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#c2926a

Ranked by perceptual distance

Works near #c2926a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 7.7 · close

    71% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 8.6 · close

    69% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 5.9 · close

    52% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 0.2 · near-exact

    22% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 9.2 · close

    64% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 8.1 · close

    58% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 7.7 · close

    56% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 8.4 · close

    59% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 3.6 · very close

    34% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 9.4 · close

    63% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 7.4 · close

    53% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 8.3 · close

    56% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 8.9 · close

    59% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 7.3 · close

    50% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 9.1 · close

    58% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 9.6 · close

    61% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 4.5 · very close

    35% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 4.6 · very close

    35% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 9.0 · close

    56% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 1.9 · near-exact

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.2 · very close

    31% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 8.7 · close

    53% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.2 · very close

    21% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 5.2 · close

    36% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 4.1 · very close

    30% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 9.8 · close

    58% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 3.6 · very close

    26% of canvas

  • Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 0.8 · near-exact

    11% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 7.2 · close

    43% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 9.3 · close

    53% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 6.1 · close

    36% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.7 · close

    34% of canvas

  • The Actor Nakamura Noshio I as the Third Princess (Nyosan no Miya) in the Play Fuki Kaete Tsuki mo Yoshiwara (Rethatched Roof: The Moon also Shines Over the Yoshiwara Pleasure District), Perfromed at the Morita Theater from the First Day of the Eleventh Month, 1771 by Ippitsusai Buncho, c. 1771

    The Actor Nakamura Noshio I as the Third Princess (Nyosan no Miya) in the Play Fuki Kaete Tsuki mo Yoshiwara (Rethatched Roof: The Moon also Shines Over the Yoshiwara Pleasure District), Perfromed at the Morita Theater from the First Day of the Eleventh Month, 1771

    Ippitsusai Buncho

    ΔE 2.9 · very close

    20% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 11.5 · close

    62% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 12.7 · loosely related

    68% of canvas

  • Communion of the Apostles by Johann Martin Schuster, n.d.

    Communion of the Apostles

    Johann Martin Schuster

    ΔE 3.2 · very close

    20% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 9.0 · close

    49% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 7.1 · close

    39% of canvas

  • Seated Academic Male Nude in Profile to Left by Andrea Camassei, 17th century

    Seated Academic Male Nude in Profile to Left

    Andrea Camassei

    ΔE 3.5 · very close

    20% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 3.5 · very close

    19% of canvas

  • Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.2 · very close

    18% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 4.4 · very close

    23% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 13.4 · loosely related

    68% of canvas

  • Ritual Vessel Depicting a Masked Deity with Serpents by Moche, 100 BCE–500 CE

    Ritual Vessel Depicting a Masked Deity with Serpents

    Moche

    ΔE 2.6 · very close

    14% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 3.5 · very close

    18% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 6.7 · close

    34% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 9.3 · close

    47% of canvas

  • Seated Saint or Philosopher by Unknown artist, n.d.

    Seated Saint or Philosopher

    Unknown artist

    ΔE 5.3 · close

    26% of canvas

  • Minature Handled Bowl with Textile-like Design by Inca, 1450–1532

    Minature Handled Bowl with Textile-like Design

    Inca

    ΔE 4.1 · very close

    20% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 7.0 · close

    34% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 7.7 · close

    37% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 9.4 · close

    46% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 10.1 · close

    49% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 10.2 · close

    49% of canvas

  • Corner of a Loggia with Female Statue by Pietro Righini, n.d.

    Corner of a Loggia with Female Statue

    Pietro Righini

    ΔE 6.7 · close

    32% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 12.4 · loosely related

    60% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 7.0 · close

    33% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 7.0 · close

    33% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 9.2 · close

    43% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 8.8 · close

    41% of canvas

What ΔE means, and what this does not measure