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#b48771

Ranked by perceptual distance

Works near #b48771

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Panel by France, 1725/50

    Panel

    France

    ΔE 3.2 · very close

    34% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 3.5 · very close

    29% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.5 · very close

    34% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 12.2 · loosely related

    71% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 2.5 · very close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.8 · very close

    31% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 0.3 · near-exact

    8% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 5.7 · close

    34% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.9 · close

    34% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 4.6 · very close

    27% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 4.7 · very close

    27% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 4.0 · very close

    23% of canvas

  • Kylix (Drinking Cup) by Epeleios Painter, 510-500 BCE

    Kylix (Drinking Cup)

    Epeleios Painter

    ΔE 1.7 · near-exact

    12% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 13.4 · loosely related

    69% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 8.5 · close

    43% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 2.0 · near-exact

    10% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.7 · very close

    12% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.0 · very close

    18% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 3.3 · very close

    14% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 4.7 · very close

    21% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 4.4 · very close

    19% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 18.7 · loosely related

    91% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 12.2 · loosely related

    58% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.9 · very close

    22% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.6 · close

    35% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 12.0 · close

    56% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 9.5 · close

    44% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 12.3 · loosely related

    57% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 12.9 · loosely related

    59% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 5.1 · close

    20% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 14.0 · loosely related

    64% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 11.8 · close

    53% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 3.4 · very close

    11% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 12.5 · loosely related

    56% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.9 · very close

    12% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 14.1 · loosely related

    63% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 8.5 · close

    35% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 11.5 · close

    49% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 4.4 · very close

    14% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 13.5 · loosely related

    59% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 15.5 · loosely related

    68% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 8.1 · close

    31% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 515-500 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 3.1 · very close

    6% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 12.3 · loosely related

    52% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 13.7 · loosely related

    58% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 11.5 · close

    47% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 4.9 · very close

    14% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 5.6 · close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 10.7 · close

    43% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 9.9 · close

    39% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 14.3 · loosely related

    61% of canvas

  • Amphora (Storage Jar) by Ancient Greek, 4th century BCE

    Amphora (Storage Jar)

    Ancient Greek

    ΔE 3.2 · very close

    5% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 13.5 · loosely related

    56% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 6.3 · close

    20% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.1 · very close

    4% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 2.8 · very close

    2% of canvas

  • Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 5.2 · close

    14% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 16.0 · loosely related

    68% of canvas

  • Amphora (Storage Jar) by Ixion Painter, 340-330 BCE

    Amphora (Storage Jar)

    Ixion Painter

    ΔE 3.8 · very close

    7% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 9.6 · close

    36% of canvas

What ΔE means, and what this does not measure