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#b68e75

Ranked by perceptual distance

Works near #b68e75

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 9.5 · close

    71% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 3.0 · very close

    34% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 1.3 · near-exact

    23% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 10.6 · close

    69% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.5 · very close

    31% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 9.7 · close

    58% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 9.5 · close

    56% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 11.1 · close

    64% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 10.1 · close

    59% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 11.3 · close

    63% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 1.0 · near-exact

    12% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 5.7 · close

    35% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 9.3 · close

    53% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 9.9 · close

    56% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.4 · close

    34% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 0.7 · near-exact

    10% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 10.7 · close

    59% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 5.8 · close

    34% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 10.8 · close

    58% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 7.0 · close

    39% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 12.9 · loosely related

    68% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 9.2 · close

    49% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 0.1 · near-exact

    4% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 11.4 · close

    61% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 10.7 · close

    56% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 3.3 · very close

    19% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.1 · very close

    18% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 8.1 · close

    43% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 9.9 · close

    52% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 13.2 · loosely related

    68% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 9.4 · close

    47% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 4.0 · very close

    20% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 6.8 · close

    34% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 2.1 · very close

    11% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 2.7 · very close

    12% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 11.8 · close

    58% of canvas

  • Kylix (Drinking Cup) by Epeleios Painter, 510-500 BCE

    Kylix (Drinking Cup)

    Epeleios Painter

    ΔE 2.7 · very close

    12% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 5.4 · close

    25% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 4.8 · very close

    22% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 11.1 · close

    53% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 7.6 · close

    36% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 4.9 · very close

    22% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 6.4 · close

    29% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 7.4 · close

    35% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 12.0 · close

    57% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 2.6 · very close

    10% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 18.8 · loosely related

    91% of canvas

  • Page from a Copy of the Qur'an by Islamic, Abbasid Caliphate (750–1258), 9th century

    Page from a Copy of the Qur'an

    Islamic

    ΔE 3.1 · very close

    13% of canvas

  • Amphora (Storage Jar) by Ancient Greek, 4th century BCE

    Amphora (Storage Jar)

    Ancient Greek

    ΔE 1.6 · near-exact

    5% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 6.1 · close

    27% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 6.5 · close

    29% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 5.3 · close

    22% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 3.8 · very close

    14% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 2.7 · very close

    8% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 10.9 · close

    49% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 12.5 · loosely related

    56% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 8.2 · close

    35% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 11.5 · close

    50% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 13.4 · loosely related

    60% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 13.9 · loosely related

    62% of canvas

What ΔE means, and what this does not measure