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#496872

Ranked by perceptual distance

Works near #496872

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Panel by Spain, 1525-1575

    Panel

    Spain

    ΔE 0.2 · near-exact

    21% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 14.1 · loosely related

    86% of canvas

  • Fragment by France, 1750/1800

    Fragment

    France

    ΔE 3.6 · very close

    34% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.1 · loosely related

    91% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 11.5 · close

    70% of canvas

  • Moonlight on Bay by B. Murch, c. 1800

    Moonlight on Bay

    B. Murch

    ΔE 9.6 · close

    56% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 1.0 · near-exact

    12% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 9.8 · close

    54% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 10.9 · close

    58% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 10.5 · close

    53% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 7.2 · close

    27% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 13.6 · loosely related

    52% of canvas

  • Mastoid (Drinking Cup) by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup)

    Ancient Greek

    ΔE 9.7 · close

    32% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 12.7 · loosely related

    46% of canvas

  • Yui: The Yui River (Yui, Yuigawa), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Yui: The Yui River (Yui, Yuigawa), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 5.7 · close

    10% of canvas

  • Fragment (From a Quilt) by Fauquet-Lemaître, 18th century

    Fragment (From a Quilt)

    Fauquet-Lemaître

    ΔE 7.1 · close

    15% of canvas

  • Long Shawl (Turnover) by India, 19th century

    Long Shawl (Turnover)

    India

    ΔE 5.2 · close

    6% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 13.4 · loosely related

    46% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 12.0 · loosely related

    36% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 14.8 · loosely related

    48% of canvas

  • Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 7.5 · close

    12% of canvas

  • Earring by Ancient Egyptian, New Kingdom, mid- to late Dynasty 18, about 1400–1295 BCE

    Earring

    Ancient Egyptian

    ΔE 5.9 · close

    4% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 16.6 · loosely related

    57% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 16.6 · loosely related

    57% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 15.9 · loosely related

    53% of canvas

  • Cuckoo, Pine Brach, and Full Moon by Utagawa Hiroshige, c. 1843/47

    Cuckoo, Pine Brach, and Full Moon

    Utagawa Hiroshige

    ΔE 9.1 · close

    19% of canvas

  • Kosode by Japan, Edo period (1615–1868), 1775/1800

    Kosode

    Japan

    ΔE 8.6 · close

    16% of canvas

  • Flounce by Belgium, 1875/1900

    Flounce

    Belgium

    ΔE 11.6 · close

    31% of canvas

  • Oiso, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Oiso, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 8.0 · close

    12% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 12.9 · loosely related

    35% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 16.8 · loosely related

    54% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 15.0 · loosely related

    45% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 17.3 · loosely related

    57% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 11.6 · close

    28% of canvas

  • Numazu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Numazu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 6.6 · close

    2% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 14.6 · loosely related

    42% of canvas

  • Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Ejiri, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 6.9 · close

    3% of canvas

  • Panel by Probably France, 1711/13

    Panel

    Probably France

    ΔE 12.8 · loosely related

    32% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 18.5 · loosely related

    61% of canvas

  • Bottle by Ancient Roman, 1st century

    Bottle

    Ancient Roman

    ΔE 13.3 · loosely related

    34% of canvas

  • Panel by France, 1732/34

    Panel

    France

    ΔE 10.9 · close

    22% of canvas

  • Flounce by Belgium, Brussels, 1860s/90s

    Flounce

    Belgium, Brussels

    ΔE 11.3 · close

    24% of canvas

  • Altar Frontal by Italy, 18th century

    Altar Frontal

    Italy

    ΔE 10.5 · close

    19% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 14.6 · loosely related

    39% of canvas

  • Tunic by Nasca, 800-900

    Tunic

    Nasca

    ΔE 12.6 · loosely related

    29% of canvas

  • Waistcoat by England, 18th century

    Waistcoat

    England

    ΔE 12.4 · loosely related

    28% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 10.1 · close

    16% of canvas

  • Dish by China, c. 1765

    Dish

    China

    ΔE 12.3 · loosely related

    27% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 15.8 · loosely related

    44% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 13.5 · loosely related

    32% of canvas

  • Seated Woman by Pierre-Jacques Volaire, n.d.

    Seated Woman

    Pierre-Jacques Volaire

    ΔE 16.2 · loosely related

    46% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 12.6 · loosely related

    28% of canvas

  • Flower Girl in Holland by George Hitchcock, 1887

    Flower Girl in Holland

    George Hitchcock

    ΔE 13.1 · loosely related

    30% of canvas

  • Kantharos (Wine Cup) by Kantharos Group, about 300 BCE

    Kantharos (Wine Cup)

    Kantharos Group

    ΔE 14.0 · loosely related

    34% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 18.2 · loosely related

    55% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 11.7 · close

    23% of canvas

  • Priam Begging the Body of Hector by William Hackwood, c. 1785

    Priam Begging the Body of Hector

    William Hackwood

    ΔE 9.6 · close

    12% of canvas

  • Flounce by Belgium, Brussels, 1860s

    Flounce

    Belgium, Brussels

    ΔE 11.6 · close

    22% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 17.9 · loosely related

    54% of canvas

  • Fragment by France, Late 17th century

    Fragment

    France

    ΔE 11.9 · close

    23% of canvas

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