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#b78c71

Ranked by perceptual distance

Works near #b78c71

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 9.7 · close

    71% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 3.2 · very close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.0 · very close

    31% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 1.6 · near-exact

    23% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 10.9 · close

    69% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 0.1 · near-exact

    12% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.4 · very close

    34% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 9.8 · close

    58% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 9.6 · close

    56% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 2.5 · very close

    19% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.2 · very close

    18% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 10.4 · close

    59% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 11.4 · close

    64% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 9.4 · close

    53% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 5.8 · close

    34% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 10.1 · close

    56% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 11.6 · close

    63% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 6.0 · close

    35% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.8 · close

    34% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 11.0 · close

    59% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 9.8 · close

    52% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 11.2 · close

    58% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 1.5 · near-exact

    10% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 3.7 · very close

    20% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 11.8 · close

    61% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 8.3 · close

    43% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 5.1 · close

    27% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 11.1 · close

    56% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 9.8 · close

    49% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 7.7 · close

    39% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 5.9 · close

    29% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 4.4 · very close

    22% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 2.2 · very close

    11% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 13.7 · loosely related

    68% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 3.0 · very close

    14% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 11.6 · close

    57% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 7.3 · close

    36% of canvas

  • Kylix (Drinking Cup) by Epeleios Painter, 510-500 BCE

    Kylix (Drinking Cup)

    Epeleios Painter

    ΔE 2.6 · very close

    12% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 13.9 · loosely related

    68% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 1.1 · near-exact

    4% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 4.8 · very close

    22% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.4 · close

    35% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.8 · very close

    22% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 3.3 · very close

    14% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 7.5 · close

    35% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 12.2 · loosely related

    58% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 10.2 · close

    47% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 3.5 · very close

    14% of canvas

  • Fragment by Nasca, 1000-1476

    Fragment

    Nasca

    ΔE 2.4 · very close

    8% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 11.4 · close

    53% of canvas

  • Statuette of a Seated Girl by Ancient Greek, 330-320 BCE

    Statuette of a Seated Girl

    Ancient Greek

    ΔE 3.0 · very close

    10% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 11.1 · close

    50% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 19.3 · loosely related

    91% of canvas

  • Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.0 · very close

    14% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.6 · very close

    12% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 6.2 · close

    25% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 6.6 · close

    27% of canvas

  • Page from a Copy of the Qur'an by Islamic, Abbasid Caliphate (750–1258), 9th century

    Page from a Copy of the Qur'an

    Islamic

    ΔE 3.7 · very close

    13% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 8.5 · close

    36% of canvas

  • Amphora (Storage Jar) by Ancient Greek, 4th century BCE

    Amphora (Storage Jar)

    Ancient Greek

    ΔE 2.3 · very close

    5% of canvas

What ΔE means, and what this does not measure