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#c9a36a

Ranked by perceptual distance

Works near #c9a36a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 5.2 · close

    69% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 6.0 · close

    71% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 5.5 · close

    64% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 3.1 · very close

    52% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 5.7 · close

    63% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 5.6 · close

    62% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 1.7 · near-exact

    41% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 2.3 · very close

    43% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 5.8 · close

    61% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 4.6 · very close

    53% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 5.8 · close

    59% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 5.6 · close

    58% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 5.9 · close

    59% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 6.0 · close

    58% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 5.9 · close

    56% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 4.6 · very close

    49% of canvas

  • Corner of a Loggia with Female Statue by Pietro Righini, n.d.

    Corner of a Loggia with Female Statue

    Pietro Righini

    ΔE 1.3 · near-exact

    32% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 6.8 · close

    58% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 5.3 · close

    50% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 5.9 · close

    53% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 6.5 · close

    56% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 6.7 · close

    56% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 7.7 · close

    61% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 6.4 · close

    53% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 5.6 · close

    49% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 2.1 · very close

    30% of canvas

  • God the Father by François Boitard, n.d.

    God the Father

    François Boitard

    ΔE 4.0 · very close

    38% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 10.0 · close

    68% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 3.0 · very close

    33% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 11.8 · close

    75% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 8.9 · close

    60% of canvas

  • Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola by William Burgess, n.d.

    Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola

    William Burgess

    ΔE 4.8 · very close

    39% of canvas

  • The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783 by Katsukawa Shunsho, c. 1783

    The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783

    Katsukawa Shunsho

    ΔE 0.3 · near-exact

    16% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 7.7 · close

    53% of canvas

  • The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788 by Torii Kiyonaga, 1788

    The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788

    Torii Kiyonaga

    ΔE 5.2 · close

    39% of canvas

  • Fragment by Peru

    Fragment

    Peru

    ΔE 4.7 · very close

    37% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 3.3 · very close

    30% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 2.9 · very close

    27% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 5.6 · close

    41% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 2.1 · very close

    23% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 4.5 · very close

    35% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 5.5 · close

    39% of canvas

  • Machine de Marly by Percival, 1843

    Machine de Marly

    Percival

    ΔE 8.0 · close

    52% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 6.8 · close

    46% of canvas

  • The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?) by Ippitsusai Buncho, c. 1772

    The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?)

    Ippitsusai Buncho

    ΔE 8.0 · close

    52% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 1.9 · near-exact

    20% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 1.7 · near-exact

    19% of canvas

  • Rape of the Sabines by Unknown artist, 18th century

    Rape of the Sabines

    Unknown artist

    ΔE 5.1 · close

    36% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 6.6 · close

    43% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 11.8 · close

    68% of canvas

  • The Kingdom of Flora by Johann Gottlieb Prestel, n.d.

    The Kingdom of Flora

    Johann Gottlieb Prestel

    ΔE 4.7 · very close

    32% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 5.1 · close

    34% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 13.2 · loosely related

    74% of canvas

  • Seated Saint or Philosopher by Unknown artist, n.d.

    Seated Saint or Philosopher

    Unknown artist

    ΔE 2.7 · very close

    21% of canvas

  • Academic Male Nude, Half-Kneeling and Seen from the Back by Unknown artist, n.d.

    Academic Male Nude, Half-Kneeling and Seen from the Back

    Unknown artist

    ΔE 5.3 · close

    34% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 9.9 · close

    56% of canvas

  • Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)" by Utagawa Toyokuni I, 1794

    Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)"

    Utagawa Toyokuni I

    ΔE 10.3 · close

    58% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 7.5 · close

    44% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 2.1 · very close

    17% of canvas

  • Male Ecorché by John Partridge, c. 1810

    Male Ecorché

    John Partridge

    ΔE 6.6 · close

    39% of canvas

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