Skip to content
Chroma
#e0ddcd

Ranked by perceptual distance

Works near #e0ddcd

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 1.1 · near-exact

    73% of canvas

  • Henry Brandon by Francesco Bartolozzi, published March 26, 1798

    Henry Brandon

    Francesco Bartolozzi

    ΔE 2.5 · very close

    77% of canvas

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 2.3 · very close

    74% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 2.2 · very close

    72% of canvas

  • Charles Brandon by Francesco Bartolozzi, 1798

    Charles Brandon

    Francesco Bartolozzi

    ΔE 2.8 · very close

    75% of canvas

  • Mill Stream by David Lucas, 1831

    Mill Stream

    David Lucas

    ΔE 3.8 · very close

    79% of canvas

  • Hadley Castle, Near the Nore by David Lucas, n.d.

    Hadley Castle, Near the Nore

    David Lucas

    ΔE 3.5 · very close

    73% of canvas

  • Weymouth Bay, Dorsetshire by David Lucas, 1830

    Weymouth Bay, Dorsetshire

    David Lucas

    ΔE 3.6 · very close

    73% of canvas

  • The Madonna and Child with an Apple by Martin Schongauer, c. 1475

    The Madonna and Child with an Apple

    Martin Schongauer

    ΔE 1.0 · near-exact

    59% of canvas

  • Glebe Farm by David Lucas, published June 1832

    Glebe Farm

    David Lucas

    ΔE 4.3 · very close

    75% of canvas

  • Fragmentary Figurine of a Monkey by Ancient Greek, 3rd-1st century BCE

    Fragmentary Figurine of a Monkey

    Ancient Greek

    ΔE 7.3 · close

    90% of canvas

  • Women and Child at the Edge of the Water by Suzanne Valadon, 1904

    Women and Child at the Edge of the Water

    Suzanne Valadon

    ΔE 3.9 · very close

    72% of canvas

  • Man and Woman Riding Horses at Hunt by Francis Arthur Fraser, n.d.

    Man and Woman Riding Horses at Hunt

    Francis Arthur Fraser

    ΔE 3.0 · very close

    66% of canvas

  • Mastoid (Drinking Cup) with Handles by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup) with Handles

    Ancient Greek

    ΔE 5.4 · close

    78% of canvas

  • Mastoid (Drinking Cup) by Caylus Painter, about 500-480 BCE

    Mastoid (Drinking Cup)

    Caylus Painter

    ΔE 5.7 · close

    79% of canvas

  • Bead with Name of King Amenemhat by Ancient Egyptian, Middle Kingdom, Dynasty 12, about 1985–1777 BCE

    Bead with Name of King Amenemhat

    Ancient Egyptian

    ΔE 6.6 · close

    84% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 2.3 · very close

    62% of canvas

  • Two Women Drying Themselves by Suzanne Valadon, 1895

    Two Women Drying Themselves

    Suzanne Valadon

    ΔE 0.8 · near-exact

    54% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.1 · very close

    70% of canvas

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 4.7 · very close

    73% of canvas

  • It Rocks but is Not Sunk by Charles Meryon, 1854

    It Rocks but is Not Sunk

    Charles Meryon

    ΔE 1.5 · near-exact

    57% of canvas

  • Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing) by Pieter Jansz. Quast, n.d.

    Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)

    Pieter Jansz. Quast

    ΔE 2.0 · very close

    59% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 5.1 · close

    74% of canvas

  • The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII. by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.

    William Blake

    ΔE 2.9 · very close

    63% of canvas

  • Design for Escutcheon, with Artist's Instruments by Unknown Genoese, n.d.

    Design for Escutcheon, with Artist's Instruments

    Unknown Genoese

    ΔE 2.3 · very close

    60% of canvas

  • Horseman and Horsewoman in Park by Francis Arthur Fraser, 1867/83

    Horseman and Horsewoman in Park

    Francis Arthur Fraser

    ΔE 1.8 · near-exact

    57% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 3.5 · very close

    65% of canvas

  • Hunting Scene: Horse and Thrown Rider by Francis Arthur Fraser, 1867/83

    Hunting Scene: Horse and Thrown Rider

    Francis Arthur Fraser

    ΔE 2.2 · very close

    59% of canvas

  • Sailboats on Sea by Unknown artist, n.d.

    Sailboats on Sea

    Unknown artist

    ΔE 2.9 · very close

    62% of canvas

  • Scarab Amulet by Ancient Egyptian, Late Period, Dynasty 26 (664-525 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 2.2 · very close

    59% of canvas

  • Three Riders at a Hunt by Francis Arthur Fraser, 1867/83

    Three Riders at a Hunt

    Francis Arthur Fraser

    ΔE 2.5 · very close

    60% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 4.8 · very close

    71% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 6.5 · close

    80% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 5.2 · close

    73% of canvas

  • The Double Bass Player by Alphonse Legros, c. 1873

    The Double Bass Player

    Alphonse Legros

    ΔE 2.3 · very close

    59% of canvas

  • The Gown Falls, Man Remains, and the Legs are Shaking. (J.B. Rousseau), plate 10 from Coquetterie by Honoré-Victorin Daumier, published October 18, 1840

    The Gown Falls, Man Remains, and the Legs are Shaking. (J.B. Rousseau), plate 10 from Coquetterie

    Honoré-Victorin Daumier

    ΔE 2.9 · very close

    62% of canvas

  • Louise Nude on a Sofa by Suzanne Valadon, 1895

    Louise Nude on a Sofa

    Suzanne Valadon

    ΔE 1.7 · near-exact

    55% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 3.5 · very close

    64% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 4.0 · very close

    66% of canvas

  • Venus Sur Les Aux by Jean François Janinet, n.d.

    Venus Sur Les Aux

    Jean François Janinet

    ΔE 4.5 · very close

    68% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 3.3 · very close

    62% of canvas

  • Earring with Dolphin Head Finial by Ancient Greek, 3rd-2nd century BCE

    Earring with Dolphin Head Finial

    Ancient Greek

    ΔE 8.0 · close

    85% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 4.8 · very close

    69% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 5.1 · close

    71% of canvas

  • Pair of Lappets (Joined) by France, probably Bayeux, 1850s

    Pair of Lappets (Joined)

    France, probably Bayeux

    ΔE 10.1 · close

    95% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 6.0 · close

    74% of canvas

  • Inlay Depicting the Face of a King by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Inlay Depicting the Face of a King

    Ancient Egyptian

    ΔE 8.9 · close

    89% of canvas

  • The Virgin and Child in the Garden by Israhel van Meckenem, the younger, n.d.

    The Virgin and Child in the Garden

    Israhel van Meckenem, the younger

    ΔE 4.9 · very close

    68% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 5.2 · close

    70% of canvas

  • Portrait of a Woman by Karl Koepping, n.d.

    Portrait of a Woman

    Karl Koepping

    ΔE 3.2 · very close

    60% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 6.4 · close

    75% of canvas

  • Were They Coming to That Very Room? (The Knights of the Square Table) by A. Monro, c. 1890

    Were They Coming to That Very Room? (The Knights of the Square Table)

    A. Monro

    ΔE 3.0 · very close

    58% of canvas

  • Table of Bigamy, from the Summa Super Titulis Decretalium Completa by Henry of Segusio, 1275/99

    Table of Bigamy, from the Summa Super Titulis Decretalium Completa

    Henry of Segusio

    ΔE 1.7 · near-exact

    52% of canvas

  • The Monstrous Sow of Landser by Albrecht Dürer, 1496

    The Monstrous Sow of Landser

    Albrecht Dürer

    ΔE 1.2 · near-exact

    48% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 5.3 · close

    68% of canvas

  • Port of the Alhambra from the Dario by Richard Ford, n.d.

    Port of the Alhambra from the Dario

    Richard Ford

    ΔE 2.8 · very close

    55% of canvas

  • Two Gentlemen Seated Under Lamp Post with Japanese Umbrella by S. F. Paynter, 1850/1911

    Two Gentlemen Seated Under Lamp Post with Japanese Umbrella

    S. F. Paynter

    ΔE 5.3 · close

    67% of canvas

  • The Crucifixion by Martin Schongauer, n.d.

    The Crucifixion

    Martin Schongauer

    ΔE 2.0 · near-exact

    50% of canvas

  • The Elephant by Martin Schongauer, c. 1485

    The Elephant

    Martin Schongauer

    ΔE 4.6 · very close

    63% of canvas

  • Design for Ecclesiastical Escutcheon by Unknown Genoese, n.d.

    Design for Ecclesiastical Escutcheon

    Unknown Genoese

    ΔE 2.1 · very close

    51% of canvas

What ΔE means, and what this does not measure