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#b29d7b

Ranked by perceptual distance

Works near #b29d7b

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 2.3 · very close

    69% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 2.7 · very close

    71% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 2.5 · very close

    64% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 2.3 · very close

    63% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 1.8 · near-exact

    59% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 1.8 · near-exact

    58% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 1.9 · near-exact

    59% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 2.5 · very close

    61% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 1.8 · near-exact

    56% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 2.2 · very close

    56% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 2.1 · very close

    53% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 3.1 · very close

    58% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 3.4 · very close

    58% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 1.1 · near-exact

    46% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 5.6 · close

    68% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 5.7 · close

    68% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 2.1 · very close

    49% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 4.5 · very close

    60% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 3.3 · very close

    53% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 4.1 · very close

    56% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 5.7 · close

    62% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 4.0 · very close

    53% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 4.7 · very close

    56% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 3.5 · very close

    48% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 6.2 · close

    61% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 4.4 · very close

    49% of canvas

  • Sleeping Woman With Head on Arms by Unknown artist, n.d.

    Sleeping Woman With Head on Arms

    Unknown artist

    ΔE 3.0 · very close

    42% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 3.5 · very close

    44% of canvas

  • Cavalry Going Into Battle by James Stuart, 1813

    Cavalry Going Into Battle

    James Stuart

    ΔE 2.0 · near-exact

    34% of canvas

  • Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)" by Utagawa Toyokuni I, 1794

    Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)"

    Utagawa Toyokuni I

    ΔE 7.0 · close

    58% of canvas

  • Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola by William Burgess, n.d.

    Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola

    William Burgess

    ΔE 2.6 · very close

    36% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 3.4 · very close

    39% of canvas

  • St. Barbara by Martin Schongauer, n.d.

    St. Barbara

    Martin Schongauer

    ΔE 4.3 · very close

    44% of canvas

  • Teetertotter in Church Building by Unknown artist, n.d.

    Teetertotter in Church Building

    Unknown artist

    ΔE 1.3 · near-exact

    28% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 3.9 · very close

    41% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 4.1 · very close

    42% of canvas

  • The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783 by Katsukawa Shunsho, c. 1783

    The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783

    Katsukawa Shunsho

    ΔE 2.0 · near-exact

    29% of canvas

  • Rye Gate, Winchelsea, Kent by Unknown artist, n.d.

    Rye Gate, Winchelsea, Kent

    Unknown artist

    ΔE 3.6 · very close

    37% of canvas

  • A warrior sits on a block and gestures; two figure are behind him, from Figurine series by Salvator Rosa, n.d.

    A warrior sits on a block and gestures; two figure are behind him, from Figurine series

    Salvator Rosa

    ΔE 5.6 · close

    47% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 2.4 · very close

    31% of canvas

  • God the Father by François Boitard, n.d.

    God the Father

    François Boitard

    ΔE 3.9 · very close

    38% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 5.9 · close

    47% of canvas

  • Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal) by Switzerland, c. 1590

    Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal)

    Switzerland

    ΔE 4.7 · very close

    41% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 0.4 · near-exact

    19% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 4.4 · very close

    39% of canvas

  • Vessel in the Form of a Deer Impersonator by Moche, 100 BCE–500 CE

    Vessel in the Form of a Deer Impersonator

    Moche

    ΔE 2.3 · very close

    27% of canvas

  • Stoning of Saint Stephen by Charles Le Brun, n.d.

    Stoning of Saint Stephen

    Charles Le Brun

    ΔE 3.6 · very close

    34% of canvas

  • Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 1.8 · near-exact

    25% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 7.2 · close

    52% of canvas

  • Miya (Mia), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Miya (Mia), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.9 · very close

    30% of canvas

  • View of Farm Land Near the Sea by M. Venner, c. 1770

    View of Farm Land Near the Sea

    M. Venner

    ΔE 1.3 · near-exact

    21% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 11.8 · close

    74% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.7 · very close

    33% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 2.0 · very close

    25% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.3 · very close

    36% of canvas

  • Machine de Marly by Percival, 1843

    Machine de Marly

    Percival

    ΔE 7.4 · close

    52% of canvas

  • Castle on Lake by Unknown artist, n.d.

    Castle on Lake

    Unknown artist

    ΔE 4.3 · very close

    36% of canvas

  • Veneration by Eduardus Jacobus, after 1698

    Veneration

    Eduardus Jacobus

    ΔE 4.1 · very close

    35% of canvas

  • Group of Shepherds and a Ram by Pietro Testa, n.d.

    Group of Shepherds and a Ram

    Pietro Testa

    ΔE 3.2 · very close

    30% of canvas

  • Statuette of a Tree Trunk by Ancient Greek, 3rd-1st century BCE ?

    Statuette of a Tree Trunk

    Ancient Greek

    ΔE 12.9 · loosely related

    79% of canvas

What ΔE means, and what this does not measure