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#cec0a6

Ranked by perceptual distance

Works near #cec0a6

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • The Third Wise Virgin by Martin Schongauer, 1480-91

    The Third Wise Virgin

    Martin Schongauer

    ΔE 0.4 · near-exact

    63% of canvas

  • The Reappearance of the Tritons of the Sea, plate 412 from Actualités by Honoré-Victorin Daumier, 1857

    The Reappearance of the Tritons of the Sea, plate 412 from Actualités

    Honoré-Victorin Daumier

    ΔE 2.7 · very close

    68% of canvas

  • The Fifth Wise Virgin by Martin Schongauer, 1480-91

    The Fifth Wise Virgin

    Martin Schongauer

    ΔE 1.2 · near-exact

    60% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 4.3 · very close

    75% of canvas

  • Fragment by Egypt, Mamluk period (1250–1517), 14th century

    Fragment

    Egypt

    ΔE 2.0 · very close

    63% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 5.0 · close

    74% of canvas

  • The First Wise Virgin by Martin Schongauer, 1480-91

    The First Wise Virgin

    Martin Schongauer

    ΔE 1.5 · near-exact

    56% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 2.8 · very close

    61% of canvas

  • The Second Wise Virgin by Martin Schongauer, 1480-91

    The Second Wise Virgin

    Martin Schongauer

    ΔE 0.6 · near-exact

    49% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 4.8 · very close

    68% of canvas

  • Two Standing Male Nudes by School of Baccio Bandinelli, 1548/50

    Two Standing Male Nudes

    School of Baccio Bandinelli

    ΔE 0.7 · near-exact

    47% of canvas

  • Venus Sur Les Aux by Jean François Janinet, n.d.

    Venus Sur Les Aux

    Jean François Janinet

    ΔE 5.0 · close

    68% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 4.7 · very close

    66% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 0.6 · near-exact

    46% of canvas

  • Battle of Ponte Molle by Style of Leonard Bramer, n.d.

    Battle of Ponte Molle

    Style of Leonard Bramer

    ΔE 2.3 · very close

    53% of canvas

  • La Grande Capucine by Lex de Renault, n.d.

    La Grande Capucine

    Lex de Renault

    ΔE 3.2 · very close

    57% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 7.0 · close

    75% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 0.4 · near-exact

    42% of canvas

  • Fragment from a Tunic by Egypt, 4th century

    Fragment from a Tunic

    Egypt

    ΔE 2.0 · near-exact

    49% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 1.6 · near-exact

    47% of canvas

  • Upper Torso with Upstretched Arms by Unknown artist, n.d.

    Upper Torso with Upstretched Arms

    Unknown artist

    ΔE 5.5 · close

    66% of canvas

  • The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789 by Katsukawa Shunkо̄, c. 1789

    The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789

    Katsukawa Shunkо̄

    ΔE 1.0 · near-exact

    44% of canvas

  • Inlay Depicting the Face of a King by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Inlay Depicting the Face of a King

    Ancient Egyptian

    ΔE 10.1 · close

    89% of canvas

  • The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783 by Katsukawa Shunsho, c. 1783

    The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783

    Katsukawa Shunsho

    ΔE 1.2 · near-exact

    44% of canvas

  • Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.7 · very close

    56% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 6.9 · close

    72% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 1.7 · near-exact

    46% of canvas

  • The Virgin and Child in the Garden by Israhel van Meckenem, the younger, n.d.

    The Virgin and Child in the Garden

    Israhel van Meckenem, the younger

    ΔE 6.2 · close

    68% of canvas

  • Picture by England, 17th century

    Picture

    England

    ΔE 5.7 · close

    65% of canvas

  • A Country Mouse by Katherine May Roberts, n.d.

    A Country Mouse

    Katherine May Roberts

    ΔE 5.7 · close

    65% of canvas

  • The Actor Segawa Kikunojo I as Katakai in the play "Mugen no Kane Omoi no Akatsuki," performed at the Nakamura Theater in the third month, 1746 by Torii Kiyomasu II, 1746

    The Actor Segawa Kikunojo I as Katakai in the play "Mugen no Kane Omoi no Akatsuki," performed at the Nakamura Theater in the third month, 1746

    Torii Kiyomasu II

    ΔE 1.2 · near-exact

    42% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 2.2 · very close

    47% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 0.8 · near-exact

    40% of canvas

  • “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse by Honoré-Victorin Daumier, 1857

    “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse

    Honoré-Victorin Daumier

    ΔE 4.3 · very close

    57% of canvas

  • The Second Foolish Virgin by Martin Schongauer, 1480-91

    The Second Foolish Virgin

    Martin Schongauer

    ΔE 5.2 · close

    62% of canvas

  • Outside of Haarlem by Jan Pieter Waterloo, 1833

    Outside of Haarlem

    Jan Pieter Waterloo

    ΔE 4.2 · very close

    57% of canvas

  • The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length by Rembrandt van Rijn, c. 1631

    The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length

    Rembrandt van Rijn

    ΔE 5.5 · close

    62% of canvas

  • Kuwana, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kuwana, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.2 · very close

    51% of canvas

  • Juno, Zeus and Aeolus by Pietro da Cortona, n.d.

    Juno, Zeus and Aeolus

    Pietro da Cortona

    ΔE 4.9 · very close

    59% of canvas

  • Kawasaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kawasaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.7 · very close

    48% of canvas

  • Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 1.4 · near-exact

    41% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 9.2 · close

    80% of canvas

  • Faun and Nymphs by Raymond de Lafage, n.d.

    Faun and Nymphs

    Raymond de Lafage

    ΔE 1.6 · near-exact

    42% of canvas

  • Head of a Woman with Melon Hairdo by Ancient Greek, 4th-3rd century BCE

    Head of a Woman with Melon Hairdo

    Ancient Greek

    ΔE 7.5 · close

    71% of canvas

  • Brook in Forest by Unknown artist, n.d.

    Brook in Forest

    Unknown artist

    ΔE 6.0 · close

    64% of canvas

  • Statuette of a Tree Trunk by Ancient Greek, 3rd-1st century BCE ?

    Statuette of a Tree Trunk

    Ancient Greek

    ΔE 9.0 · close

    79% of canvas

  • St. Bartholomew, from Apostles by Martin Schongauer, n.d.

    St. Bartholomew, from Apostles

    Martin Schongauer

    ΔE 6.0 · close

    63% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 0.9 · near-exact

    37% of canvas

  • Yamauba with Kintaro Holding a Toy Mask by Kitagawa Utamaro, c. 1801/04

    Yamauba with Kintaro Holding a Toy Mask

    Kitagawa Utamaro

    ΔE 3.5 · very close

    50% of canvas

  • St. Veronica by Martin Schongauer, n.d.

    St. Veronica

    Martin Schongauer

    ΔE 3.9 · very close

    52% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.2 · very close

    43% of canvas

  • Border Fragment by Egypt, Fatimid period (969–1171)

    Border Fragment

    Egypt

    ΔE 0.6 · near-exact

    35% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.2 · very close

    43% of canvas

  • Abstract Head by Ancient Greek, 3rd-1st century BCE ?

    Abstract Head

    Ancient Greek

    ΔE 8.5 · close

    75% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 2.9 · very close

    47% of canvas

  • Yoshida, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Yoshida, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.1 · very close

    48% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 0.9 · near-exact

    37% of canvas

  • Ishibei, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Ishibei, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.5 · very close

    44% of canvas

  • Fragment by Egypt, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

    Fragment

    Egypt

    ΔE 0.7 · near-exact

    36% of canvas

  • The Third Foolish Virgin by Martin Schongauer, 1480-91

    The Third Foolish Virgin

    Martin Schongauer

    ΔE 5.9 · close

    61% of canvas

What ΔE means, and what this does not measure