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#c9ae8d

Ranked by perceptual distance

Works near #c9ae8d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 4.9 · very close

    68% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 5.6 · close

    69% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 5.3 · close

    63% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 7.7 · close

    75% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 5.0 · very close

    61% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 5.4 · close

    62% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 7.3 · close

    71% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 6.0 · close

    64% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 4.8 · very close

    58% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 5.3 · close

    60% of canvas

  • Bust of Helmeted Warrior in Profile by Giuseppe Cesari, called Cavaliere d'Arpino, n.d.

    Bust of Helmeted Warrior in Profile

    Giuseppe Cesari, called Cavaliere d'Arpino

    ΔE 0.2 · near-exact

    33% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 5.3 · close

    58% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 7.5 · close

    68% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 5.6 · close

    59% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 5.2 · close

    56% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 2.3 · very close

    41% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 4.1 · very close

    49% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 5.5 · close

    56% of canvas

  • Caricature of Canon Sorri by Angelo de Rossi, n.d.

    Caricature of Canon Sorri

    Angelo de Rossi

    ΔE 4.5 · very close

    51% of canvas

  • The Third Wise Virgin by Martin Schongauer, 1480-91

    The Third Wise Virgin

    Martin Schongauer

    ΔE 7.0 · close

    63% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 6.8 · close

    61% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 5.2 · close

    53% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 6.9 · close

    61% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 6.5 · close

    59% of canvas

  • A warrior sits on a block and gestures; two figure are behind him, from Figurine series by Salvator Rosa, n.d.

    A warrior sits on a block and gestures; two figure are behind him, from Figurine series

    Salvator Rosa

    ΔE 4.2 · very close

    47% of canvas

  • Group of Shepherds and a Ram by Pietro Testa, n.d.

    Group of Shepherds and a Ram

    Pietro Testa

    ΔE 2.7 · very close

    38% of canvas

  • The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778 by Katsukawa Shunsho, c. 1778

    The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778

    Katsukawa Shunsho

    ΔE 4.7 · very close

    48% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 9.9 · close

    74% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 5.7 · close

    53% of canvas

  • Machine de Marly by Percival, 1843

    Machine de Marly

    Percival

    ΔE 5.6 · close

    52% of canvas

  • The Reappearance of the Tritons of the Sea, plate 412 from Actualités by Honoré-Victorin Daumier, 1857

    The Reappearance of the Tritons of the Sea, plate 412 from Actualités

    Honoré-Victorin Daumier

    ΔE 8.9 · close

    68% of canvas

  • Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)" by Utagawa Toyokuni I, 1794

    Tachibanaya: Ichikawa Yaozo III as Fuwa Banzaemon, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)"

    Utagawa Toyokuni I

    ΔE 7.1 · close

    58% of canvas

  • The Fifth Wise Virgin by Martin Schongauer, 1480-91

    The Fifth Wise Virgin

    Martin Schongauer

    ΔE 7.6 · close

    60% of canvas

  • Valance by France, 19th century

    Valance

    France

    ΔE 2.0 · near-exact

    32% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 3.6 · very close

    39% of canvas

  • Stoning of Saint Stephen by Charles Le Brun, n.d.

    Stoning of Saint Stephen

    Charles Le Brun

    ΔE 2.5 · very close

    34% of canvas

  • Fragment by Egypt, Mamluk period (1250–1517), 14th century

    Fragment

    Egypt

    ΔE 8.5 · close

    63% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 5.7 · close

    49% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 2.7 · very close

    34% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 5.7 · close

    48% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 7.3 · close

    56% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 5.6 · close

    47% of canvas

  • Page from a Copy of the Qur'an by Islamic, Abbasid Caliphate (750–1258), 9th century

    Page from a Copy of the Qur'an

    Islamic

    ΔE 7.8 · close

    58% of canvas

  • Waitress at the Minatoya Teahouse by Ippitsusai Buncho, c. 1769

    Waitress at the Minatoya Teahouse

    Ippitsusai Buncho

    ΔE 5.2 · close

    45% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 3.8 · very close

    38% of canvas

  • Faun and Nymphs by Raymond de Lafage, n.d.

    Faun and Nymphs

    Raymond de Lafage

    ΔE 4.2 · very close

    39% of canvas

  • Picture by England, 17th century

    Picture

    England

    ΔE 9.4 · close

    65% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 5.3 · close

    44% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 5.5 · close

    46% of canvas

  • Angel Playing a Lute by Jacopo Confortini, n.d.

    Angel Playing a Lute

    Jacopo Confortini

    ΔE 5.8 · close

    47% of canvas

  • Battle Scene with Central Figure on Rearing Horse by Style of Luca Giordano, n.d.

    Battle Scene with Central Figure on Rearing Horse

    Style of Luca Giordano

    ΔE 3.7 · very close

    36% of canvas

  • Sketches of Trees by Cristofano Allori, n.d.

    Sketches of Trees

    Cristofano Allori

    ΔE 4.5 · very close

    40% of canvas

  • The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?) by Ippitsusai Buncho, c. 1772

    The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?)

    Ippitsusai Buncho

    ΔE 6.8 · close

    52% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 3.7 · very close

    36% of canvas

  • Kanaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kanaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.7 · very close

    36% of canvas

  • Hara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Hara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.1 · very close

    28% of canvas

  • Inlay Depicting the Face of a King by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Inlay Depicting the Face of a King

    Ancient Egyptian

    ΔE 14.3 · loosely related

    89% of canvas

  • Statue of Mercury by Michael Henry Spang, n.d.

    Statue of Mercury

    Michael Henry Spang

    ΔE 2.5 · very close

    30% of canvas

  • Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal) by Switzerland, c. 1590

    Panel (Judith with the head of Holofernes, Possibly from an Altar Frontal)

    Switzerland

    ΔE 4.7 · very close

    41% of canvas

  • God the Father by François Boitard, n.d.

    God the Father

    François Boitard

    ΔE 4.2 · very close

    38% of canvas

What ΔE means, and what this does not measure