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#b4855e

Ranked by perceptual distance

Works near #b4855e

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 8.9 · close

    71% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.0 · very close

    31% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 10.6 · close

    69% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 8.2 · close

    56% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.4 · close

    57% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 8.7 · close

    58% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 4.2 · very close

    35% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 4.2 · very close

    34% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 8.1 · close

    53% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 4.7 · very close

    36% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 5.0 · very close

    36% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 4.6 · very close

    34% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 8.1 · close

    52% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.6 · very close

    34% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 7.5 · close

    47% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 2.0 · near-exact

    19% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 10.0 · close

    59% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 11.1 · close

    64% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 9.5 · close

    56% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 8.4 · close

    50% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 7.1 · close

    43% of canvas

  • Fragment by Italy, 1600/1650

    Fragment

    Italy

    ΔE 1.5 · near-exact

    14% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 3.1 · very close

    22% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 3.5 · very close

    24% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 6.2 · close

    37% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 11.5 · close

    63% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 4.8 · very close

    29% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 2.9 · very close

    19% of canvas

  • Head of Christ, in Three-Quarter Profile, to Right by Giovanni Antonio Guardi, n.d.

    Head of Christ, in Three-Quarter Profile, to Right

    Giovanni Antonio Guardi

    ΔE 0.1 · near-exact

    5% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 9.8 · close

    53% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 10.8 · close

    59% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 2.2 · very close

    14% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 4.6 · very close

    27% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 3.5 · very close

    20% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 3.8 · very close

    22% of canvas

  • Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.4 · very close

    14% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 6.6 · close

    35% of canvas

  • Veneration by Eduardus Jacobus, after 1698

    Veneration

    Eduardus Jacobus

    ΔE 2.8 · very close

    16% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 7.2 · close

    38% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.9 · close

    41% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 4.6 · very close

    25% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 8.7 · close

    45% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 11.8 · close

    61% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 8.4 · close

    43% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 4.2 · very close

    22% of canvas

  • A Fashionable Female Version of the Shikisanban Dance (Furyu onna shikisanban) by Utagawa Toyokuni I, c. 1788/89

    A Fashionable Female Version of the Shikisanban Dance (Furyu onna shikisanban)

    Utagawa Toyokuni I

    ΔE 1.3 · near-exact

    7% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 4.5 · very close

    23% of canvas

  • The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788 by Torii Kiyonaga, 1788

    The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788

    Torii Kiyonaga

    ΔE 2.9 · very close

    15% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 3.0 · very close

    15% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.8 · very close

    18% of canvas

  • Bust of Helmeted Warrior in Profile by Giuseppe Cesari, called Cavaliere d'Arpino, n.d.

    Bust of Helmeted Warrior in Profile

    Giuseppe Cesari, called Cavaliere d'Arpino

    ΔE 1.6 · near-exact

    7% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 3.1 · very close

    14% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 4.1 · very close

    19% of canvas

  • Handle Spout Vessel in the Form of a Seated Man Carrying a Jar by Lambayeque, 700–1000

    Handle Spout Vessel in the Form of a Seated Man Carrying a Jar

    Lambayeque

    ΔE 1.7 · near-exact

    7% of canvas

  • The Actors Sawamura Sojuro III as Soga no Juro, Osagawa Tsuneyo II as Oiso no Tora, Azuma Tozo III as Miura Katagai, and Otani Tokuji I as Danzaburo, in the joruri "Chidorigake Koi no Tamaboko," performed at the Ichimura Theater in the first month, 1784 by Torii Kiyonaga, 1784

    The Actors Sawamura Sojuro III as Soga no Juro, Osagawa Tsuneyo II as Oiso no Tora, Azuma Tozo III as Miura Katagai, and Otani Tokuji I as Danzaburo, in the joruri "Chidorigake Koi no Tamaboko," performed at the Ichimura Theater in the first month, 1784

    Torii Kiyonaga

    ΔE 2.6 · very close

    11% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 10.4 · close

    49% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 6.4 · close

    30% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 3.3 · very close

    14% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 5.3 · close

    24% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 8.9 · close

    42% of canvas

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