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#c68141

Ranked by perceptual distance

Works near #c68141

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 2.1 · very close

    29% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 7.7 · close

    50% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 12.6 · loosely related

    71% of canvas

  • Seated Saint or Philosopher by Unknown artist, n.d.

    Seated Saint or Philosopher

    Unknown artist

    ΔE 2.9 · very close

    21% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 9.1 · close

    52% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 0.3 · near-exact

    7% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.9 · close

    33% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 6.7 · close

    36% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 8.1 · close

    43% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 6.5 · close

    34% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 10.7 · close

    53% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 13.9 · loosely related

    69% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 4.8 · very close

    24% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 7.7 · close

    38% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 11.7 · close

    57% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 6.3 · close

    30% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 3.4 · very close

    14% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 3.0 · very close

    12% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 11.9 · close

    56% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 10.2 · close

    47% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 9.1 · close

    42% of canvas

  • Waitress at the Minatoya Teahouse by Ippitsusai Buncho, c. 1769

    Waitress at the Minatoya Teahouse

    Ippitsusai Buncho

    ΔE 4.3 · very close

    17% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 12.5 · loosely related

    58% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.6 · close

    34% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.9 · close

    35% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 8.1 · close

    36% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 11.7 · close

    53% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 8.5 · close

    37% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 5.0 · close

    19% of canvas

  • Amphora (Storage Jar) by Achilles Painter, 460-450 BCE

    Amphora (Storage Jar)

    Achilles Painter

    ΔE 2.6 · very close

    6% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 5.8 · close

    22% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 14.3 · loosely related

    64% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 13.5 · loosely related

    59% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 6.5 · close

    23% of canvas

  • Seated Academic Male Nude in Profile to Left by Andrea Camassei, 17th century

    Seated Academic Male Nude in Profile to Left

    Andrea Camassei

    ΔE 3.7 · very close

    9% of canvas

  • The Actors Sawamura Sojuro III as Soga no Juro, Osagawa Tsuneyo II as Oiso no Tora, Azuma Tozo III as Miura Katagai, and Otani Tokuji I as Danzaburo, in the joruri "Chidorigake Koi no Tamaboko," performed at the Ichimura Theater in the first month, 1784 by Torii Kiyonaga, 1784

    The Actors Sawamura Sojuro III as Soga no Juro, Osagawa Tsuneyo II as Oiso no Tora, Azuma Tozo III as Miura Katagai, and Otani Tokuji I as Danzaburo, in the joruri "Chidorigake Koi no Tamaboko," performed at the Ichimura Theater in the first month, 1784

    Torii Kiyonaga

    ΔE 4.2 · very close

    11% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 13.2 · loosely related

    56% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 14.8 · loosely related

    63% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.4 · close

    31% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 8.8 · close

    33% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.9 · very close

    3% of canvas

  • Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 8.0 · close

    29% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 3.9 · very close

    8% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 14.3 · loosely related

    59% of canvas

  • Maoris and Animals by Paul Gauguin, 1896/97

    Maoris and Animals

    Paul Gauguin

    ΔE 5.7 · close

    16% of canvas

  • Angel Playing a Lute by Jacopo Confortini, n.d.

    Angel Playing a Lute

    Jacopo Confortini

    ΔE 5.4 · close

    14% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 8.0 · close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.0 · close

    21% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 8.7 · close

    29% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 14.6 · loosely related

    58% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 7.3 · close

    22% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 15.1 · loosely related

    61% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 12.1 · loosely related

    45% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 14.4 · loosely related

    56% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 10.0 · close

    34% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 8.2 · close

    25% of canvas

  • Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 6.2 · close

    14% of canvas

  • Corner of a Loggia with Female Statue by Pietro Righini, n.d.

    Corner of a Loggia with Female Statue

    Pietro Righini

    ΔE 7.0 · close

    18% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 11.9 · close

    43% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 10.3 · close

    35% of canvas

What ΔE means, and what this does not measure