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#e3e0c7

Ranked by perceptual distance

Works near #e3e0c7

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 1.5 · near-exact

    73% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 1.9 · near-exact

    73% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 0.6 · near-exact

    65% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 1.8 · near-exact

    71% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 0.2 · near-exact

    62% of canvas

  • The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII. by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.

    William Blake

    ΔE 0.4 · near-exact

    63% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 2.9 · very close

    74% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 2.0 · near-exact

    69% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 1.0 · near-exact

    64% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 3.4 · very close

    73% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 3.8 · very close

    75% of canvas

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 3.7 · very close

    74% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 3.8 · very close

    72% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 2.2 · very close

    64% of canvas

  • Town and Castle of Hay by Joseph Murray Ince, 1844

    Town and Castle of Hay

    Joseph Murray Ince

    ΔE 1.1 · near-exact

    56% of canvas

  • Scene from Racine's Athalie by Charles Abraham Chasselat, 1817

    Scene from Racine's Athalie

    Charles Abraham Chasselat

    ΔE 2.5 · very close

    63% of canvas

  • Man and Woman Riding Horses at Hunt by Francis Arthur Fraser, n.d.

    Man and Woman Riding Horses at Hunt

    Francis Arthur Fraser

    ΔE 3.2 · very close

    66% of canvas

  • Henry Brandon by Francesco Bartolozzi, published March 26, 1798

    Henry Brandon

    Francesco Bartolozzi

    ΔE 5.6 · close

    77% of canvas

  • Town and Castle of Hay by Joseph Murray Ince, 1844

    Town and Castle of Hay

    Joseph Murray Ince

    ΔE 1.6 · near-exact

    56% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.6 · very close

    70% of canvas

  • Bust of Young Man in Profile by Unknown artist, n.d.

    Bust of Young Man in Profile

    Unknown artist

    ΔE 2.3 · very close

    58% of canvas

  • Men Carrying Nets by John Skinner Prout, n.d.

    Men Carrying Nets

    John Skinner Prout

    ΔE 2.4 · very close

    59% of canvas

  • Fox Hunt by W. H. Temple, c. 1865

    Fox Hunt

    W. H. Temple

    ΔE 1.8 · near-exact

    55% of canvas

  • Design for Escutcheon, with Artist's Instruments by Unknown Genoese, n.d.

    Design for Escutcheon, with Artist's Instruments

    Unknown Genoese

    ΔE 2.7 · very close

    60% of canvas

  • Hilly Landscape with Cows and Shepherds in Foreground by Carlo Antonio Tavella, n.d.

    Hilly Landscape with Cows and Shepherds in Foreground

    Carlo Antonio Tavella

    ΔE 1.0 · near-exact

    51% of canvas

  • Old Dutch Town on Canal by Isaac van Ketweg, after 1738

    Old Dutch Town on Canal

    Isaac van Ketweg

    ΔE 0.8 · near-exact

    50% of canvas

  • Inconvenient Partners in Waltzing by Isaac Robert Cruikshank, 1817/19

    Inconvenient Partners in Waltzing

    Isaac Robert Cruikshank

    ΔE 3.2 · very close

    62% of canvas

  • A Country Mouse by Katherine May Roberts, n.d.

    A Country Mouse

    Katherine May Roberts

    ΔE 3.9 · very close

    65% of canvas

  • Women and Child at the Edge of the Water by Suzanne Valadon, 1904

    Women and Child at the Edge of the Water

    Suzanne Valadon

    ΔE 5.4 · close

    72% of canvas

  • Mill Stream by David Lucas, 1831

    Mill Stream

    David Lucas

    ΔE 6.7 · close

    79% of canvas

  • Charles Brandon by Francesco Bartolozzi, 1798

    Charles Brandon

    Francesco Bartolozzi

    ΔE 5.8 · close

    75% of canvas

  • The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV

    William Blake

    ΔE 3.8 · very close

    64% of canvas

  • Upper Torso with Upstretched Arms by Unknown artist, n.d.

    Upper Torso with Upstretched Arms

    Unknown artist

    ΔE 4.3 · very close

    66% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 4.3 · very close

    66% of canvas

  • Monumental Vase with Anthropomorphic Figures by Jacques François Joseph Saly, after 1746

    Monumental Vase with Anthropomorphic Figures

    Jacques François Joseph Saly

    ΔE 2.5 · very close

    57% of canvas

  • Were They Coming to That Very Room? (The Knights of the Square Table) by A. Monro, c. 1890

    Were They Coming to That Very Room? (The Knights of the Square Table)

    A. Monro

    ΔE 2.9 · very close

    58% of canvas

  • Portrait of a Woman by Karl Koepping, n.d.

    Portrait of a Woman

    Karl Koepping

    ΔE 3.2 · very close

    60% of canvas

  • The Death by John Dean Paul, 1825

    The Death

    John Dean Paul

    ΔE 4.2 · very close

    65% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 3.6 · very close

    62% of canvas

  • Design for Ecclesiastical Escutcheon by Unknown Genoese, n.d.

    Design for Ecclesiastical Escutcheon

    Unknown Genoese

    ΔE 1.5 · near-exact

    51% of canvas

  • The Virgin and Child in the Garden by Israhel van Meckenem, the younger, n.d.

    The Virgin and Child in the Garden

    Israhel van Meckenem, the younger

    ΔE 4.9 · very close

    68% of canvas

  • Brook in Forest by Unknown artist, n.d.

    Brook in Forest

    Unknown artist

    ΔE 4.2 · very close

    64% of canvas

  • Sailboats on Sea by Unknown artist, n.d.

    Sailboats on Sea

    Unknown artist

    ΔE 3.8 · very close

    62% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 4.0 · very close

    63% of canvas

  • Port of the Alhambra from the Dario by Richard Ford, n.d.

    Port of the Alhambra from the Dario

    Richard Ford

    ΔE 2.5 · very close

    55% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 6.4 · close

    74% of canvas

  • Horseman and Horsewoman in Park by Francis Arthur Fraser, 1867/83

    Horseman and Horsewoman in Park

    Francis Arthur Fraser

    ΔE 3.0 · very close

    57% of canvas

  • Weymouth Bay, Dorsetshire by David Lucas, 1830

    Weymouth Bay, Dorsetshire

    David Lucas

    ΔE 6.3 · close

    73% of canvas

  • She Came In...Her Hands Full of the Violets Stuart Loved by Gertrude A. Steel, 19th century

    She Came In...Her Hands Full of the Violets Stuart Loved

    Gertrude A. Steel

    ΔE 2.0 · near-exact

    51% of canvas

  • Venus Sur Les Aux by Jean François Janinet, n.d.

    Venus Sur Les Aux

    Jean François Janinet

    ΔE 5.3 · close

    68% of canvas

  • Full Length Portrait of a Man Standing near Balustrade by John Vanderbank, c. 1737

    Full Length Portrait of a Man Standing near Balustrade

    John Vanderbank

    ΔE 4.5 · very close

    64% of canvas

  • Scarab Amulet by Ancient Egyptian, Late Period, Dynasty 26 (664-525 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 3.5 · very close

    59% of canvas

  • Symptoms of a Skurry, plate three from The Leicestershire Hunt by John Dean Paul, published 1825

    Symptoms of a Skurry, plate three from The Leicestershire Hunt

    John Dean Paul

    ΔE 4.0 · very close

    61% of canvas

  • Hadley Castle, Near the Nore by David Lucas, n.d.

    Hadley Castle, Near the Nore

    David Lucas

    ΔE 6.5 · close

    73% of canvas

  • Three Riders at a Hunt by Francis Arthur Fraser, 1867/83

    Three Riders at a Hunt

    Francis Arthur Fraser

    ΔE 3.9 · very close

    60% of canvas

  • Hunting Scene: Horse and Thrown Rider by Francis Arthur Fraser, 1867/83

    Hunting Scene: Horse and Thrown Rider

    Francis Arthur Fraser

    ΔE 3.7 · very close

    59% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 8.0 · close

    80% of canvas

  • Sketches of Patmos, Sardis, Obelisk of Heliopolis by Unknown artist, n.d.

    Sketches of Patmos, Sardis, Obelisk of Heliopolis

    Unknown artist

    ΔE 3.3 · very close

    57% of canvas

  • Church of England by Edward Zier, c. 1875

    Church of England

    Edward Zier

    ΔE 2.1 · very close

    50% of canvas

  • The Madonna and Child with an Apple by Martin Schongauer, c. 1475

    The Madonna and Child with an Apple

    Martin Schongauer

    ΔE 4.0 · very close

    59% of canvas

What ΔE means, and what this does not measure