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#c49c78

Ranked by perceptual distance

Works near #c49c78

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 6.5 · close

    71% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 6.6 · close

    69% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 7.2 · close

    64% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 7.2 · close

    63% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 6.7 · close

    59% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 6.9 · close

    59% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 7.3 · close

    61% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 6.9 · close

    58% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 5.7 · close

    52% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 7.2 · close

    58% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 6.9 · close

    56% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 6.9 · close

    56% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 7.1 · close

    56% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 7.4 · close

    58% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 3.0 · very close

    35% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 6.8 · close

    53% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 9.8 · close

    68% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 3.2 · very close

    35% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 0.1 · near-exact

    18% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 7.1 · close

    53% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 9.0 · close

    62% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 4.3 · very close

    39% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 3.9 · very close

    34% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 3.8 · very close

    34% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 7.0 · close

    49% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 10.9 · close

    68% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 7.4 · close

    49% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 5.8 · close

    41% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 9.7 · close

    60% of canvas

  • Communion of the Apostles by Johann Martin Schuster, n.d.

    Communion of the Apostles

    Johann Martin Schuster

    ΔE 1.8 · near-exact

    20% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 2.2 · very close

    22% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 8.6 · close

    53% of canvas

  • Bust of Helmeted Warrior in Profile by Giuseppe Cesari, called Cavaliere d'Arpino, n.d.

    Bust of Helmeted Warrior in Profile

    Giuseppe Cesari, called Cavaliere d'Arpino

    ΔE 1.3 · near-exact

    16% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 8.1 · close

    50% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 7.2 · close

    46% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 9.4 · close

    56% of canvas

  • God the Father by François Boitard, n.d.

    God the Father

    François Boitard

    ΔE 6.0 · close

    38% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 7.1 · close

    43% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 9.0 · close

    53% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 5.8 · close

    36% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 13.5 · loosely related

    75% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 10.8 · close

    61% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 5.0 · close

    32% of canvas

  • Minature Handled Bowl with Textile-like Design by Inca, 1450–1532

    Minature Handled Bowl with Textile-like Design

    Inca

    ΔE 2.6 · very close

    20% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 1.4 · near-exact

    13% of canvas

  • Hara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Hara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.3 · very close

    28% of canvas

  • Stoning of Saint Stephen by Charles Le Brun, n.d.

    Stoning of Saint Stephen

    Charles Le Brun

    ΔE 5.6 · close

    34% of canvas

  • Seated Academic Male Nude in Profile to Left by Andrea Camassei, 17th century

    Seated Academic Male Nude in Profile to Left

    Andrea Camassei

    ΔE 3.1 · very close

    20% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 9.0 · close

    49% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 7.2 · close

    41% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 3.5 · very close

    22% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 3.5 · very close

    22% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 4.3 · very close

    26% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 8.9 · close

    48% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 5.2 · close

    30% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 6.4 · close

    36% of canvas

  • Corner of a Loggia with Female Statue by Pietro Righini, n.d.

    Corner of a Loggia with Female Statue

    Pietro Righini

    ΔE 5.8 · close

    32% of canvas

  • Fragment by France, c. 1750

    Fragment

    France

    ΔE 5.3 · close

    29% of canvas

  • Head of Christ, in Three-Quarter Profile, to Right by Giovanni Antonio Guardi, n.d.

    Head of Christ, in Three-Quarter Profile, to Right

    Giovanni Antonio Guardi

    ΔE 1.9 · near-exact

    11% of canvas

  • Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola by William Burgess, n.d.

    Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola

    William Burgess

    ΔE 7.4 · close

    39% of canvas

What ΔE means, and what this does not measure