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#b95b3a

Ranked by perceptual distance

Works near #b95b3a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 0.2 · near-exact

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.2 · close

    43% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.8 · very close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 7.0 · close

    44% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.1 · close

    32% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 2.8 · very close

    21% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 3.7 · very close

    22% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.7 · close

    37% of canvas

  • Fragment (Border) by Nasca, possibly 500-600

    Fragment (Border)

    Nasca

    ΔE 8.0 · close

    43% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 4.5 · very close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 6.7 · close

    32% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.4 · close

    27% of canvas

  • Plate by China, c. 1750

    Plate

    China

    ΔE 2.4 · very close

    2% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 11.8 · close

    49% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 8.2 · close

    30% of canvas

  • Angel Playing a Lute by Jacopo Confortini, n.d.

    Angel Playing a Lute

    Jacopo Confortini

    ΔE 4.7 · very close

    12% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 10.3 · close

    39% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 4.9 · very close

    12% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 9.9 · close

    34% of canvas

  • Bead with Name of King Amenemhat by Ancient Egyptian, Middle Kingdom, Dynasty 12, about 1985–1777 BCE

    Bead with Name of King Amenemhat

    Ancient Egyptian

    ΔE 4.6 · very close

    7% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 8.6 · close

    25% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 5.5 · close

    10% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 7.0 · close

    17% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 10.0 · close

    31% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 6.7 · close

    14% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 7.3 · close

    17% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 9.3 · close

    27% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 10.7 · close

    33% of canvas

  • Fragment by Peru, south coast, Possibly Nazca Valley

    Fragment

    Peru, south coast, Possibly Nazca Valley

    ΔE 7.7 · close

    17% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 18.4 · loosely related

    68% of canvas

  • Tea Bowl by China, c. 1750

    Tea Bowl

    China

    ΔE 5.6 · close

    4% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 9.2 · close

    22% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 9.8 · close

    24% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 8.1 · close

    16% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 7.0 · close

    10% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 8.2 · close

    15% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.3 · close

    16% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 8.2 · close

    14% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 7.3 · close

    10% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 10.5 · close

    25% of canvas

  • Fragment by Wari, About 600-800 CE

    Fragment

    Wari

    ΔE 7.1 · close

    8% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 8.3 · close

    14% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 8.0 · close

    12% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 7.9 · close

    11% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 17.0 · loosely related

    57% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 7.5 · close

    9% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 9.5 · close

    19% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 8.4 · close

    13% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 12.6 · loosely related

    33% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 7.8 · close

    9% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 8.4 · close

    12% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 6.8 · close

    4% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 14.5 · loosely related

    43% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 11.4 · close

    27% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 12.3 · loosely related

    31% of canvas

  • Pyxis (Container for Personal Objects) by Euaion Painter, 450-440 BCE

    Pyxis (Container for Personal Objects)

    Euaion Painter

    ΔE 7.9 · close

    9% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 8.8 · close

    14% of canvas

  • Table of Bigamy, from the Summa Super Titulis Decretalium Completa by Henry of Segusio, 1275/99

    Table of Bigamy, from the Summa Super Titulis Decretalium Completa

    Henry of Segusio

    ΔE 6.6 · close

    2% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 8.9 · close

    14% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 8.1 · close

    9% of canvas

What ΔE means, and what this does not measure