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#e5e1c5

Ranked by perceptual distance

Works near #e5e1c5

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 0.7 · near-exact

    73% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 0.9 · near-exact

    73% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 0.9 · near-exact

    71% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 1.9 · near-exact

    74% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 1.2 · near-exact

    69% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 0.9 · near-exact

    65% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 3.2 · very close

    75% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 1.2 · near-exact

    64% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 1.0 · near-exact

    62% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 1.6 · near-exact

    64% of canvas

  • The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII. by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.

    William Blake

    ΔE 1.4 · near-exact

    63% of canvas

  • Scene from Racine's Athalie by Charles Abraham Chasselat, 1817

    Scene from Racine's Athalie

    Charles Abraham Chasselat

    ΔE 1.6 · near-exact

    63% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 4.2 · very close

    73% of canvas

  • Men Carrying Nets by John Skinner Prout, n.d.

    Men Carrying Nets

    John Skinner Prout

    ΔE 1.4 · near-exact

    59% of canvas

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 4.5 · very close

    74% of canvas

  • Town and Castle of Hay by Joseph Murray Ince, 1844

    Town and Castle of Hay

    Joseph Murray Ince

    ΔE 0.9 · near-exact

    56% of canvas

  • Fox Hunt by W. H. Temple, c. 1865

    Fox Hunt

    W. H. Temple

    ΔE 0.8 · near-exact

    55% of canvas

  • Inconvenient Partners in Waltzing by Isaac Robert Cruikshank, 1817/19

    Inconvenient Partners in Waltzing

    Isaac Robert Cruikshank

    ΔE 2.4 · very close

    62% of canvas

  • Bust of Young Man in Profile by Unknown artist, n.d.

    Bust of Young Man in Profile

    Unknown artist

    ΔE 1.8 · near-exact

    58% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 4.6 · very close

    72% of canvas

  • Monumental Vase with Anthropomorphic Figures by Jacques François Joseph Saly, after 1746

    Monumental Vase with Anthropomorphic Figures

    Jacques François Joseph Saly

    ΔE 1.8 · near-exact

    57% of canvas

  • Town and Castle of Hay by Joseph Murray Ince, 1844

    Town and Castle of Hay

    Joseph Murray Ince

    ΔE 1.9 · near-exact

    56% of canvas

  • A Country Mouse by Katherine May Roberts, n.d.

    A Country Mouse

    Katherine May Roberts

    ΔE 3.6 · very close

    65% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.7 · very close

    70% of canvas

  • Old Dutch Town on Canal by Isaac van Ketweg, after 1738

    Old Dutch Town on Canal

    Isaac van Ketweg

    ΔE 0.8 · near-exact

    50% of canvas

  • Upper Torso with Upstretched Arms by Unknown artist, n.d.

    Upper Torso with Upstretched Arms

    Unknown artist

    ΔE 4.0 · very close

    66% of canvas

  • Man and Woman Riding Horses at Hunt by Francis Arthur Fraser, n.d.

    Man and Woman Riding Horses at Hunt

    Francis Arthur Fraser

    ΔE 4.0 · very close

    66% of canvas

  • The Death by John Dean Paul, 1825

    The Death

    John Dean Paul

    ΔE 3.8 · very close

    65% of canvas

  • Hilly Landscape with Cows and Shepherds in Foreground by Carlo Antonio Tavella, n.d.

    Hilly Landscape with Cows and Shepherds in Foreground

    Carlo Antonio Tavella

    ΔE 1.1 · near-exact

    51% of canvas

  • Brook in Forest by Unknown artist, n.d.

    Brook in Forest

    Unknown artist

    ΔE 3.7 · very close

    64% of canvas

  • The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV

    William Blake

    ΔE 3.7 · very close

    64% of canvas

  • Henry Brandon by Francesco Bartolozzi, published March 26, 1798

    Henry Brandon

    Francesco Bartolozzi

    ΔE 6.5 · close

    77% of canvas

  • Church of England by Edward Zier, c. 1875

    Church of England

    Edward Zier

    ΔE 1.1 · near-exact

    50% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 3.9 · very close

    63% of canvas

  • Design for Escutcheon, with Artist's Instruments by Unknown Genoese, n.d.

    Design for Escutcheon, with Artist's Instruments

    Unknown Genoese

    ΔE 3.3 · very close

    60% of canvas

  • South American Landscape by W. Stubbs, n.d.

    South American Landscape

    W. Stubbs

    ΔE 0.9 · near-exact

    47% of canvas

  • Adoration of the Host by Luigi Garzi, n.d.

    Adoration of the Host

    Luigi Garzi

    ΔE 0.2 · near-exact

    44% of canvas

  • Full Length Portrait of a Man Standing near Balustrade by John Vanderbank, c. 1737

    Full Length Portrait of a Man Standing near Balustrade

    John Vanderbank

    ΔE 4.2 · very close

    64% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 4.7 · very close

    66% of canvas

  • She Came In...Her Hands Full of the Violets Stuart Loved by Gertrude A. Steel, 19th century

    She Came In...Her Hands Full of the Violets Stuart Loved

    Gertrude A. Steel

    ΔE 1.8 · near-exact

    51% of canvas

  • Women and Child at the Edge of the Water by Suzanne Valadon, 1904

    Women and Child at the Edge of the Water

    Suzanne Valadon

    ΔE 6.1 · close

    72% of canvas

  • Portrait of a Woman by Karl Koepping, n.d.

    Portrait of a Woman

    Karl Koepping

    ΔE 3.5 · very close

    60% of canvas

  • Medallion with Two Putti Beside Tomb by Unknown artist, n.d.

    Medallion with Two Putti Beside Tomb

    Unknown artist

    ΔE 2.0 · very close

    52% of canvas

  • Indian Village Beside Stream by Unknown artist, n.d.

    Indian Village Beside Stream

    Unknown artist

    ΔE 4.6 · very close

    65% of canvas

  • Houses and Windmill Beside Canal by Isaac van Ketweg, after 1758

    Houses and Windmill Beside Canal

    Isaac van Ketweg

    ΔE 0.2 · near-exact

    42% of canvas

  • Mill Stream by David Lucas, 1831

    Mill Stream

    David Lucas

    ΔE 7.6 · close

    79% of canvas

  • Charles Brandon by Francesco Bartolozzi, 1798

    Charles Brandon

    Francesco Bartolozzi

    ΔE 6.7 · close

    75% of canvas

  • Symptoms of a Skurry, plate three from The Leicestershire Hunt by John Dean Paul, published 1825

    Symptoms of a Skurry, plate three from The Leicestershire Hunt

    John Dean Paul

    ΔE 3.9 · very close

    61% of canvas

  • Were They Coming to That Very Room? (The Knights of the Square Table) by A. Monro, c. 1890

    Were They Coming to That Very Room? (The Knights of the Square Table)

    A. Monro

    ΔE 3.5 · very close

    58% of canvas

  • Putto Crowned with Laurel, on Prancing Horse by Unknown artist, n.d.

    Putto Crowned with Laurel, on Prancing Horse

    Unknown artist

    ΔE 1.2 · near-exact

    47% of canvas

  • The Virgin and Child in the Garden by Israhel van Meckenem, the younger, n.d.

    The Virgin and Child in the Garden

    Israhel van Meckenem, the younger

    ΔE 5.5 · close

    68% of canvas

  • Sailboats on Sea by Unknown artist, n.d.

    Sailboats on Sea

    Unknown artist

    ΔE 4.3 · very close

    62% of canvas

  • Sketches of Patmos, Sardis, Obelisk of Heliopolis by Unknown artist, n.d.

    Sketches of Patmos, Sardis, Obelisk of Heliopolis

    Unknown artist

    ΔE 3.3 · very close

    57% of canvas

  • Saint Sebastian by Vincenzo Campi, 1580s

    Saint Sebastian

    Vincenzo Campi

    ΔE 3.1 · very close

    56% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 4.4 · very close

    62% of canvas

  • Roman Peasant Woman and Sleeping Children by Giovanni Tognolli, c. 1825

    Roman Peasant Woman and Sleeping Children

    Giovanni Tognolli

    ΔE 2.8 · very close

    54% of canvas

  • Design for Ecclesiastical Escutcheon by Unknown Genoese, n.d.

    Design for Ecclesiastical Escutcheon

    Unknown Genoese

    ΔE 2.2 · very close

    51% of canvas

  • Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.7 · very close

    53% of canvas

  • Rural Sports, or How to Show Off a Well-shaped Leg by Thomas Rowlandson, published October 1811

    Rural Sports, or How to Show Off a Well-shaped Leg

    Thomas Rowlandson

    ΔE 1.6 · near-exact

    47% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 7.0 · close

    74% of canvas

What ΔE means, and what this does not measure