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#dbd6b1

Ranked by perceptual distance

Works near #dbd6b1

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 1.6 · near-exact

    75% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 3.3 · very close

    74% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 3.2 · very close

    73% of canvas

  • Indian Village Beside Stream by Unknown artist, n.d.

    Indian Village Beside Stream

    Unknown artist

    ΔE 1.8 · near-exact

    65% of canvas

  • Upper Torso with Upstretched Arms by Unknown artist, n.d.

    Upper Torso with Upstretched Arms

    Unknown artist

    ΔE 2.2 · very close

    66% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 3.4 · very close

    71% of canvas

  • A Country Mouse by Katherine May Roberts, n.d.

    A Country Mouse

    Katherine May Roberts

    ΔE 2.3 · very close

    65% of canvas

  • Brook in Forest by Unknown artist, n.d.

    Brook in Forest

    Unknown artist

    ΔE 2.1 · very close

    64% of canvas

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 4.1 · very close

    73% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 4.4 · very close

    74% of canvas

  • Scene from Racine's Athalie by Charles Abraham Chasselat, 1817

    Scene from Racine's Athalie

    Charles Abraham Chasselat

    ΔE 2.5 · very close

    63% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 4.2 · very close

    69% of canvas

  • Men Carrying Nets by John Skinner Prout, n.d.

    Men Carrying Nets

    John Skinner Prout

    ΔE 2.8 · very close

    59% of canvas

  • Sketches of Patmos, Sardis, Obelisk of Heliopolis by Unknown artist, n.d.

    Sketches of Patmos, Sardis, Obelisk of Heliopolis

    Unknown artist

    ΔE 2.4 · very close

    57% of canvas

  • Inconvenient Partners in Waltzing by Isaac Robert Cruikshank, 1817/19

    Inconvenient Partners in Waltzing

    Isaac Robert Cruikshank

    ΔE 3.5 · very close

    62% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 3.9 · very close

    64% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 4.6 · very close

    65% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 6.7 · close

    75% of canvas

  • Assembly of Gods and Goddesses on Mount Olympus by Unknown artist, n.d.

    Assembly of Gods and Goddesses on Mount Olympus

    Unknown artist

    ΔE 0.5 · near-exact

    43% of canvas

  • The Virgin and Child in the Garden by Israhel van Meckenem, the younger, n.d.

    The Virgin and Child in the Garden

    Israhel van Meckenem, the younger

    ΔE 5.4 · close

    68% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 6.3 · close

    72% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 4.4 · very close

    62% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 5.3 · close

    66% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 4.9 · very close

    64% of canvas

  • The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII. by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.

    William Blake

    ΔE 4.7 · very close

    63% of canvas

  • Outside of Haarlem by Jan Pieter Waterloo, 1833

    Outside of Haarlem

    Jan Pieter Waterloo

    ΔE 3.6 · very close

    57% of canvas

  • St. Bartholomew, from Apostles by Martin Schongauer, n.d.

    St. Bartholomew, from Apostles

    Martin Schongauer

    ΔE 5.1 · close

    63% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 7.2 · close

    73% of canvas

  • Actors Ichikawa Danjôrô V as Gokuin Sen’emon, Bandô Mitsugorô I as An no Heibei, and Nakamura Sukegorô II as Kaminari Shôkurô in “A Soga Drama on the First Festival Day in the Pleasure District” (“Hatsumombi Kuruwa Soga”) by Katsukawa Shunsho, About 1780

    Actors Ichikawa Danjôrô V as Gokuin Sen’emon, Bandô Mitsugorô I as An no Heibei, and Nakamura Sukegorô II as Kaminari Shôkurô in “A Soga Drama on the First Festival Day in the Pleasure District” (“Hatsumombi Kuruwa Soga”)

    Katsukawa Shunsho

    ΔE 2.6 · very close

    50% of canvas

  • Saint Sebastian by Vincenzo Campi, 1580s

    Saint Sebastian

    Vincenzo Campi

    ΔE 3.8 · very close

    56% of canvas

  • Venus Sur Les Aux by Jean François Janinet, n.d.

    Venus Sur Les Aux

    Jean François Janinet

    ΔE 6.2 · close

    68% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 3.3 · very close

    53% of canvas

  • The Adoration of the Magi, from The Life of the Virgin by Albrecht Dürer, c. 1503, published 1511

    The Adoration of the Magi, from The Life of the Virgin

    Albrecht Dürer

    ΔE 3.1 · very close

    52% of canvas

  • Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.1 · very close

    56% of canvas

  • The Reappearance of the Tritons of the Sea, plate 412 from Actualités by Honoré-Victorin Daumier, 1857

    The Reappearance of the Tritons of the Sea, plate 412 from Actualités

    Honoré-Victorin Daumier

    ΔE 6.4 · close

    68% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 3.0 · very close

    51% of canvas

  • Fox Hunt by W. H. Temple, c. 1865

    Fox Hunt

    W. H. Temple

    ΔE 3.8 · very close

    55% of canvas

  • Cuckoo, Pine Brach, and Full Moon by Utagawa Hiroshige, c. 1843/47

    Cuckoo, Pine Brach, and Full Moon

    Utagawa Hiroshige

    ΔE 2.1 · very close

    46% of canvas

  • Maisaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Maisaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.1 · very close

    51% of canvas

  • Juno, Zeus and Aeolus by Pietro da Cortona, n.d.

    Juno, Zeus and Aeolus

    Pietro da Cortona

    ΔE 4.7 · very close

    59% of canvas

  • Kakegawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kakegawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.7 · very close

    48% of canvas

  • Full Length Portrait of a Man Standing near Balustrade by John Vanderbank, c. 1737

    Full Length Portrait of a Man Standing near Balustrade

    John Vanderbank

    ΔE 5.8 · close

    64% of canvas

  • Mercury by Jan Harmensz. Muller, c. 1600

    Mercury

    Jan Harmensz. Muller

    ΔE 5.8 · close

    64% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.2 · close

    70% of canvas

  • Shirasuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Shirasuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.9 · very close

    49% of canvas

  • The Second Foolish Virgin by Martin Schongauer, 1480-91

    The Second Foolish Virgin

    Martin Schongauer

    ΔE 5.6 · close

    62% of canvas

  • Hakone, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Hakone, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.9 · very close

    53% of canvas

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 8.0 · close

    74% of canvas

  • Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.2 · very close

    50% of canvas

  • Bust of Young Man in Profile by Unknown artist, n.d.

    Bust of Young Man in Profile

    Unknown artist

    ΔE 5.0 · very close

    58% of canvas

  • Fragment by Egypt, Mamluk period (1250–1517), 14th century

    Fragment

    Egypt

    ΔE 6.0 · close

    63% of canvas

  • Monumental Vase with Anthropomorphic Figures by Jacques François Joseph Saly, after 1746

    Monumental Vase with Anthropomorphic Figures

    Jacques François Joseph Saly

    ΔE 4.7 · very close

    57% of canvas

  • Outside of Porta Metella, Rome by Unknown, n.d.

    Outside of Porta Metella, Rome

    Unknown

    ΔE 2.5 · very close

    45% of canvas

  • The Elephant by Martin Schongauer, c. 1485

    The Elephant

    Martin Schongauer

    ΔE 6.1 · close

    63% of canvas

  • Town and Castle of Hay by Joseph Murray Ince, 1844

    Town and Castle of Hay

    Joseph Murray Ince

    ΔE 4.6 · very close

    56% of canvas

  • Canterbury Pilgrims by Thomas Stothard, c. 1807

    Canterbury Pilgrims

    Thomas Stothard

    ΔE 4.9 · very close

    57% of canvas

  • Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.2 · very close

    53% of canvas

  • Okitsu: The Okitsu River (Okitsu, Okitsugawa), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Okitsu: The Okitsu River (Okitsu, Okitsugawa), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.8 · very close

    51% of canvas

  • Standing Girl Holding Pitcher and Basket by Unknown, 19th century

    Standing Girl Holding Pitcher and Basket

    Unknown

    ΔE 2.4 · very close

    44% of canvas

  • Rural Sports, or How to Show Off a Well-shaped Leg by Thomas Rowlandson, published October 1811

    Rural Sports, or How to Show Off a Well-shaped Leg

    Thomas Rowlandson

    ΔE 3.2 · very close

    47% of canvas

What ΔE means, and what this does not measure