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#eedbba

Ranked by perceptual distance

Works near #eedbba

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Mercury by Jan Harmensz. Muller, c. 1600

    Mercury

    Jan Harmensz. Muller

    ΔE 1.8 · near-exact

    64% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 4.0 · very close

    75% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 5.5 · close

    80% of canvas

  • Full Length Portrait of a Man Standing near Balustrade by John Vanderbank, c. 1737

    Full Length Portrait of a Man Standing near Balustrade

    John Vanderbank

    ΔE 2.6 · very close

    64% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 5.1 · close

    75% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 0.8 · near-exact

    53% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.2 · very close

    70% of canvas

  • Canterbury Pilgrims by Thomas Stothard, c. 1807

    Canterbury Pilgrims

    Thomas Stothard

    ΔE 1.9 · near-exact

    57% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 5.8 · close

    74% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 5.6 · close

    71% of canvas

  • Bust of Soldier by Charles Parrocel, n.d.

    Bust of Soldier

    Charles Parrocel

    ΔE 1.6 · near-exact

    50% of canvas

  • The lady with the small raised cap, after a print from La Noblesse by Unknown artist, 1630s (?)

    The lady with the small raised cap, after a print from La Noblesse

    Unknown artist

    ΔE 3.5 · very close

    60% of canvas

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 6.3 · close

    73% of canvas

  • Wolf by Jan van Os, 1655

    Wolf

    Jan van Os

    ΔE 3.6 · very close

    59% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 6.4 · close

    73% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 5.7 · close

    69% of canvas

  • Inconvenient Partners in Waltzing by Isaac Robert Cruikshank, 1817/19

    Inconvenient Partners in Waltzing

    Isaac Robert Cruikshank

    ΔE 4.3 · very close

    62% of canvas

  • Brook in Forest by Unknown artist, n.d.

    Brook in Forest

    Unknown artist

    ΔE 4.7 · very close

    64% of canvas

  • Profile Bust of a Woman Wearing a Cap by Unknown, n.d.

    Profile Bust of a Woman Wearing a Cap

    Unknown

    ΔE 2.4 · very close

    52% of canvas

  • Upper Torso with Upstretched Arms by Unknown artist, n.d.

    Upper Torso with Upstretched Arms

    Unknown artist

    ΔE 5.4 · close

    66% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 4.7 · very close

    63% of canvas

  • Saint Sebastian by Vincenzo Campi, 1580s

    Saint Sebastian

    Vincenzo Campi

    ΔE 3.4 · very close

    56% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 6.9 · close

    73% of canvas

  • Indian Village Beside Stream by Unknown artist, n.d.

    Indian Village Beside Stream

    Unknown artist

    ΔE 5.4 · close

    65% of canvas

  • A Country Mouse by Katherine May Roberts, n.d.

    A Country Mouse

    Katherine May Roberts

    ΔE 5.6 · close

    65% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 0.4 · near-exact

    39% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 6.0 · close

    66% of canvas

  • Symptoms of a Skurry, plate three from The Leicestershire Hunt by John Dean Paul, published 1825

    Symptoms of a Skurry, plate three from The Leicestershire Hunt

    John Dean Paul

    ΔE 5.0 · close

    61% of canvas

  • Cumean Sibyl by Style of Bartolomeo Passarotti, n.d.

    Cumean Sibyl

    Style of Bartolomeo Passarotti

    ΔE 3.3 · very close

    52% of canvas

  • Fragment by Egypt, Mamluk period (1250–1517), 14th century

    Fragment

    Egypt

    ΔE 5.6 · close

    63% of canvas

  • The Shulamite by Odilon Redon, 1897

    The Shulamite

    Odilon Redon

    ΔE 3.2 · very close

    51% of canvas

  • “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse by Honoré-Victorin Daumier, 1857

    “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse

    Honoré-Victorin Daumier

    ΔE 4.5 · very close

    57% of canvas

  • A Struggle for the Start, plate one from The Leicestershire Hunt by John Dean Paul, published 1825

    A Struggle for the Start, plate one from The Leicestershire Hunt

    John Dean Paul

    ΔE 5.2 · close

    60% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 7.7 · close

    72% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 6.0 · close

    64% of canvas

  • Scene from Racine's Athalie by Charles Abraham Chasselat, 1817

    Scene from Racine's Athalie

    Charles Abraham Chasselat

    ΔE 5.9 · close

    63% of canvas

  • Statue of Mercury by Michael Henry Spang, n.d.

    Statue of Mercury

    Michael Henry Spang

    ΔE 2.3 · very close

    45% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 8.2 · close

    74% of canvas

  • Young Bacchus and Companions by Ignatius van Logteren, n.d.

    Young Bacchus and Companions

    Ignatius van Logteren

    ΔE 1.9 · near-exact

    42% of canvas

  • Henry Brandon by Francesco Bartolozzi, published March 26, 1798

    Henry Brandon

    Francesco Bartolozzi

    ΔE 8.9 · close

    77% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 6.6 · close

    65% of canvas

  • St. Agnes by Martin Schongauer, c. 1470-1490

    St. Agnes

    Martin Schongauer

    ΔE 4.7 · very close

    56% of canvas

  • Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.2 · very close

    53% of canvas

  • Seamstress by Claude Jean Baptiste Hoin, n.d.

    Seamstress

    Claude Jean Baptiste Hoin

    ΔE 5.3 · close

    58% of canvas

  • Design for an Andiron by Unknown, 18th century

    Design for an Andiron

    Unknown

    ΔE 3.0 · very close

    46% of canvas

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 8.5 · close

    74% of canvas

  • Sailboats on Sea by Unknown artist, n.d.

    Sailboats on Sea

    Unknown artist

    ΔE 6.2 · close

    62% of canvas

  • Mill Stream by David Lucas, 1831

    Mill Stream

    David Lucas

    ΔE 9.6 · close

    79% of canvas

  • Charles Brandon by Francesco Bartolozzi, 1798

    Charles Brandon

    Francesco Bartolozzi

    ΔE 8.7 · close

    75% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 6.6 · close

    64% of canvas

  • Boreas and Oreithyia by Style of Giovanni Domenico Ferretti, n.d.

    Boreas and Oreithyia

    Style of Giovanni Domenico Ferretti

    ΔE 3.0 · very close

    46% of canvas

  • Juno, Zeus and Aeolus by Pietro da Cortona, n.d.

    Juno, Zeus and Aeolus

    Pietro da Cortona

    ΔE 5.6 · close

    59% of canvas

  • Corner of State and Washington Streets, Chicago, in the Year 1865 by Raoul Varin, 1928

    Corner of State and Washington Streets, Chicago, in the Year 1865

    Raoul Varin

    ΔE 3.9 · very close

    50% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 4.2 · very close

    51% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 4.6 · very close

    53% of canvas

  • Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 3.1 · very close

    45% of canvas

  • Men Carrying Nets by John Skinner Prout, n.d.

    Men Carrying Nets

    John Skinner Prout

    ΔE 6.0 · close

    59% of canvas

  • Picture by England, 17th century

    Picture

    England

    ΔE 7.2 · close

    65% of canvas

  • Outside of Haarlem by Jan Pieter Waterloo, 1833

    Outside of Haarlem

    Jan Pieter Waterloo

    ΔE 5.5 · close

    57% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 6.6 · close

    62% of canvas

What ΔE means, and what this does not measure