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#b8a388

Ranked by perceptual distance

Works near #b8a388

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 4.0 · very close

    68% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 4.6 · very close

    69% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 4.5 · very close

    68% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 5.5 · close

    71% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 4.3 · very close

    63% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 3.2 · very close

    56% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 4.2 · very close

    61% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 4.9 · very close

    64% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 4.2 · very close

    60% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 3.9 · very close

    58% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 4.2 · very close

    59% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 4.1 · very close

    56% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 2.6 · very close

    48% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 4.8 · very close

    59% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 4.5 · very close

    58% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 4.0 · very close

    53% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 4.3 · very close

    53% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 6.5 · close

    62% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 5.2 · close

    56% of canvas

  • Group of Shepherds and a Ram by Pietro Testa, n.d.

    Group of Shepherds and a Ram

    Pietro Testa

    ΔE 0.2 · near-exact

    30% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 1.4 · near-exact

    36% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.4 · very close

    46% of canvas

  • A warrior sits on a block and gestures; two figure are behind him, from Figurine series by Salvator Rosa, n.d.

    A warrior sits on a block and gestures; two figure are behind him, from Figurine series

    Salvator Rosa

    ΔE 3.9 · very close

    47% of canvas

  • Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal) by Switzerland, c. 1590

    Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal)

    Switzerland

    ΔE 2.6 · very close

    41% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 4.4 · very close

    49% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 6.3 · close

    58% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 2.5 · very close

    39% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 7.1 · close

    61% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 1.2 · near-exact

    31% of canvas

  • Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)" by Utagawa Toyokuni I, 1794

    Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)"

    Utagawa Toyokuni I

    ΔE 6.8 · close

    58% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 3.4 · very close

    41% of canvas

  • Statuette of a Tree Trunk by Ancient Greek, 3rd-1st century BCE ?

    Statuette of a Tree Trunk

    Ancient Greek

    ΔE 11.0 · close

    79% of canvas

  • St. Barbara by Martin Schongauer, n.d.

    St. Barbara

    Martin Schongauer

    ΔE 4.1 · very close

    44% of canvas

  • Sleeping Woman With Head on Arms by Unknown artist, n.d.

    Sleeping Woman With Head on Arms

    Unknown artist

    ΔE 3.8 · very close

    42% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 4.3 · very close

    44% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 5.3 · close

    49% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 7.8 · close

    61% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 6.9 · close

    56% of canvas

  • The Third Wise Virgin by Martin Schongauer, 1480-91

    The Third Wise Virgin

    Martin Schongauer

    ΔE 8.5 · close

    63% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 10.8 · close

    75% of canvas

  • The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778 by Katsukawa Shunsho, c. 1778

    The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778

    Katsukawa Shunsho

    ΔE 5.7 · close

    48% of canvas

  • Cook's Voyages to Polynesia by Unknown artist, 19th century

    Cook's Voyages to Polynesia

    Unknown artist

    ΔE 6.3 · close

    51% of canvas

  • The Reappearance of the Tritons of the Sea, plate 412 from Actualités by Honoré-Victorin Daumier, 1857

    The Reappearance of the Tritons of the Sea, plate 412 from Actualités

    Honoré-Victorin Daumier

    ΔE 9.7 · close

    68% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 5.6 · close

    47% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 6.8 · close

    53% of canvas

  • Inlay Depicting the Face of a King by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Inlay Depicting the Face of a King

    Ancient Egyptian

    ΔE 13.9 · loosely related

    89% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 1.2 · near-exact

    25% of canvas

  • Head of a Man with Furrowed Brow by Ancient Greek, 2nd-1st century BCE

    Head of a Man with Furrowed Brow

    Ancient Greek

    ΔE 11.0 · close

    74% of canvas

  • Abstract Head by Ancient Greek, 3rd-1st century BCE ?

    Abstract Head

    Ancient Greek

    ΔE 11.2 · close

    75% of canvas

  • Stoning of Saint Stephen by Charles Le Brun, n.d.

    Stoning of Saint Stephen

    Charles Le Brun

    ΔE 3.1 · very close

    34% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 11.1 · close

    74% of canvas

  • Head of a Woman by Ancient Greek, 4th-3rd century BCE

    Head of a Woman

    Ancient Greek

    ΔE 11.1 · close

    72% of canvas

  • Fragment of a Child by Ancient Greek, 3rd-1st century BCE

    Fragment of a Child

    Ancient Greek

    ΔE 11.3 · close

    73% of canvas

  • Vessel in the Form of a Deer Impersonator by Moche, 100 BCE–500 CE

    Vessel in the Form of a Deer Impersonator

    Moche

    ΔE 2.2 · very close

    27% of canvas

  • Rye Gate, Winchelsea, Kent by Unknown artist, n.d.

    Rye Gate, Winchelsea, Kent

    Unknown artist

    ΔE 4.2 · very close

    37% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 6.3 · close

    47% of canvas

  • Machine de Marly by Percival, 1843

    Machine de Marly

    Percival

    ΔE 7.3 · close

    52% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.0 · very close

    25% of canvas

  • Head of a Child or Young Boy by Ancient Greek, 5th-4th century BCE

    Head of a Child or Young Boy

    Ancient Greek

    ΔE 11.8 · close

    74% of canvas

  • The Fifth Wise Virgin by Martin Schongauer, 1480-91

    The Fifth Wise Virgin

    Martin Schongauer

    ΔE 9.1 · close

    60% of canvas

What ΔE means, and what this does not measure