Skip to content
Chroma
#ddb285

Ranked by perceptual distance

Works near #ddb285

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 3.7 · very close

    49% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 8.8 · close

    75% of canvas

  • Evangelist Looking Upward by Luca Giordano, n.d.

    Evangelist Looking Upward

    Luca Giordano

    ΔE 3.2 · very close

    44% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 8.7 · close

    69% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 7.8 · close

    62% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 2.0 · very close

    32% of canvas

  • Christ in the Garden by Giovanni Stefano Marucelli, n.d.

    Christ in the Garden

    Giovanni Stefano Marucelli

    ΔE 0.1 · near-exact

    22% of canvas

  • Caricature of Canon Sorri by Angelo de Rossi, n.d.

    Caricature of Canon Sorri

    Angelo de Rossi

    ΔE 6.0 · close

    51% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 10.1 · close

    71% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 8.8 · close

    63% of canvas

  • Fragment by Peru

    Fragment

    Peru

    ΔE 3.6 · very close

    37% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 9.9 · close

    68% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 9.1 · close

    64% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 8.6 · close

    61% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 8.2 · close

    58% of canvas

  • Page from a Copy of the Qur'an by Islamic, Abbasid Caliphate (750–1258), 9th century

    Page from a Copy of the Qur'an

    Islamic

    ΔE 8.8 · close

    58% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 8.9 · close

    58% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 9.0 · close

    59% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 6.2 · close

    43% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 3.7 · very close

    31% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 9.9 · close

    61% of canvas

  • Communion of the Apostles by Johann Martin Schuster, n.d.

    Communion of the Apostles

    Johann Martin Schuster

    ΔE 3.2 · very close

    27% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 9.0 · close

    56% of canvas

  • The Third Wise Virgin by Martin Schongauer, 1480-91

    The Third Wise Virgin

    Martin Schongauer

    ΔE 10.4 · close

    63% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 9.6 · close

    59% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 8.2 · close

    52% of canvas

  • Seated Academic Male Nude in Profile to Left by Andrea Camassei, 17th century

    Seated Academic Male Nude in Profile to Left

    Andrea Camassei

    ΔE 3.0 · very close

    26% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 12.7 · loosely related

    74% of canvas

  • Bishop Saint Blessing a Mother and Child by Alessandro Casolani, 1575/1600

    Bishop Saint Blessing a Mother and Child

    Alessandro Casolani

    ΔE 2.8 · very close

    24% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 10.0 · close

    60% of canvas

  • Corner of a Loggia with Female Statue by Pietro Righini, n.d.

    Corner of a Loggia with Female Statue

    Pietro Righini

    ΔE 4.0 · very close

    30% of canvas

  • Chalice Cover by Italy, 18th century

    Chalice Cover

    Italy

    ΔE 6.3 · close

    41% of canvas

  • Machine de Marly by Percival, 1843

    Machine de Marly

    Percival

    ΔE 8.4 · close

    52% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 8.8 · close

    53% of canvas

  • Fragment by France, 1645/75

    Fragment

    France

    ΔE 2.6 · very close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.6 · close

    47% of canvas

  • Angel Playing a Lute by Jacopo Confortini, n.d.

    Angel Playing a Lute

    Jacopo Confortini

    ΔE 7.6 · close

    47% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 4.3 · very close

    30% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 5.2 · close

    34% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 14.6 · loosely related

    80% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 10.7 · close

    61% of canvas

  • Fragment by Egypt, Mamluk period (1250–1517), 14th century

    Fragment

    Egypt

    ΔE 11.4 · close

    63% of canvas

  • Picture by England, 17th century

    Picture

    England

    ΔE 11.7 · close

    65% of canvas

  • Back View of a Seated Male Nude Holding Shepherd's Crook by Filippo Ottani, 1775/79

    Back View of a Seated Male Nude Holding Shepherd's Crook

    Filippo Ottani

    ΔE 6.2 · close

    38% of canvas

  • The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?) by Ippitsusai Buncho, c. 1772

    The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?)

    Ippitsusai Buncho

    ΔE 9.0 · close

    52% of canvas

  • Bust of Helmeted Warrior in Profile by Giuseppe Cesari, called Cavaliere d'Arpino, n.d.

    Bust of Helmeted Warrior in Profile

    Giuseppe Cesari, called Cavaliere d'Arpino

    ΔE 5.3 · close

    33% of canvas

  • The Fifth Wise Virgin by Martin Schongauer, 1480-91

    The Fifth Wise Virgin

    Martin Schongauer

    ΔE 10.9 · close

    60% of canvas

  • The Reappearance of the Tritons of the Sea, plate 412 from Actualités by Honoré-Victorin Daumier, 1857

    The Reappearance of the Tritons of the Sea, plate 412 from Actualités

    Honoré-Victorin Daumier

    ΔE 12.5 · loosely related

    68% of canvas

  • Oiso, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Oiso, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.1 · very close

    16% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 12.6 · loosely related

    68% of canvas

  • St. Francis of Assisi in Prayer by Unknown artist, n.d.

    St. Francis of Assisi in Prayer

    Unknown artist

    ΔE 10.3 · close

    56% of canvas

  • God the Father by François Boitard, n.d.

    God the Father

    François Boitard

    ΔE 6.7 · close

    38% of canvas

  • La Grande Capucine by Lex de Renault, n.d.

    La Grande Capucine

    Lex de Renault

    ΔE 10.5 · close

    57% of canvas

  • Waitress at the Minatoya Teahouse by Ippitsusai Buncho, c. 1769

    Waitress at the Minatoya Teahouse

    Ippitsusai Buncho

    ΔE 8.1 · close

    45% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 9.0 · close

    49% of canvas

  • The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788 by Torii Kiyonaga, 1788

    The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788

    Torii Kiyonaga

    ΔE 7.1 · close

    39% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 14.2 · loosely related

    75% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 7.4 · close

    41% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 10.4 · close

    56% of canvas

  • Saint William of Maleval by Salvator Rosa, c. 1780

    Saint William of Maleval

    Salvator Rosa

    ΔE 3.4 · very close

    20% of canvas

What ΔE means, and what this does not measure