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#535650

Ranked by perceptual distance

Works near #535650

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 5.2 · close

    86% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 4.7 · very close

    58% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 4.0 · very close

    53% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 5.2 · close

    57% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 5.2 · close

    54% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 5.9 · close

    57% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 6.0 · close

    57% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 4.3 · very close

    46% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 1.8 · near-exact

    33% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 6.2 · close

    54% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 3.5 · very close

    39% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 4.3 · very close

    42% of canvas

  • Panel (Furnishing Fabric) by France, 19th century

    Panel (Furnishing Fabric)

    France

    ΔE 0.4 · near-exact

    22% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 7.1 · close

    54% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 5.3 · close

    44% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 6.2 · close

    48% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 1.6 · near-exact

    25% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 1.1 · near-exact

    20% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.4 · loosely related

    91% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 6.3 · close

    45% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 4.4 · very close

    35% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 10.6 · close

    66% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 8.9 · close

    56% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.3 · very close

    28% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 3.7 · very close

    30% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 4.5 · very close

    32% of canvas

  • Panel by France or Italy, c. 1860/1890 (based on a 1720s lace pattern)

    Panel

    France or Italy

    ΔE 2.5 · very close

    22% of canvas

  • Flounce by Belgium, Brussels, 1860s/90s

    Flounce

    Belgium, Brussels

    ΔE 2.9 · very close

    24% of canvas

  • Judith with the Head of Holofernes by Girolamo Mocetto, n.d.

    Judith with the Head of Holofernes

    Girolamo Mocetto

    ΔE 3.0 · very close

    23% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 4.5 · very close

    30% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 4.3 · very close

    29% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 5.0 · close

    32% of canvas

  • Rocky Pool by Thomas Monro, n.d.

    Rocky Pool

    Thomas Monro

    ΔE 2.5 · very close

    20% of canvas

  • Tunic by Nasca, 800-900

    Tunic

    Nasca

    ΔE 4.4 · very close

    29% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 9.7 · close

    55% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 10.8 · close

    61% of canvas

  • The Second Knot by Albrecht Dürer, c. 1507

    The Second Knot

    Albrecht Dürer

    ΔE 3.4 · very close

    24% of canvas

  • Alpine Club by Louis Oscar Roty, c. 1880/92

    Alpine Club

    Louis Oscar Roty

    ΔE 3.6 · very close

    24% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 4.4 · very close

    28% of canvas

  • Two Borders by Belgium or France, 1870s

    Two Borders

    Belgium or France

    ΔE 3.3 · very close

    23% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 4.4 · very close

    28% of canvas

  • Shoe (Single) by Probably England, 1770s

    Shoe (Single)

    Probably England

    ΔE 1.7 · near-exact

    14% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 12.8 · loosely related

    70% of canvas

  • St. George on Horseback, Killing the Dragon by Master Allaert Claesz, n.d.

    St. George on Horseback, Killing the Dragon

    Master Allaert Claesz

    ΔE 4.7 · very close

    29% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 4.7 · very close

    28% of canvas

  • King Henry of France and Saint Bernard of Clairvaux by Johann Christoph Lischka, n.d.

    King Henry of France and Saint Bernard of Clairvaux

    Johann Christoph Lischka

    ΔE 3.6 · very close

    22% of canvas

  • The Fifth Knot by Albrecht Dürer, c. 1507

    The Fifth Knot

    Albrecht Dürer

    ΔE 3.8 · very close

    23% of canvas

  • The Sixth Knot by Albrecht Dürer, c. 1507

    The Sixth Knot

    Albrecht Dürer

    ΔE 4.4 · very close

    26% of canvas

  • Border by France, 1775/1825

    Border

    France

    ΔE 3.0 · very close

    19% of canvas

  • The Witch by Circle of Alessandro Magnasco, 1700–1725

    The Witch

    Circle of Alessandro Magnasco

    ΔE 5.0 · very close

    29% of canvas

  • Commemorating Ferdinand Dutert, Architect by Jules Clément Chaplain, c. 1880/92

    Commemorating Ferdinand Dutert, Architect

    Jules Clément Chaplain

    ΔE 3.2 · very close

    19% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 4.4 · very close

    26% of canvas

  • Flower Girl in Holland by George Hitchcock, 1887

    Flower Girl in Holland

    George Hitchcock

    ΔE 5.4 · close

    30% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 5.7 · close

    32% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 6.7 · close

    36% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 5.3 · close

    29% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 6.8 · close

    37% of canvas

  • The Adoration of the Shepherds by Master H.E., c. 1520

    The Adoration of the Shepherds

    Master H.E.

    ΔE 2.9 · very close

    17% of canvas

  • Double-Chambered Strap Vessel with Sculpted Bird Head by Chimú, 1200–1450

    Double-Chambered Strap Vessel with Sculpted Bird Head

    Chimú

    ΔE 5.6 · close

    30% of canvas

  • Portrait Bust of a Young Girl by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of a Young Girl

    Jules Clément Chaplain

    ΔE 6.3 · close

    33% of canvas

What ΔE means, and what this does not measure