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#e4d7c1

Ranked by perceptual distance

Works near #e4d7c1

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 3.9 · very close

    80% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.2 · very close

    70% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 4.0 · very close

    73% of canvas

  • Full Length Portrait of a Man Standing near Balustrade by John Vanderbank, c. 1737

    Full Length Portrait of a Man Standing near Balustrade

    John Vanderbank

    ΔE 2.5 · very close

    64% of canvas

  • St. Agnes by Martin Schongauer, c. 1470-1490

    St. Agnes

    Martin Schongauer

    ΔE 1.3 · near-exact

    56% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 3.3 · very close

    66% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 4.6 · very close

    72% of canvas

  • Henry Brandon by Francesco Bartolozzi, published March 26, 1798

    Henry Brandon

    Francesco Bartolozzi

    ΔE 5.8 · close

    77% of canvas

  • “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse by Honoré-Victorin Daumier, 1857

    “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse

    Honoré-Victorin Daumier

    ΔE 1.9 · near-exact

    57% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 5.5 · close

    75% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 5.4 · close

    75% of canvas

  • Charles Brandon by Francesco Bartolozzi, 1798

    Charles Brandon

    Francesco Bartolozzi

    ΔE 5.5 · close

    75% of canvas

  • Mill Stream by David Lucas, 1831

    Mill Stream

    David Lucas

    ΔE 6.5 · close

    79% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 5.3 · close

    71% of canvas

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 5.9 · close

    73% of canvas

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 6.1 · close

    74% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 6.2 · close

    74% of canvas

  • Hadley Castle, Near the Nore by David Lucas, n.d.

    Hadley Castle, Near the Nore

    David Lucas

    ΔE 6.1 · close

    73% of canvas

  • Fragment by Egypt, Mamluk period (1250–1517), 14th century

    Fragment

    Egypt

    ΔE 4.1 · very close

    63% of canvas

  • Venus Sur Les Aux by Jean François Janinet, n.d.

    Venus Sur Les Aux

    Jean François Janinet

    ΔE 5.1 · close

    68% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 6.1 · close

    73% of canvas

  • Fragmentary Figurine of a Monkey by Ancient Greek, 3rd-1st century BCE

    Fragmentary Figurine of a Monkey

    Ancient Greek

    ΔE 9.6 · close

    90% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 4.1 · very close

    63% of canvas

  • Picture by England, 17th century

    Picture

    England

    ΔE 4.6 · very close

    65% of canvas

  • Sailboats on Sea by Unknown artist, n.d.

    Sailboats on Sea

    Unknown artist

    ΔE 4.0 · very close

    62% of canvas

  • Juno, Zeus and Aeolus by Pietro da Cortona, n.d.

    Juno, Zeus and Aeolus

    Pietro da Cortona

    ΔE 3.3 · very close

    59% of canvas

  • Mercury by Jan Harmensz. Muller, c. 1600

    Mercury

    Jan Harmensz. Muller

    ΔE 4.4 · very close

    64% of canvas

  • The Shulamite by Odilon Redon, 1897

    The Shulamite

    Odilon Redon

    ΔE 1.9 · near-exact

    51% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 5.5 · close

    69% of canvas

  • “- Arthur, you had promised me a throne and all you did is put me behind a counter. - Eloise, remember Napoleon's definition of a throne: 'four boards covered with a carpet.' You are sitting on six boards and a cushion,” plate 36 from Moeurs Conjugales by Honoré-Victorin Daumier, published April 11, 1841

    “- Arthur, you had promised me a throne and all you did is put me behind a counter. - Eloise, remember Napoleon's definition of a throne: 'four boards covered with a carpet.' You are sitting on six boards and a cushion,” plate 36 from Moeurs Conjugales

    Honoré-Victorin Daumier

    ΔE 2.4 · very close

    54% of canvas

  • Panel by France, 1775/1800

    Panel

    France

    ΔE 1.6 · near-exact

    49% of canvas

  • Seamstress by Claude Jean Baptiste Hoin, n.d.

    Seamstress

    Claude Jean Baptiste Hoin

    ΔE 3.5 · very close

    58% of canvas

  • Upper Torso with Upstretched Arms by Unknown artist, n.d.

    Upper Torso with Upstretched Arms

    Unknown artist

    ΔE 5.1 · close

    66% of canvas

  • The lady with the small raised cap, after a print from La Noblesse by Unknown artist, 1630s (?)

    The lady with the small raised cap, after a print from La Noblesse

    Unknown artist

    ΔE 3.8 · very close

    60% of canvas

  • Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing) by Pieter Jansz. Quast, n.d.

    Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)

    Pieter Jansz. Quast

    ΔE 3.7 · very close

    59% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 4.6 · very close

    64% of canvas

  • Two Horses Drinking by James Seymour, n.d.

    Two Horses Drinking

    James Seymour

    ΔE 1.7 · near-exact

    49% of canvas

  • A Country Mouse by Katherine May Roberts, n.d.

    A Country Mouse

    Katherine May Roberts

    ΔE 5.0 · very close

    65% of canvas

  • Symptoms of a Skurry, plate three from The Leicestershire Hunt by John Dean Paul, published 1825

    Symptoms of a Skurry, plate three from The Leicestershire Hunt

    John Dean Paul

    ΔE 4.2 · very close

    61% of canvas

  • Weymouth Bay, Dorsetshire by David Lucas, 1830

    Weymouth Bay, Dorsetshire

    David Lucas

    ΔE 6.7 · close

    73% of canvas

  • Bust of Soldier by Charles Parrocel, n.d.

    Bust of Soldier

    Charles Parrocel

    ΔE 2.2 · very close

    50% of canvas

  • Allegory in Honor of Grand Duke Gian-Gastone de' Medici by Pietro Antonio Novelli, c. 1700-1740

    Allegory in Honor of Grand Duke Gian-Gastone de' Medici

    Pietro Antonio Novelli

    ΔE 2.1 · very close

    50% of canvas

  • Brook in Forest by Unknown artist, n.d.

    Brook in Forest

    Unknown artist

    ΔE 5.0 · very close

    64% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 5.3 · close

    65% of canvas

  • Bead with Name of King Amenemhat by Ancient Egyptian, Middle Kingdom, Dynasty 12, about 1985–1777 BCE

    Bead with Name of King Amenemhat

    Ancient Egyptian

    ΔE 9.0 · close

    84% of canvas

  • Wolf by Jan van Os, 1655

    Wolf

    Jan van Os

    ΔE 4.2 · very close

    59% of canvas

  • Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.0 · very close

    53% of canvas

  • Glebe Farm by David Lucas, published June 1832

    Glebe Farm

    David Lucas

    ΔE 7.5 · close

    75% of canvas

  • A Struggle for the Start, plate one from The Leicestershire Hunt by John Dean Paul, published 1825

    A Struggle for the Start, plate one from The Leicestershire Hunt

    John Dean Paul

    ΔE 4.4 · very close

    60% of canvas

  • Saint Sebastian by Vincenzo Campi, 1580s

    Saint Sebastian

    Vincenzo Campi

    ΔE 3.6 · very close

    56% of canvas

  • The Reappearance of the Tritons of the Sea, plate 412 from Actualités by Honoré-Victorin Daumier, 1857

    The Reappearance of the Tritons of the Sea, plate 412 from Actualités

    Honoré-Victorin Daumier

    ΔE 6.1 · close

    68% of canvas

  • Inlay Depicting the Face of a King by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Inlay Depicting the Face of a King

    Ancient Egyptian

    ΔE 10.3 · close

    89% of canvas

  • New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens by Honoré-Victorin Daumier, 1857

    New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens

    Honoré-Victorin Daumier

    ΔE 3.2 · very close

    53% of canvas

  • Daniel Mytens by Paul Pontius, 1630/45

    Daniel Mytens

    Paul Pontius

    ΔE 1.5 · near-exact

    45% of canvas

  • Inconvenient Partners in Waltzing by Isaac Robert Cruikshank, 1817/19

    Inconvenient Partners in Waltzing

    Isaac Robert Cruikshank

    ΔE 4.9 · very close

    62% of canvas

  • Canterbury Pilgrims by Thomas Stothard, c. 1807

    Canterbury Pilgrims

    Thomas Stothard

    ΔE 4.0 · very close

    57% of canvas

  • The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII. by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.

    William Blake

    ΔE 5.3 · close

    63% of canvas

  • The Parisian “- Tell me, good man, what are you doing with all these cows once they have become old and don't give milk any more? The Cowherd “- Silly question... we make oxen out of them!,” plate 13 from Ces Bons Parisiens by Honoré-Victorin Daumier, 1857

    The Parisian “- Tell me, good man, what are you doing with all these cows once they have become old and don't give milk any more? The Cowherd “- Silly question... we make oxen out of them!,” plate 13 from Ces Bons Parisiens

    Honoré-Victorin Daumier

    ΔE 3.2 · very close

    52% of canvas

  • (He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie by Honoré-Victorin Daumier, published May 14, 1840

    (He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie

    Honoré-Victorin Daumier

    ΔE 2.7 · very close

    50% of canvas

  • The Virgin and Child in the Garden by Israhel van Meckenem, the younger, n.d.

    The Virgin and Child in the Garden

    Israhel van Meckenem, the younger

    ΔE 6.4 · close

    68% of canvas

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