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#ece1cc

Ranked by perceptual distance

Works near #ece1cc

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 0.3 · near-exact

    70% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 3.4 · very close

    80% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 2.9 · very close

    73% of canvas

  • Henry Brandon by Francesco Bartolozzi, published March 26, 1798

    Henry Brandon

    Francesco Bartolozzi

    ΔE 4.6 · very close

    77% of canvas

  • Full Length Portrait of a Man Standing near Balustrade by John Vanderbank, c. 1737

    Full Length Portrait of a Man Standing near Balustrade

    John Vanderbank

    ΔE 2.2 · very close

    64% of canvas

  • Mill Stream by David Lucas, 1831

    Mill Stream

    David Lucas

    ΔE 5.3 · close

    79% of canvas

  • Charles Brandon by Francesco Bartolozzi, 1798

    Charles Brandon

    Francesco Bartolozzi

    ΔE 4.4 · very close

    75% of canvas

  • Sailboats on Sea by Unknown artist, n.d.

    Sailboats on Sea

    Unknown artist

    ΔE 1.9 · near-exact

    62% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 2.0 · very close

    63% of canvas

  • Seamstress by Claude Jean Baptiste Hoin, n.d.

    Seamstress

    Claude Jean Baptiste Hoin

    ΔE 1.2 · near-exact

    58% of canvas

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 4.4 · very close

    74% of canvas

  • Symptoms of a Skurry, plate three from The Leicestershire Hunt by John Dean Paul, published 1825

    Symptoms of a Skurry, plate three from The Leicestershire Hunt

    John Dean Paul

    ΔE 2.1 · very close

    61% of canvas

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 4.8 · very close

    73% of canvas

  • A Struggle for the Start, plate one from The Leicestershire Hunt by John Dean Paul, published 1825

    A Struggle for the Start, plate one from The Leicestershire Hunt

    John Dean Paul

    ΔE 2.2 · very close

    60% of canvas

  • Hadley Castle, Near the Nore by David Lucas, n.d.

    Hadley Castle, Near the Nore

    David Lucas

    ΔE 4.9 · very close

    73% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 4.6 · very close

    71% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 4.8 · very close

    72% of canvas

  • The lady with the small raised cap, after a print from La Noblesse by Unknown artist, 1630s (?)

    The lady with the small raised cap, after a print from La Noblesse

    Unknown artist

    ΔE 2.4 · very close

    60% of canvas

  • St. Agnes by Martin Schongauer, c. 1470-1490

    St. Agnes

    Martin Schongauer

    ΔE 1.7 · near-exact

    56% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 4.4 · very close

    69% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 5.5 · close

    74% of canvas

  • Weymouth Bay, Dorsetshire by David Lucas, 1830

    Weymouth Bay, Dorsetshire

    David Lucas

    ΔE 5.2 · close

    73% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 5.4 · close

    73% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 5.8 · close

    75% of canvas

  • Wolf by Jan van Os, 1655

    Wolf

    Jan van Os

    ΔE 2.7 · very close

    59% of canvas

  • The Parisian “- Tell me, good man, what are you doing with all these cows once they have become old and don't give milk any more? The Cowherd “- Silly question... we make oxen out of them!,” plate 13 from Ces Bons Parisiens by Honoré-Victorin Daumier, 1857

    The Parisian “- Tell me, good man, what are you doing with all these cows once they have become old and don't give milk any more? The Cowherd “- Silly question... we make oxen out of them!,” plate 13 from Ces Bons Parisiens

    Honoré-Victorin Daumier

    ΔE 1.3 · near-exact

    52% of canvas

  • Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing) by Pieter Jansz. Quast, n.d.

    Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)

    Pieter Jansz. Quast

    ΔE 2.8 · very close

    59% of canvas

  • View of Ponte Lugano on the Anio, from Views of Rome by Giovanni Battista Piranesi, 1763, published 1800–07

    View of Ponte Lugano on the Anio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 0.3 · near-exact

    46% of canvas

  • Portrait of a Woman by Karl Koepping, n.d.

    Portrait of a Woman

    Karl Koepping

    ΔE 3.0 · very close

    60% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 6.0 · close

    74% of canvas

  • Women and Child at the Edge of the Water by Suzanne Valadon, 1904

    Women and Child at the Edge of the Water

    Suzanne Valadon

    ΔE 5.6 · close

    72% of canvas

  • Design for Escutcheon, with Artist's Instruments by Unknown Genoese, n.d.

    Design for Escutcheon, with Artist's Instruments

    Unknown Genoese

    ΔE 3.1 · very close

    60% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 4.2 · very close

    65% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 4.0 · very close

    64% of canvas

  • Glebe Farm by David Lucas, published June 1832

    Glebe Farm

    David Lucas

    ΔE 6.4 · close

    75% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 4.6 · very close

    66% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 3.2 · very close

    59% of canvas

  • Mercury by Jan Harmensz. Muller, c. 1600

    Mercury

    Jan Harmensz. Muller

    ΔE 4.2 · very close

    64% of canvas

  • Fragmentary Figurine of a Monkey by Ancient Greek, 3rd-1st century BCE

    Fragmentary Figurine of a Monkey

    Ancient Greek

    ΔE 9.5 · close

    90% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 4.0 · very close

    62% of canvas

  • Mastoid (Drinking Cup) by Caylus Painter, about 500-480 BCE

    Mastoid (Drinking Cup)

    Caylus Painter

    ΔE 7.5 · close

    79% of canvas

  • The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII. by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.

    William Blake

    ΔE 4.4 · very close

    63% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 6.0 · close

    71% of canvas

  • Pair of Lappets (Joined) by France, probably Bayeux, 1850s

    Pair of Lappets (Joined)

    France, probably Bayeux

    ΔE 10.9 · close

    95% of canvas

  • Mastoid (Drinking Cup) with Handles by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup) with Handles

    Ancient Greek

    ΔE 7.6 · close

    78% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 4.3 · very close

    62% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 4.9 · very close

    64% of canvas

  • Two Horses Drinking by James Seymour, n.d.

    Two Horses Drinking

    James Seymour

    ΔE 1.9 · near-exact

    49% of canvas

  • Bead with Name of King Amenemhat by Ancient Egyptian, Middle Kingdom, Dynasty 12, about 1985–1777 BCE

    Bead with Name of King Amenemhat

    Ancient Egyptian

    ΔE 8.8 · close

    84% of canvas

  • Inconvenient Partners in Waltzing by Isaac Robert Cruikshank, 1817/19

    Inconvenient Partners in Waltzing

    Isaac Robert Cruikshank

    ΔE 4.4 · very close

    62% of canvas

  • Man and Woman Riding Horses at Hunt by Francis Arthur Fraser, n.d.

    Man and Woman Riding Horses at Hunt

    Francis Arthur Fraser

    ΔE 5.4 · close

    66% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 6.1 · close

    70% of canvas

  • Scarab Amulet by Ancient Egyptian, Late Period, Dynasty 26 (664-525 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 3.9 · very close

    59% of canvas

  • The Gown Falls, Man Remains, and the Legs are Shaking. (J.B. Rousseau), plate 10 from Coquetterie by Honoré-Victorin Daumier, published October 18, 1840

    The Gown Falls, Man Remains, and the Legs are Shaking. (J.B. Rousseau), plate 10 from Coquetterie

    Honoré-Victorin Daumier

    ΔE 4.6 · very close

    62% of canvas

  • Design for Escutcheon, with Skulls by Unknown Genoese, n.d.

    Design for Escutcheon, with Skulls

    Unknown Genoese

    ΔE 3.4 · very close

    56% of canvas

  • It Rocks but is Not Sunk by Charles Meryon, 1854

    It Rocks but is Not Sunk

    Charles Meryon

    ΔE 3.7 · very close

    57% of canvas

  • “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse by Honoré-Victorin Daumier, 1857

    “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse

    Honoré-Victorin Daumier

    ΔE 3.8 · very close

    57% of canvas

  • Earring with Dolphin Head Finial by Ancient Greek, 3rd-2nd century BCE

    Earring with Dolphin Head Finial

    Ancient Greek

    ΔE 9.3 · close

    85% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 7.3 · close

    75% of canvas

  • Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.2 · very close

    53% of canvas

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