very close

    13% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 3.5 · very close

    19% of canvas

  • Communion of the Apostles by Johann Martin Schuster, n.d.

    Communion of the Apostles

    Johann Martin Schuster

    ΔE 2.3 · very close

    13% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 8.4 · close

    43% of canvas

  • Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.1 · very close

    11% of canvas

  • Okazaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Okazaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.3 · very close

    17% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.2 · close

    41% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.4 · close

    32% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 5.8 · close

    29% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 2.9 · very close

    14% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 3.0 · very close

    15% of canvas

  • Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.8 · very close

    13% of canvas

  • Fragment by Peru, south coast, Possibly Nazca Valley

    Fragment

    Peru, south coast, Possibly Nazca Valley

    ΔE 3.6 · very close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 8.9 · close

    44% of canvas

  • Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 3.2 · very close

    14% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 3.0 · very close

    13% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.7 · very close

    22% of canvas

  • Kanagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kanagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.9 · very close

    13% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 3.6 · very close

    16% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 5.8 · close

    27% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 5.3 · close

    24% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 4.0 · very close

    17% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 10.0 · close

    47% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 6.5 · close

    29% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 3.7 · very close

    15% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.6 · very close

    14% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 8.2 · close

    36% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 9.5 · close

    43% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 9.4 · close

    43% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 12.2 · loosely related

    56% of canvas

  • Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Fujieda, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.7 · very close

    14% of canvas

  • Stamnos (Mixing Jar) by Chicago Painter, about 450 BCE

    Stamnos (Mixing Jar)

    Chicago Painter

    ΔE 2.8 · very close

    8% of canvas

  • Minakuchi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Minakuchi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.6 · very close

    13% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.3 · close

    26% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.8 · very close

    13% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 8.7 · close

    38% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 12.8 · loosely related

    58% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 4.5 · very close

    17% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 1.8 · near-exact

    3% of canvas

  • Futagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Futagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.1 · very close

    14% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 4.2 · very close

    14% of canvas

  • Yoshiwara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Yoshiwara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.4 · very close

    15% of canvas

  • Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.5 · very close

    15% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 8.6 · close

    36% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 4.3 · very close

    14% of canvas

What ΔE means, and what this does not measure