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#f2edda

Ranked by perceptual distance

Works near #f2edda

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 2.2 · very close

    74% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 3.0 · very close

    74% of canvas

  • Women and Child at the Edge of the Water by Suzanne Valadon, 1904

    Women and Child at the Edge of the Water

    Suzanne Valadon

    ΔE 2.6 · very close

    72% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 3.2 · very close

    73% of canvas

  • Henry Brandon by Francesco Bartolozzi, published March 26, 1798

    Henry Brandon

    Francesco Bartolozzi

    ΔE 4.1 · very close

    77% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 3.0 · very close

    71% of canvas

  • Mill Stream by David Lucas, 1831

    Mill Stream

    David Lucas

    ΔE 4.7 · very close

    79% of canvas

  • Portrait of a Woman by Karl Koepping, n.d.

    Portrait of a Woman

    Karl Koepping

    ΔE 1.0 · near-exact

    60% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 3.0 · very close

    70% of canvas

  • Charles Brandon by Francesco Bartolozzi, 1798

    Charles Brandon

    Francesco Bartolozzi

    ΔE 4.2 · very close

    75% of canvas

  • Weymouth Bay, Dorsetshire by David Lucas, 1830

    Weymouth Bay, Dorsetshire

    David Lucas

    ΔE 4.0 · very close

    73% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 1.8 · near-exact

    62% of canvas

  • Sailboats on Sea by Unknown artist, n.d.

    Sailboats on Sea

    Unknown artist

    ΔE 1.9 · near-exact

    62% of canvas

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 4.2 · very close

    73% of canvas

  • Design for Escutcheon, with Skulls by Unknown Genoese, n.d.

    Design for Escutcheon, with Skulls

    Unknown Genoese

    ΔE 0.7 · near-exact

    56% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 3.2 · very close

    68% of canvas

  • Two Gentlemen Seated Under Lamp Post with Japanese Umbrella by S. F. Paynter, 1850/1911

    Two Gentlemen Seated Under Lamp Post with Japanese Umbrella

    S. F. Paynter

    ΔE 3.0 · very close

    67% of canvas

  • Man and Woman Riding Horses at Hunt by Francis Arthur Fraser, n.d.

    Man and Woman Riding Horses at Hunt

    Francis Arthur Fraser

    ΔE 2.9 · very close

    66% of canvas

  • Design for Escutcheon, with Artist's Instruments by Unknown Genoese, n.d.

    Design for Escutcheon, with Artist's Instruments

    Unknown Genoese

    ΔE 1.6 · near-exact

    60% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.8 · very close

    70% of canvas

  • Hadley Castle, Near the Nore by David Lucas, n.d.

    Hadley Castle, Near the Nore

    David Lucas

    ΔE 4.5 · very close

    73% of canvas

  • The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV

    William Blake

    ΔE 2.6 · very close

    64% of canvas

  • Pair of Lappets (Joined) by France, probably Bayeux, 1850s

    Pair of Lappets (Joined)

    France, probably Bayeux

    ΔE 8.9 · close

    95% of canvas

  • Were They Coming to That Very Room? (The Knights of the Square Table) by A. Monro, c. 1890

    Were They Coming to That Very Room? (The Knights of the Square Table)

    A. Monro

    ΔE 1.7 · near-exact

    58% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 6.0 · close

    80% of canvas

  • Scarab Amulet by Ancient Egyptian, Late Period, Dynasty 26 (664-525 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 1.8 · near-exact

    59% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 4.1 · very close

    69% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 2.8 · very close

    63% of canvas

  • Symptoms of a Skurry, plate three from The Leicestershire Hunt by John Dean Paul, published 1825

    Symptoms of a Skurry, plate three from The Leicestershire Hunt

    John Dean Paul

    ΔE 2.5 · very close

    61% of canvas

  • A Struggle for the Start, plate one from The Leicestershire Hunt by John Dean Paul, published 1825

    A Struggle for the Start, plate one from The Leicestershire Hunt

    John Dean Paul

    ΔE 2.4 · very close

    60% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 5.1 · close

    73% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 4.7 · very close

    71% of canvas

  • Glebe Farm by David Lucas, published June 1832

    Glebe Farm

    David Lucas

    ΔE 5.5 · close

    75% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 3.6 · very close

    65% of canvas

  • Mastoid (Drinking Cup) by Caylus Painter, about 500-480 BCE

    Mastoid (Drinking Cup)

    Caylus Painter

    ΔE 6.3 · close

    79% of canvas

  • Statue of Cupid by Unknown artist, n.d.

    Statue of Cupid

    Unknown artist

    ΔE 0.1 · near-exact

    48% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 5.4 · close

    74% of canvas

  • The Death by John Dean Paul, 1825

    The Death

    John Dean Paul

    ΔE 3.7 · very close

    65% of canvas

  • Three Riders at a Hunt by Francis Arthur Fraser, 1867/83

    Three Riders at a Hunt

    Francis Arthur Fraser

    ΔE 2.8 · very close

    60% of canvas

  • Earring with Dolphin Head Finial by Ancient Greek, 3rd-2nd century BCE

    Earring with Dolphin Head Finial

    Ancient Greek

    ΔE 7.9 · close

    85% of canvas

  • Pair of Lappets (Joined) by France, probably Bayeux, 1850s/60s

    Pair of Lappets (Joined)

    France, probably Bayeux

    ΔE 8.9 · close

    90% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 3.7 · very close

    64% of canvas

  • Alexander and the Family of Darius by Charles Le Brun, 18th century

    Alexander and the Family of Darius

    Charles Le Brun

    ΔE 1.4 · near-exact

    52% of canvas

  • Mastoid (Drinking Cup) with Handles by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup) with Handles

    Ancient Greek

    ΔE 6.7 · close

    78% of canvas

  • Pair of Lappets (Joined) by France, probably Bayeux, 1860s/70s

    Pair of Lappets (Joined)

    France, probably Bayeux

    ΔE 8.9 · close

    89% of canvas

  • Pair of Lappets (Joined) by France, Bayeux, 1801/1900

    Pair of Lappets (Joined)

    France, Bayeux

    ΔE 8.9 · close

    89% of canvas

  • Seamstress by Claude Jean Baptiste Hoin, n.d.

    Seamstress

    Claude Jean Baptiste Hoin

    ΔE 2.8 · very close

    58% of canvas

  • Hunting Scene: Horse and Thrown Rider by Francis Arthur Fraser, 1867/83

    Hunting Scene: Horse and Thrown Rider

    Francis Arthur Fraser

    ΔE 3.1 · very close

    59% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 5.7 · close

    72% of canvas

  • The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII. by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.

    William Blake

    ΔE 3.9 · very close

    63% of canvas

  • It Rocks but is Not Sunk by Charles Meryon, 1854

    It Rocks but is Not Sunk

    Charles Meryon

    ΔE 2.7 · very close

    57% of canvas

  • Pair of Lappets (Joined) by France, Bayeux, 1850s/60s

    Pair of Lappets (Joined)

    France, Bayeux

    ΔE 8.9 · close

    87% of canvas

  • Town and Castle of Hay by Joseph Murray Ince, 1844

    Town and Castle of Hay

    Joseph Murray Ince

    ΔE 2.8 · very close

    56% of canvas

  • Horseman and Horsewoman in Park by Francis Arthur Fraser, 1867/83

    Horseman and Horsewoman in Park

    Francis Arthur Fraser

    ΔE 2.9 · very close

    57% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 4.0 · very close

    62% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 4.4 · very close

    64% of canvas

  • Fragmentary Figurine of a Monkey by Ancient Greek, 3rd-1st century BCE

    Fragmentary Figurine of a Monkey

    Ancient Greek

    ΔE 9.8 · close

    90% of canvas

  • Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing) by Pieter Jansz. Quast, n.d.

    Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)

    Pieter Jansz. Quast

    ΔE 3.7 · very close

    59% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 7.1 · close

    75% of canvas

  • Port of the Alhambra from the Dario by Richard Ford, n.d.

    Port of the Alhambra from the Dario

    Richard Ford

    ΔE 3.1 · very close

    55% of canvas

What ΔE means, and what this does not measure