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#bc9680

Ranked by perceptual distance

Works near #bc9680

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 9.9 · close

    71% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 10.5 · close

    69% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 4.2 · very close

    34% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 5.9 · close

    39% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 11.0 · close

    64% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 11.9 · close

    68% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 11.9 · close

    68% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 11.0 · close

    63% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 10.3 · close

    59% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 10.3 · close

    58% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 3.4 · very close

    23% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 10.5 · close

    59% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 5.9 · close

    35% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 10.5 · close

    58% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 11.0 · close

    61% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 10.2 · close

    56% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 10.3 · close

    56% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 10.5 · close

    56% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 5.5 · close

    30% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 10.1 · close

    53% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 0.1 · near-exact

    3% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 9.4 · close

    49% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 9.2 · close

    47% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.0 · close

    31% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 2.2 · very close

    12% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 11.4 · close

    58% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 11.3 · close

    56% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 7.3 · close

    36% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 2.1 · very close

    10% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 10.5 · close

    52% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 10.8 · close

    53% of canvas

  • Inlay Depicting the Face of a King by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Inlay Depicting the Face of a King

    Ancient Egyptian

    ΔE 17.9 · loosely related

    89% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 5.4 · close

    25% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 4.8 · very close

    22% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 5.1 · close

    23% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 12.5 · loosely related

    60% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 3.5 · very close

    15% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 1.0 · near-exact

    2% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.3 · close

    34% of canvas

  • Amphora (Storage Jar) by Ancient Greek, 4th century BCE

    Amphora (Storage Jar)

    Ancient Greek

    ΔE 1.7 · near-exact

    5% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 7.7 · close

    35% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 2.6 · very close

    9% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 13.3 · loosely related

    62% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 10.7 · close

    49% of canvas

  • Ring with a Scarab Bezel by Ancient Egyptian, Second Intermediate Period, Dynasty 15 (about 1650–1550 BCE)

    Ring with a Scarab Bezel

    Ancient Egyptian

    ΔE 15.8 · loosely related

    74% of canvas

  • Statuette of Eros by Ancient Greek, 3rd/2nd century BCE

    Statuette of Eros

    Ancient Greek

    ΔE 17.2 · loosely related

    81% of canvas

  • Statuette of a Tree Trunk by Ancient Greek, 3rd-1st century BCE ?

    Statuette of a Tree Trunk

    Ancient Greek

    ΔE 16.7 · loosely related

    79% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 10.7 · close

    48% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.5 · very close

    12% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 16.9 · loosely related

    79% of canvas

  • Fragment of a Decorative Border by Nasca, 100 BCE-200 CE

    Fragment of a Decorative Border

    Nasca

    ΔE 14.6 · loosely related

    67% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 19.4 · loosely related

    91% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.7 · very close

    18% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 10.4 · close

    46% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 8.0 · close

    34% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 9.9 · close

    43% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 9.6 · close

    41% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 13.5 · loosely related

    61% of canvas

  • Kylix (Drinking Cup) by Epeleios Painter, 510-500 BCE

    Kylix (Drinking Cup)

    Epeleios Painter

    ΔE 3.7 · very close

    12% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 5.4 · close

    20% of canvas

What ΔE means, and what this does not measure