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#f3e6cb

Ranked by perceptual distance

Works near #f3e6cb

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.2 · very close

    70% of canvas

  • The lady with the small raised cap, after a print from La Noblesse by Unknown artist, 1630s (?)

    The lady with the small raised cap, after a print from La Noblesse

    Unknown artist

    ΔE 0.1 · near-exact

    60% of canvas

  • Fragment by Italy or Spain, 1625/50

    Fragment

    Italy or Spain

    ΔE 4.6 · very close

    80% of canvas

  • Wolf by Jan van Os, 1655

    Wolf

    Jan van Os

    ΔE 0.5 · near-exact

    59% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 1.3 · near-exact

    63% of canvas

  • Full Length Portrait of a Man Standing near Balustrade by John Vanderbank, c. 1737

    Full Length Portrait of a Man Standing near Balustrade

    John Vanderbank

    ΔE 1.7 · near-exact

    64% of canvas

  • Symptoms of a Skurry, plate three from The Leicestershire Hunt by John Dean Paul, published 1825

    Symptoms of a Skurry, plate three from The Leicestershire Hunt

    John Dean Paul

    ΔE 1.6 · near-exact

    61% of canvas

  • Young Woman Bearing Flowers by Samuel Lane, 1812

    Young Woman Bearing Flowers

    Samuel Lane

    ΔE 4.4 · very close

    74% of canvas

  • Fox Hunt, Lady and Gentleman Riders by W. H. Temple, c. 1865

    Fox Hunt, Lady and Gentleman Riders

    W. H. Temple

    ΔE 4.3 · very close

    73% of canvas

  • Mercury by Jan Harmensz. Muller, c. 1600

    Mercury

    Jan Harmensz. Muller

    ΔE 2.5 · very close

    64% of canvas

  • Standing Horse by Unknown artist, n.d.

    Standing Horse

    Unknown artist

    ΔE 4.0 · very close

    71% of canvas

  • Riders and Dogs at Hunt by Francis Arthur Fraser, 1867/83

    Riders and Dogs at Hunt

    Francis Arthur Fraser

    ΔE 3.6 · very close

    69% of canvas

  • A Struggle for the Start, plate one from The Leicestershire Hunt by John Dean Paul, published 1825

    A Struggle for the Start, plate one from The Leicestershire Hunt

    John Dean Paul

    ΔE 1.8 · near-exact

    60% of canvas

  • A Warrior in Full Armor in a Grotto by Salvator Rosa, n.d.

    A Warrior in Full Armor in a Grotto

    Salvator Rosa

    ΔE 4.7 · very close

    73% of canvas

  • Seated Old Man with Crutch by Hans Heinrich Meyer, n.d.

    Seated Old Man with Crutch

    Hans Heinrich Meyer

    ΔE 4.8 · very close

    73% of canvas

  • Two Dogs Fighting by Unknown artist, n.d.

    Two Dogs Fighting

    Unknown artist

    ΔE 5.2 · close

    75% of canvas

  • Amulet of the Goddess Nephthys by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of the Goddess Nephthys

    Ancient Egyptian

    ΔE 5.6 · close

    74% of canvas

  • Sailboats on Sea by Unknown artist, n.d.

    Sailboats on Sea

    Unknown artist

    ΔE 3.3 · very close

    62% of canvas

  • Seamstress by Claude Jean Baptiste Hoin, n.d.

    Seamstress

    Claude Jean Baptiste Hoin

    ΔE 2.5 · very close

    58% of canvas

  • Inconvenient Partners in Waltzing by Isaac Robert Cruikshank, 1817/19

    Inconvenient Partners in Waltzing

    Isaac Robert Cruikshank

    ΔE 3.3 · very close

    62% of canvas

  • Henry Brandon by Francesco Bartolozzi, published March 26, 1798

    Henry Brandon

    Francesco Bartolozzi

    ΔE 6.6 · close

    77% of canvas

  • Going to Cover by W. H. Temple, 1865

    Going to Cover

    W. H. Temple

    ΔE 4.3 · very close

    65% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 4.2 · very close

    64% of canvas

  • Mill Stream by David Lucas, 1831

    Mill Stream

    David Lucas

    ΔE 7.2 · close

    79% of canvas

  • Boreas and Oreithyia by Style of Giovanni Domenico Ferretti, n.d.

    Boreas and Oreithyia

    Style of Giovanni Domenico Ferretti

    ΔE 0.6 · near-exact

    46% of canvas

  • Charles Brandon by Francesco Bartolozzi, 1798

    Charles Brandon

    Francesco Bartolozzi

    ΔE 6.4 · close

    75% of canvas

  • The Death by John Dean Paul, 1825

    The Death

    John Dean Paul

    ΔE 4.5 · very close

    65% of canvas

  • Canterbury Pilgrims by Thomas Stothard, c. 1807

    Canterbury Pilgrims

    Thomas Stothard

    ΔE 3.0 · very close

    57% of canvas

  • Portrait of a Woman by Karl Koepping, n.d.

    Portrait of a Woman

    Karl Koepping

    ΔE 3.5 · very close

    60% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 4.3 · very close

    64% of canvas

  • The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV

    William Blake

    ΔE 4.7 · very close

    64% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 6.8 · close

    74% of canvas

  • Scarab Amulet by Ancient Egyptian, Ptolemaic Period (332–30 BCE)

    Scarab Amulet

    Ancient Egyptian

    ΔE 6.5 · close

    72% of canvas

  • Design for Escutcheon, with Artist's Instruments by Unknown Genoese, n.d.

    Design for Escutcheon, with Artist's Instruments

    Unknown Genoese

    ΔE 4.0 · very close

    60% of canvas

  • Saint Sebastian by Vincenzo Campi, 1580s

    Saint Sebastian

    Vincenzo Campi

    ΔE 3.2 · very close

    56% of canvas

  • Breton Girl by Paul Sérusier, c. 1890

    Breton Girl

    Paul Sérusier

    ΔE 7.0 · close

    75% of canvas

  • Women and Child at the Edge of the Water by Suzanne Valadon, 1904

    Women and Child at the Edge of the Water

    Suzanne Valadon

    ΔE 6.6 · close

    72% of canvas

  • Hadley Castle, Near the Nore by David Lucas, n.d.

    Hadley Castle, Near the Nore

    David Lucas

    ΔE 6.9 · close

    73% of canvas

  • The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX by William Blake, 1827, printed c. 1892

    The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX

    William Blake

    ΔE 4.6 · very close

    62% of canvas

  • Scene from Racine's Athalie by Charles Abraham Chasselat, 1817

    Scene from Racine's Athalie

    Charles Abraham Chasselat

    ΔE 4.8 · very close

    63% of canvas

  • The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII. by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.

    William Blake

    ΔE 4.9 · very close

    63% of canvas

  • Weymouth Bay, Dorsetshire by David Lucas, 1830

    Weymouth Bay, Dorsetshire

    David Lucas

    ΔE 6.9 · close

    73% of canvas

  • The Parisian “- Tell me, good man, what are you doing with all these cows once they have become old and don't give milk any more? The Cowherd “- Silly question... we make oxen out of them!,” plate 13 from Ces Bons Parisiens by Honoré-Victorin Daumier, 1857

    The Parisian “- Tell me, good man, what are you doing with all these cows once they have become old and don't give milk any more? The Cowherd “- Silly question... we make oxen out of them!,” plate 13 from Ces Bons Parisiens

    Honoré-Victorin Daumier

    ΔE 2.8 · very close

    52% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 4.3 · very close

    59% of canvas

  • Corner of State and Washington Streets, Chicago, in the Year 1865 by Raoul Varin, 1928

    Corner of State and Washington Streets, Chicago, in the Year 1865

    Raoul Varin

    ΔE 2.4 · very close

    50% of canvas

  • Brook in Forest by Unknown artist, n.d.

    Brook in Forest

    Unknown artist

    ΔE 5.3 · close

    64% of canvas

  • St. Agnes by Martin Schongauer, c. 1470-1490

    St. Agnes

    Martin Schongauer

    ΔE 3.7 · very close

    56% of canvas

  • Recto: A River God; verso: a sonnet by Santi Rinaldi by Unknown Florentine, late 1600s

    Recto: A River God; verso: a sonnet by Santi Rinaldi

    Unknown Florentine

    ΔE 5.8 · close

    66% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 3.3 · very close

    53% of canvas

  • Upper Torso with Upstretched Arms by Unknown artist, n.d.

    Upper Torso with Upstretched Arms

    Unknown artist

    ΔE 5.9 · close

    66% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 6.8 · close

    71% of canvas

  • Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.4 · very close

    53% of canvas

  • Amulet of a Reclining Cow by Ancient Egyptian, Third Intermediate Period, Dynasty 21–25 (1070–656 BCE)

    Amulet of a Reclining Cow

    Ancient Egyptian

    ΔE 5.1 · close

    62% of canvas

  • Cumean Sibyl by Style of Bartolomeo Passarotti, n.d.

    Cumean Sibyl

    Style of Bartolomeo Passarotti

    ΔE 3.2 · very close

    52% of canvas

  • Design for Escutcheon, with Skulls by Unknown Genoese, n.d.

    Design for Escutcheon, with Skulls

    Unknown Genoese

    ΔE 4.0 · very close

    56% of canvas

  • A Country Mouse by Katherine May Roberts, n.d.

    A Country Mouse

    Katherine May Roberts

    ΔE 5.8 · close

    65% of canvas

  • Men Carrying Nets by John Skinner Prout, n.d.

    Men Carrying Nets

    John Skinner Prout

    ΔE 4.7 · very close

    59% of canvas

  • Monumental Vase with Anthropomorphic Figures by Jacques François Joseph Saly, after 1746

    Monumental Vase with Anthropomorphic Figures

    Jacques François Joseph Saly

    ΔE 4.3 · very close

    57% of canvas

  • Man and Woman Riding Horses at Hunt by Francis Arthur Fraser, n.d.

    Man and Woman Riding Horses at Hunt

    Francis Arthur Fraser

    ΔE 6.2 · close

    66% of canvas

  • Bust of Soldier by Charles Parrocel, n.d.

    Bust of Soldier

    Charles Parrocel

    ΔE 3.1 · very close

    50% of canvas

What ΔE means, and what this does not measure