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#5a595c

Ranked by perceptual distance

Works near #5a595c

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 4.9 · very close

    86% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 3.7 · very close

    58% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 3.5 · very close

    54% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 3.6 · very close

    53% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 2.5 · very close

    46% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 5.9 · close

    57% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 6.1 · close

    57% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 13.3 · loosely related

    91% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 6.7 · close

    57% of canvas

  • Anacreon with the Infants Bacchus and Cupid by Jean Léon Gérôme, Modeled 1878, cast c. 1893

    Anacreon with the Infants Bacchus and Cupid

    Jean Léon Gérôme

    ΔE 1.4 · near-exact

    29% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 4.0 · very close

    42% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 8.0 · close

    61% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 2.9 · very close

    35% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 5.7 · close

    48% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 10.3 · close

    70% of canvas

  • Tunic by Nasca, 800-900

    Tunic

    Nasca

    ΔE 2.4 · very close

    29% of canvas

  • Dish by China, c. 1765

    Dish

    China

    ΔE 2.2 · very close

    27% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 2.5 · very close

    28% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 2.2 · very close

    26% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 3.6 · very close

    32% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 6.0 · close

    44% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 4.4 · very close

    36% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 3.1 · very close

    28% of canvas

  • Tea Bowl by China, c. 1750

    Tea Bowl

    China

    ΔE 0.2 · near-exact

    14% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 7.9 · close

    52% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 6.7 · close

    45% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 2.4 · very close

    23% of canvas

  • Double-Chambered Strap Vessel with Sculpted Bird Head by Chimú, 1200–1450

    Double-Chambered Strap Vessel with Sculpted Bird Head

    Chimú

    ΔE 3.9 · very close

    30% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 2.2 · very close

    21% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 6.0 · close

    39% of canvas

  • Plate by China, c. 1750

    Plate

    China

    ΔE 1.3 · near-exact

    15% of canvas

  • Flounce by Belgium, 1875/1900

    Flounce

    Belgium

    ΔE 4.6 · very close

    31% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 7.6 · close

    46% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 4.3 · very close

    29% of canvas

  • Platter by China, 1785/1800

    Platter

    China

    ΔE 2.0 · near-exact

    17% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 3.2 · very close

    23% of canvas

  • Soup Plate by English for the American market, c. 1790

    Soup Plate

    English for the American market

    ΔE 5.1 · close

    32% of canvas

  • The Witch by Circle of Alessandro Magnasco, 1700–1725

    The Witch

    Circle of Alessandro Magnasco

    ΔE 4.5 · very close

    29% of canvas

  • Headdress by Austria, 19th century

    Headdress

    Austria

    ΔE 2.3 · very close

    17% of canvas

  • Fan by France, Empire period, 19th century

    Fan

    France

    ΔE 2.7 · very close

    19% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 12.1 · loosely related

    66% of canvas

  • Long Housewife by England, 19th century

    Long Housewife

    England

    ΔE 2.2 · very close

    16% of canvas

  • Panel by France, 1732/34

    Panel

    France

    ΔE 3.4 · very close

    22% of canvas

  • Fragment by Italy, Late 15th century

    Fragment

    Italy

    ΔE 3.3 · very close

    21% of canvas

  • Orphrey by Spain or Italy, 16th century

    Orphrey

    Spain or Italy

    ΔE 3.0 · very close

    20% of canvas

  • Bell Pull by England, 1825/75

    Bell Pull

    England

    ΔE 2.4 · very close

    16% of canvas

  • Head Piece by France, probably Bayeux, 1850s

    Head Piece

    France, probably Bayeux

    ΔE 2.1 · very close

    15% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 2.2 · very close

    15% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 4.8 · very close

    28% of canvas

  • Panel by England or France, c. 1707

    Panel

    England or France

    ΔE 2.9 · very close

    19% of canvas

  • Flounce by Belgium, Brussels, 1860s/90s

    Flounce

    Belgium, Brussels

    ΔE 4.0 · very close

    24% of canvas

  • Fragment (Band) by Nasca, 700-900

    Fragment (Band)

    Nasca

    ΔE 3.5 · very close

    21% of canvas

  • Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects by Chimú, 1200–1450

    Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects

    Chimú

    ΔE 3.8 · very close

    22% of canvas

  • Fan by France, 1825/75

    Fan

    France

    ΔE 2.1 · very close

    13% of canvas

  • Chasuble by Spain, 1775/1825

    Chasuble

    Spain

    ΔE 3.9 · very close

    22% of canvas

  • Half Shawl by France, probably Bayeux, 1855/65

    Half Shawl

    France, probably Bayeux

    ΔE 3.3 · very close

    19% of canvas

  • Fan (Vernis Martin Type) by France, Louis XV period (1715–1774), 1725–1774

    Fan (Vernis Martin Type)

    France

    ΔE 2.5 · very close

    14% of canvas

  • Parasol by France, c.1870

    Parasol

    France

    ΔE 3.1 · very close

    17% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 10.8 · close

    55% of canvas

  • Altar Frontal by Italy, 18th century

    Altar Frontal

    Italy

    ΔE 3.5 · very close

    19% of canvas

What ΔE means, and what this does not measure