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#f1dcb1

Ranked by perceptual distance

Works near #f1dcb1

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 4.5 · very close

    75% of canvas

  • Mercury by Jan Harmensz. Muller, c. 1600

    Mercury

    Jan Harmensz. Muller

    ΔE 2.9 · very close

    64% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 5.2 · close

    75% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 5.9 · close

    74% of canvas

  • Canterbury Pilgrims by Thomas Stothard, c. 1807

    Canterbury Pilgrims

    Thomas Stothard

    ΔE 2.9 · very close

    57% of canvas

  • Indian Village Beside Stream by Unknown artist, n.d.

    Indian Village Beside Stream

    Unknown artist

    ΔE 4.7 · very close

    65% of canvas

  • Full Length Portrait of a Man Standing near Balustrade by John Vanderbank, c. 1737

    Full Length Portrait of a Man Standing near Balustrade

    John Vanderbank

    ΔE 4.7 · very close

    64% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 6.3 · close

    71% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 8.2 · close

    80% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 2.9 · very close

    53% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 6.9 · close

    73% of canvas

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 7.0 · close

    73% of canvas

  • Brook in Forest by Unknown artist, n.d.

    Brook in Forest

    Unknown artist

    ΔE 5.2 · close

    64% of canvas

  • Inconvenient Partners in Waltzing by Isaac Robert Cruikshank, 1817/19

    Inconvenient Partners in Waltzing

    Isaac Robert Cruikshank

    ΔE 4.8 · very close

    62% of canvas

  • Young Bacchus and Companions by Ignatius van Logteren, n.d.

    Young Bacchus and Companions

    Ignatius van Logteren

    ΔE 0.9 · near-exact

    42% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.6 · close

    70% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 6.5 · close

    69% of canvas

  • Upper Torso with Upstretched Arms by Unknown artist, n.d.

    Upper Torso with Upstretched Arms

    Unknown artist

    ΔE 5.9 · close

    66% of canvas

  • Profile Bust of a Woman Wearing a Cap by Unknown, n.d.

    Profile Bust of a Woman Wearing a Cap

    Unknown

    ΔE 3.3 · very close

    52% of canvas

  • The lady with the small raised cap, after a print from La Noblesse by Unknown artist, 1630s (?)

    The lady with the small raised cap, after a print from La Noblesse

    Unknown artist

    ΔE 5.3 · close

    60% of canvas

  • A Country Mouse by Katherine May Roberts, n.d.

    A Country Mouse

    Katherine May Roberts

    ΔE 6.3 · close

    65% of canvas

  • Wolf by Jan van Os, 1655

    Wolf

    Jan van Os

    ΔE 5.2 · close

    59% of canvas

  • Landscape with Bridge and Ruins by Franz Kobell, n.d.

    Landscape with Bridge and Ruins

    Franz Kobell

    ΔE 0.2 · near-exact

    34% of canvas

  • Saint Sebastian by Vincenzo Campi, 1580s

    Saint Sebastian

    Vincenzo Campi

    ΔE 4.6 · very close

    56% of canvas

  • Fishing Boat on Shore by J. K. Rutter, c. 1878

    Fishing Boat on Shore

    J. K. Rutter

    ΔE 8.2 · close

    74% of canvas

  • Saint Albans Steeplechase by Reeves, 1837

    Saint Albans Steeplechase

    Reeves

    ΔE 4.1 · very close

    53% of canvas

  • Two Horses Fighting Dog by Johann Georg Pforr, n.d.

    Two Horses Fighting Dog

    Johann Georg Pforr

    ΔE 3.4 · very close

    49% of canvas

  • Scene from Racine's Athalie by Charles Abraham Chasselat, 1817

    Scene from Racine's Athalie

    Charles Abraham Chasselat

    ΔE 6.1 · close

    63% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 6.5 · close

    63% of canvas

  • Bust of Soldier by Charles Parrocel, n.d.

    Bust of Soldier

    Charles Parrocel

    ΔE 4.4 · very close

    50% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 9.0 · close

    73% of canvas

  • Men Carrying Nets by John Skinner Prout, n.d.

    Men Carrying Nets

    John Skinner Prout

    ΔE 6.3 · close

    59% of canvas

  • View of San Miniato and San Francesco al Monte Outside Florence by Valerio Spada, n.d.

    View of San Miniato and San Francesco al Monte Outside Florence

    Valerio Spada

    ΔE 4.6 · very close

    51% of canvas

  • Fragment by Egypt, Mamluk period (1250–1517), 14th century

    Fragment

    Egypt

    ΔE 7.1 · close

    63% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 7.2 · close

    64% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 7.3 · close

    64% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 7.8 · close

    66% of canvas

  • Symptoms of a Skurry, plate three from The Leicestershire Hunt by John Dean Paul, published 1825

    Symptoms of a Skurry, plate three from The Leicestershire Hunt

    John Dean Paul

    ΔE 6.8 · close

    61% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 7.7 · close

    65% of canvas

  • Shepherd by Unknown, 17th century

    Shepherd

    Unknown

    ΔE 1.3 · near-exact

    33% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 5.1 · close

    51% of canvas

  • The Death by John Dean Paul, 1825

    The Death

    John Dean Paul

    ΔE 7.9 · close

    65% of canvas

  • Cumean Sibyl by Style of Bartolomeo Passarotti, n.d.

    Cumean Sibyl

    Style of Bartolomeo Passarotti

    ΔE 5.4 · close

    52% of canvas

  • A Struggle for the Start, plate one from The Leicestershire Hunt by John Dean Paul, published 1825

    A Struggle for the Start, plate one from The Leicestershire Hunt

    John Dean Paul

    ΔE 7.0 · close

    60% of canvas

  • Corner of State and Washington Streets, Chicago, in the Year 1865 by Raoul Varin, 1928

    Corner of State and Washington Streets, Chicago, in the Year 1865

    Raoul Varin

    ΔE 5.0 · close

    50% of canvas

  • La Grande Capucine by Lex de Renault, n.d.

    La Grande Capucine

    Lex de Renault

    ΔE 6.5 · close

    57% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 9.6 · close

    72% of canvas

  • Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 5.8 · close

    53% of canvas

  • The Shulamite by Odilon Redon, 1897

    The Shulamite

    Odilon Redon

    ΔE 5.4 · close

    51% of canvas

  • Outside of Haarlem by Jan Pieter Waterloo, 1833

    Outside of Haarlem

    Jan Pieter Waterloo

    ΔE 6.6 · close

    57% of canvas

  • “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse by Honoré-Victorin Daumier, 1857

    “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse

    Honoré-Victorin Daumier

    ΔE 6.7 · close

    57% of canvas

  • Statue of Mercury by Michael Henry Spang, n.d.

    Statue of Mercury

    Michael Henry Spang

    ΔE 4.2 · very close

    45% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 3.0 · very close

    39% of canvas

  • Design for an Andiron by Unknown, 18th century

    Design for an Andiron

    Unknown

    ΔE 4.7 · very close

    46% of canvas

  • Actors Ichikawa Danjôrô V as Gokuin Sen’emon, Bandô Mitsugorô I as An no Heibei, and Nakamura Sukegorô II as Kaminari Shôkurô in “A Soga Drama on the First Festival Day in the Pleasure District” (“Hatsumombi Kuruwa Soga”) by Katsukawa Shunsho, About 1780

    Actors Ichikawa Danjôrô V as Gokuin Sen’emon, Bandô Mitsugorô I as An no Heibei, and Nakamura Sukegorô II as Kaminari Shôkurô in “A Soga Drama on the First Festival Day in the Pleasure District” (“Hatsumombi Kuruwa Soga”)

    Katsukawa Shunsho

    ΔE 5.4 · close

    50% of canvas

  • Cavaliers Taking Leave of Their Sweethearts by David Balthasar Wagner, 1662

    Cavaliers Taking Leave of Their Sweethearts

    David Balthasar Wagner

    ΔE 2.5 · very close

    36% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 7.8 · close

    62% of canvas

  • Landscape with Ruined Arch near Water, and Mountains in Distance by Style of Giovanni Francesco Grimaldi, n.d.

    Landscape with Ruined Arch near Water, and Mountains in Distance

    Style of Giovanni Francesco Grimaldi

    ΔE 3.7 · very close

    41% of canvas

  • Boreas and Oreithyia by Style of Giovanni Domenico Ferretti, n.d.

    Boreas and Oreithyia

    Style of Giovanni Domenico Ferretti

    ΔE 4.7 · very close

    46% of canvas

  • Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" by Katsushika Hokusai, c. 1806

    Yui, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)""

    Katsushika Hokusai

    ΔE 4.5 · very close

    45% of canvas

What ΔE means, and what this does not measure