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#b37f39

Ranked by perceptual distance

Works near #b37f39

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 0.3 · near-exact

    33% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 2.7 · very close

    38% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 2.1 · very close

    30% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 6.2 · close

    50% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 4.6 · very close

    42% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 1.6 · near-exact

    25% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 6.0 · close

    47% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 5.3 · close

    43% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 1.3 · near-exact

    23% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 11.0 · close

    71% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.2 · close

    57% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.4 · very close

    36% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 5.0 · very close

    37% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 3.7 · very close

    29% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 8.4 · close

    52% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 3.2 · very close

    25% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 9.7 · close

    56% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 12.7 · loosely related

    69% of canvas

  • Corner of a Loggia with Female Statue by Pietro Righini, n.d.

    Corner of a Loggia with Female Statue

    Pietro Righini

    ΔE 2.5 · very close

    18% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 10.5 · close

    58% of canvas

  • Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.7 · very close

    29% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 9.7 · close

    53% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 3.2 · very close

    19% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 6.5 · close

    36% of canvas

  • Seated Saint or Philosopher by Unknown artist, n.d.

    Seated Saint or Philosopher

    Unknown artist

    ΔE 3.6 · very close

    21% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 6.2 · close

    33% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 8.7 · close

    45% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 8.4 · close

    43% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.4 · close

    41% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 12.9 · loosely related

    64% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 12.1 · loosely related

    59% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 11.5 · close

    56% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 5.0 · close

    22% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 6.4 · close

    29% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 5.4 · close

    24% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 6.0 · close

    27% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.7 · close

    35% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 8.9 · close

    41% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 13.6 · loosely related

    63% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 13.0 · loosely related

    59% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 3.8 · very close

    12% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 6.0 · close

    22% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.0 · very close

    17% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 8.4 · close

    33% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 13.4 · loosely related

    58% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 4.8 · very close

    15% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 13.2 · loosely related

    56% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 14.0 · loosely related

    61% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 6.4 · close

    22% of canvas

  • Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.4 · close

    16% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 5.7 · close

    18% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 10.8 · close

    43% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 7.2 · close

    25% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 10.8 · close

    43% of canvas

  • Portrait Bust of an Old Man Wearing Hat and Overcoat by Jean Jacques de Boissieu, n.d.

    Portrait Bust of an Old Man Wearing Hat and Overcoat

    Jean Jacques de Boissieu

    ΔE 9.3 · close

    35% of canvas

  • Flight of Celia by Polidoro da Caravaggio, n.d.

    Flight of Celia

    Polidoro da Caravaggio

    ΔE 6.9 · close

    22% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 7.2 · close

    24% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.1 · close

    23% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 6.0 · close

    17% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 9.3 · close

    34% of canvas

What ΔE means, and what this does not measure