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#beac86

Ranked by perceptual distance

Works near #beac86

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 2.4 · very close

    62% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 3.7 · very close

    68% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 2.3 · very close

    61% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 4.0 · very close

    69% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 2.1 · very close

    60% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 3.1 · very close

    63% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 2.6 · very close

    61% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 2.3 · very close

    58% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 3.8 · very close

    64% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 2.0 · near-exact

    53% of canvas

  • Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)" by Utagawa Toyokuni I, 1794

    Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)"

    Utagawa Toyokuni I

    ΔE 3.4 · very close

    58% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 3.4 · very close

    58% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 6.2 · close

    71% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 3.8 · very close

    59% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 5.9 · close

    68% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 3.7 · very close

    56% of canvas

  • Machine de Marly by Percival, 1843

    Machine de Marly

    Percival

    ΔE 2.8 · very close

    52% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 3.1 · very close

    53% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 3.9 · very close

    56% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 7.4 · close

    74% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 1.5 · near-exact

    44% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 4.9 · very close

    59% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 8.2 · close

    75% of canvas

  • The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?) by Ippitsusai Buncho, c. 1772

    The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?)

    Ippitsusai Buncho

    ΔE 3.7 · very close

    52% of canvas

  • The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778 by Katsukawa Shunsho, c. 1778

    The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778

    Katsukawa Shunsho

    ΔE 3.3 · very close

    48% of canvas

  • Rye Gate, Winchelsea, Kent by Unknown artist, n.d.

    Rye Gate, Winchelsea, Kent

    Unknown artist

    ΔE 1.2 · near-exact

    37% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 3.7 · very close

    49% of canvas

  • A warrior sits on a block and gestures; two figure are behind him, from Figurine series by Salvator Rosa, n.d.

    A warrior sits on a block and gestures; two figure are behind him, from Figurine series

    Salvator Rosa

    ΔE 3.4 · very close

    47% of canvas

  • The Reappearance of the Tritons of the Sea, plate 412 from Actualités by Honoré-Victorin Daumier, 1857

    The Reappearance of the Tritons of the Sea, plate 412 from Actualités

    Honoré-Victorin Daumier

    ΔE 7.6 · close

    68% of canvas

  • Waitress at the Minatoya Teahouse by Ippitsusai Buncho, c. 1769

    Waitress at the Minatoya Teahouse

    Ippitsusai Buncho

    ΔE 3.1 · very close

    45% of canvas

  • Battle Scene with Central Figure on Rearing Horse by Style of Luca Giordano, n.d.

    Battle Scene with Central Figure on Rearing Horse

    Style of Luca Giordano

    ΔE 1.5 · near-exact

    36% of canvas

  • The Third Wise Virgin by Martin Schongauer, 1480-91

    The Third Wise Virgin

    Martin Schongauer

    ΔE 6.9 · close

    63% of canvas

  • Veneration by Eduardus Jacobus, after 1698

    Veneration

    Eduardus Jacobus

    ΔE 1.3 · near-exact

    35% of canvas

  • Sketches of Trees by Cristofano Allori, n.d.

    Sketches of Trees

    Cristofano Allori

    ΔE 0.9 · near-exact

    33% of canvas

  • Faun and Nymphs by Raymond de Lafage, n.d.

    Faun and Nymphs

    Raymond de Lafage

    ΔE 2.2 · very close

    39% of canvas

  • The Third Foolish Virgin, from The Five Foolish Virgins by Israhel van Meckenem, the younger, 1480-1491

    The Third Foolish Virgin, from The Five Foolish Virgins

    Israhel van Meckenem, the younger

    ΔE 6.1 · close

    58% of canvas

  • Neptune Calming the Tempest Raised by Aeolus against Aeneas ("Quos Ego") by Italian, n.d.

    Neptune Calming the Tempest Raised by Aeolus against Aeneas ("Quos Ego")

    Italian

    ΔE 3.0 · very close

    43% of canvas

  • Cart on Road Flanked by Inn and Windmill by Thomas Richard Colman Dibdin, n.d.

    Cart on Road Flanked by Inn and Windmill

    Thomas Richard Colman Dibdin

    ΔE 2.3 · very close

    39% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 3.9 · very close

    47% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.6 · very close

    46% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 4.2 · very close

    48% of canvas

  • Shimada, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Shimada, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.4 · very close

    39% of canvas

  • Sleeping Woman With Head on Arms by Unknown artist, n.d.

    Sleeping Woman With Head on Arms

    Unknown artist

    ΔE 2.3 · very close

    38% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 5.8 · close

    56% of canvas

  • Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola by William Burgess, n.d.

    Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola

    William Burgess

    ΔE 2.5 · very close

    39% of canvas

  • The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788 by Torii Kiyonaga, 1788

    The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788

    Torii Kiyonaga

    ΔE 2.6 · very close

    39% of canvas

  • Kanaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kanaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 1.9 · near-exact

    36% of canvas

  • The Griffin by Martin Schongauer, c. 1485

    The Griffin

    Martin Schongauer

    ΔE 6.3 · close

    57% of canvas

  • Italianate Landscape with Buildings by Follower of Nicolas Poussin, n.d.

    Italianate Landscape with Buildings

    Follower of Nicolas Poussin

    ΔE 2.3 · very close

    37% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 3.3 · very close

    41% of canvas

  • Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 0.2 · near-exact

    25% of canvas

  • Flagellation of Christ by Lorenzo Garbieri, n.d.

    Flagellation of Christ

    Lorenzo Garbieri

    ΔE 2.1 · very close

    34% of canvas

  • La Grande Capucine by Lex de Renault, n.d.

    La Grande Capucine

    Lex de Renault

    ΔE 6.8 · close

    57% of canvas

  • Academic Male Nude, Half-Kneeling and Seen from the Back by Unknown artist, n.d.

    Academic Male Nude, Half-Kneeling and Seen from the Back

    Unknown artist

    ΔE 2.1 · very close

    34% of canvas

  • Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 1.5 · near-exact

    30% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 7.0 · close

    58% of canvas

  • Half-Length Portrait of Woman in Profile, Facing Right by Peltro William Tomkins, n.d.

    Half-Length Portrait of Woman in Profile, Facing Right

    Peltro William Tomkins

    ΔE 4.4 · very close

    45% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 3.4 · very close

    39% of canvas

  • Fragment by Egypt, Mamluk period (1250–1517), 14th century

    Fragment

    Egypt

    ΔE 8.2 · close

    63% of canvas

  • Battle of Ponte Molle by Style of Leonard Bramer, n.d.

    Battle of Ponte Molle

    Style of Leonard Bramer

    ΔE 6.2 · close

    53% of canvas

What ΔE means, and what this does not measure