Skip to content
Chroma
#b97958

Ranked by perceptual distance

Works near #b97958

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Shawl by Inca

    Shawl

    Inca

    ΔE 2.3 · very close

    34% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 2.0 · near-exact

    27% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.4 · very close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.1 · close

    43% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.7 · close

    44% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 4.8 · very close

    32% of canvas

  • Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 0.1 · near-exact

    8% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 2.6 · very close

    21% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 5.6 · close

    35% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.3 · close

    32% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 4.8 · very close

    29% of canvas

  • Communion of the Apostles by Johann Martin Schuster, n.d.

    Communion of the Apostles

    Johann Martin Schuster

    ΔE 1.6 · near-exact

    13% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 5.4 · close

    27% of canvas

  • Fragment by Peru, south coast, Possibly Nazca Valley

    Fragment

    Peru, south coast, Possibly Nazca Valley

    ΔE 3.4 · very close

    17% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 11.6 · close

    57% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 3.4 · very close

    15% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 7.3 · close

    34% of canvas

  • Column Krater (Mixing Bowl) by Ancient Greek, 460-450 BCE

    Column Krater (Mixing Bowl)

    Ancient Greek

    ΔE 2.2 · very close

    9% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 14.8 · loosely related

    71% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.9 · close

    31% of canvas

  • The actor Sawamura Sojuro lll as the lay priest Kiyomori by Utagawa Kunimasa, c. 1795

    The actor Sawamura Sojuro lll as the lay priest Kiyomori

    Utagawa Kunimasa

    ΔE 1.2 · near-exact

    3% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 3.8 · very close

    14% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 6.9 · close

    29% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 3.6 · very close

    13% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 6.1 · close

    24% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 4.4 · very close

    14% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 5.9 · close

    22% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 4.6 · very close

    15% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 6.2 · close

    22% of canvas

  • Christ in the Garden by Giovanni Stefano Marucelli, n.d.

    Christ in the Garden

    Giovanni Stefano Marucelli

    ΔE 4.5 · very close

    13% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.8 · close

    19% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 515-500 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 3.2 · very close

    6% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.6 · very close

    13% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 4.1 · very close

    10% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 5.1 · close

    14% of canvas

  • Fuchu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Fuchu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 6.0 · close

    18% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 4.8 · very close

    13% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.8 · close

    37% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 6.2 · close

    19% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 9.3 · close

    34% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 11.5 · close

    45% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 11.1 · close

    43% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 16.4 · loosely related

    69% of canvas

  • Bishop Saint Blessing a Mother and Child by Alessandro Casolani, 1575/1600

    Bishop Saint Blessing a Mother and Child

    Alessandro Casolani

    ΔE 5.7 · close

    15% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 6.2 · close

    18% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 7.3 · close

    23% of canvas

  • Stamnos (Mixing Jar) by Chicago Painter, about 450 BCE

    Stamnos (Mixing Jar)

    Chicago Painter

    ΔE 4.5 · very close

    8% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 7.0 · close

    21% of canvas

  • Fragment by Italy or France, 1750/1800

    Fragment

    Italy or France

    ΔE 5.4 · close

    13% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 7.3 · close

    22% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 14.2 · loosely related

    56% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 14.7 · loosely related

    58% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 11.4 · close

    41% of canvas

  • Okazaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Okazaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 6.5 · close

    17% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 11.7 · close

    43% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 5.8 · close

    13% of canvas

  • Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.5 · close

    11% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 7.3 · close

    20% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 10.7 · close

    36% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 13.7 · loosely related

    52% of canvas

What ΔE means, and what this does not measure